I explain: Stepping out of Kamma's studio, I feel that the designed gardens and their furnishings that I just observed in the studio make Green Hill Street tend to coincide with their ideal from which, it seems, they have absorbed an ideal character.

During the return, Green Hill Street ceased to be real and became significance. The gardens of immature emotions represent a projection of a certain internal presentation, thus condition.

In a strange way, the psychosomatic experience of these designs already exists within us before we see them. Seeing here means remembering. In these gardens, the design is not limited to its representational condition but returns as "heterotopia".

Under these terms, the coexistence of multiple points of view and the spatial practice of the design collage (without recognizable traces of origin), or of the optical samples, gains another dimension, as the artist insists.

[Excerpt from a publisher's or edition's presentation text]