The grandeur of Orson Welles' cinematic creation, expressed through landmark films in the history of the 7th Art, stands as a reference point, a cinematic milestone that innovates and opens up possibilities for further viewing of visual meanings, while simultaneously engaging personal reflection, no matter how often it has been - consciously or unconsciously - attempted to be relegated to the realm of oblivion.

All this takes place at a time when it seems that in cinema everything - or almost everything - has already been said, and the unease in finding new meanings and expressive ways is evident.

Pavlos Doikos, in his capacity as a theorist of cinematic language, undertakes here a detailed exploration - film by film - of the logic of the forms, which accounts for the uniqueness of the Wellesian universe.

(...)[Excerpt from the text on the back cover of the edition]