Bernard-Marie Koltès left behind a complete and comprehensive body of work capable of ensuring the transition from death to the life of theatre and, more specifically, from the decline of theatrical forms to their rebirth. The creation of a new, authentic, and revolutionary theatre demonstrates that the writer, in the seven years of his published dramatic output (1981-1988), undertook a task that responds to the demands of a transitional era seeking an identity or stabilization within a specific historical context, constrained either to stability or fluidity...