Wouldn't it be wonderful if you could take your voice to the craftsman, have him place it on his workbench, examine it, identify what needs to be repaired, and fix it? This is possible with all musical instruments except for the voice. The repairer of the voice is the owner of the instrument - the singer or speaker.

If there is no organic damage to a person's vocal equipment that requires medical intervention, the development of their voice is basically a matter of correct usage of the muscles related to sound production. In the first part of the book, I attempted to explain the possibilities that led to the malfunction of a certain voice.

The rest of the book contains exercises for voice reconstruction, and during this process, the student is taught a new way to handle their vocal instrument.