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Canon Full Frame Camera Lens 100mm f/2.8L IS USM Telephoto / Macro for Canon EF Mount Black
Camera Lenses

Canon Full Frame Camera Lens 100mm f/2.8L IS USM Telephoto / Macro for Canon EF Mount Black

The EF 100mm f/2.8L Macro IS USM lens has a true 1:1 macro magnification ratio, meaning the subject you photograph is depicted in its actual size on the camera sensor. This lens delivers stunning...

The EF 100mm f/2.8L Macro IS USM lens has a true 1:1 macro magnification ratio, meaning the subject you photograph is depicted in its actual size on the camera sensor. This lens delivers stunning results in portraits and handheld filmmaking, thanks to its ability to achieve a shallow depth of field with beautiful "bokeh" effect, combined with built-in Hybrid...

See full description See full description

  • Type

    Telephoto

    Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.

    Macro

    The lens has a macro function for photographing subjects from very close distances.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Focal Length

    Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all
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Product report

Description

Description

The EF 100mm f/2.8L Macro IS USM lens has a true 1:1 macro magnification ratio, meaning the subject you photograph is depicted in its actual size on the camera sensor. This lens delivers stunning results in portraits and handheld filmmaking, thanks to its ability to achieve a shallow depth of field with beautiful "bokeh" effect, combined with built-in Hybrid Image Stabilization.

While many Canon lenses feature Image Stabilization (IS), this lens boasts a revolutionary Hybrid Image Stabilization system to compensate for instability during close-up shots.

Shift-induced instability occurs when the camera moves parallel to the scene captured by the image sensor. Macro photography typically requires a stable tripod. However, the new Hybrid Image Stabilizer helps eliminate this instability.

Exceptional speed and quiet autofocus operation ensure optimal results, while allowing you to maintain a reasonable distance from your subject. Use the built-in focus limiter switch to further increase focusing speed.

The EF 100mm f/2.8L Macro IS USM, a member of the L series, is built with top-quality materials and sealed to withstand all shooting conditions. This lens is ideal for portraits due to its ultra-low dispersion (UD) lens element and the f/2.8 9-blade circular aperture.

The perfect dual-purpose addition to your gear! The EF 100mm f/2.8L Macro IS USM lens is excellent for portrait photography, allowing you to get close to your subject while maintaining stunning image quality.

The 100mm focal length is ideal for portraits, enabling flattering close-up shots without distortion. The Hybrid Image Stabilizer allows for beautiful images without a tripod and in low light conditions.

The f2.8 aperture allows for a shallow depth of field, creating a sense of distance and helping to separate the subject from the background.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Telephoto, Macro

Type

Telephoto
Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.
Macro
The lens has a macro function for photographing subjects from very close distances.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
32

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
100 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
625 gr
Mount
Canon EF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (6)

Reviews

4.8
6
4.8
Review this product
  1. 5
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Weight
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Aris_Paklatzis
    5
    6 out of 12 members found this review helpful
    Aris_Paklatzis

    Simply amazing. Incredible clarity. Fast, silent, and extremely accurate auto focus. Amazing hybrid stabilizer. 1:1 macro. Ideal for portraits, landscapes, and of course macro. Worth every euro you've paid. Requires an expensive filter for protection and to be dust and weatherproof. I have a B+W. I've had it for 8 years and it's still brand new.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • David_Boukhraidze_
    5
    6 out of 11 members found this review helpful
    David_Boukhraidze_

    Multitool!
    One of the best lenses I have ever bought. Incredible clarity. Amazing stabilizer. A must for videos.
    I have used it in the rain and it has no problem at all.
    As for the focusing, it is fast and silent.
    I have had it for 6 years and it is like new.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • karonas
    5
    12 out of 14 members found this review helpful
    karonas

    Amazing clarity and build quality.
    Quiet, although focusing is a bit slow.
    I would recommend manual focus, mainly through the very good feeling ring.
    The image stabilizer is barely noticeable.
    The lens is somewhat waterproof, so I can confidently use it in light drizzle.
    Of course, the purchase of a high-quality protective filter is necessary.

    Translated from Greek ·
    Did you find this review helpful?
  • 4
    George_Ouz

    Verified purchase

    This review is about the mount: Canon RF

    The lens shaves. A little bigger than I would like but very light.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    1 out of 1 members found this review helpful
    Pardal

    The best lens ever

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    Giannis_Mathioudakis

    Verified purchase

    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
  • Aris_Paklatzis
    5
    Aris_Paklatzis

    Simply amazing. Incredible clarity. Fast, silent, and extremely accurate auto focus. Amazing hybrid stabilizer. 1:1 macro. Ideal for portraits, landscapes, and of course macro. Worth every euro you've paid. Requires an expensive filter for protection and to be dust and weatherproof. I have a B+W. I've had it for 8 years and it's still brand new.

    Translated from Greek ·
    6
  • David_Boukhraidze_
    5
    David_Boukhraidze_

    Multitool!
    One of the best lenses I have ever bought. Incredible clarity. Amazing stabilizer. A must for videos.
    I have used it in the rain and it has no problem at all.
    As for the focusing, it is fast and silent.
    I have had it for 6 years and it is like new.

    Translated from Greek ·
    6
  • karonas
    5
    karonas

    Amazing clarity and build quality.
    Quiet, although focusing is a bit slow.
    I would recommend manual focus, mainly through the very good feeling ring.
    The image stabilizer is barely noticeable.
    The lens is somewhat waterproof, so I can confidently use it in light drizzle.
    Of course, the purchase of a high-quality protective filter is necessary.

    Translated from Greek ·
    12
  • 4
    George_Ouz

    The lens shaves. A little bigger than I would like but very light.

    Translated from Greek ·
    0
  • 5
    Pardal

    The best lens ever

    Translated from Greek ·
    1
  • See all

Description & Specifications

The EF 100mm f/2.8L Macro IS USM lens has a true 1:1 macro magnification ratio, meaning the subject you photograph is depicted in its actual size on the camera sensor. This lens delivers stunning results in portraits and handheld filmmaking, thanks to its ability to achieve a shallow depth of field with beautiful "bokeh" effect, combined with built-in Hybrid Image Stabilization.

While many Canon lenses feature Image Stabilization (IS), this lens boasts a revolutionary Hybrid Image Stabilization system to compensate for instability during close-up shots.

Shift-induced instability occurs when the camera moves parallel to the scene captured by the image sensor. Macro photography typically requires a stable tripod. However, the new Hybrid Image Stabilizer helps eliminate this instability.

Exceptional speed and quiet autofocus operation ensure optimal results, while allowing you to maintain a reasonable distance from your subject. Use the built-in focus limiter switch to further increase focusing speed.

The EF 100mm f/2.8L Macro IS USM, a member of the L series, is built with top-quality materials and sealed to withstand all shooting conditions. This lens is ideal for portraits due to its ultra-low dispersion (UD) lens element and the f/2.8 9-blade circular aperture.

The perfect dual-purpose addition to your gear! The EF 100mm f/2.8L Macro IS USM lens is excellent for portrait photography, allowing you to get close to your subject while maintaining stunning image quality.

The 100mm focal length is ideal for portraits, enabling flattering close-up shots without distortion. The Hybrid Image Stabilizer allows for beautiful images without a tripod and in low light conditions.

The f2.8 aperture allows for a shallow depth of field, creating a sense of distance and helping to separate the subject from the background.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Telephoto, Macro

Type

Telephoto
Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.
Macro
The lens has a macro function for photographing subjects from very close distances.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
32

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
100 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
625 gr
Mount
Canon EF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (6)

4.8
6
4.8
Review this product
  1. 5
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Weight
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Aris_Paklatzis
    5
    6 out of 12 members found this review helpful
    Aris_Paklatzis

    Simply amazing. Incredible clarity. Fast, silent, and extremely accurate auto focus. Amazing hybrid stabilizer. 1:1 macro. Ideal for portraits, landscapes, and of course macro. Worth every euro you've paid. Requires an expensive filter for protection and to be dust and weatherproof. I have a B+W. I've had it for 8 years and it's still brand new.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • David_Boukhraidze_
    5
    6 out of 11 members found this review helpful
    David_Boukhraidze_

    Multitool!
    One of the best lenses I have ever bought. Incredible clarity. Amazing stabilizer. A must for videos.
    I have used it in the rain and it has no problem at all.
    As for the focusing, it is fast and silent.
    I have had it for 6 years and it is like new.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • karonas
    5
    12 out of 14 members found this review helpful
    karonas

    Amazing clarity and build quality.
    Quiet, although focusing is a bit slow.
    I would recommend manual focus, mainly through the very good feeling ring.
    The image stabilizer is barely noticeable.
    The lens is somewhat waterproof, so I can confidently use it in light drizzle.
    Of course, the purchase of a high-quality protective filter is necessary.

    Translated from Greek ·
    Did you find this review helpful?
  • 4
    George_Ouz

    Verified purchase

    This review is about the mount: Canon RF

    The lens shaves. A little bigger than I would like but very light.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    1 out of 1 members found this review helpful
    Pardal

    The best lens ever

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    Giannis_Mathioudakis

    Verified purchase

    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
  • Aris_Paklatzis
    5
    Aris_Paklatzis

    Simply amazing. Incredible clarity. Fast, silent, and extremely accurate auto focus. Amazing hybrid stabilizer. 1:1 macro. Ideal for portraits, landscapes, and of course macro. Worth every euro you've paid. Requires an expensive filter for protection and to be dust and weatherproof. I have a B+W. I've had it for 8 years and it's still brand new.

    Translated from Greek ·
    6
  • David_Boukhraidze_
    5
    David_Boukhraidze_

    Multitool!
    One of the best lenses I have ever bought. Incredible clarity. Amazing stabilizer. A must for videos.
    I have used it in the rain and it has no problem at all.
    As for the focusing, it is fast and silent.
    I have had it for 6 years and it is like new.

    Translated from Greek ·
    6
  • karonas
    5
    karonas

    Amazing clarity and build quality.
    Quiet, although focusing is a bit slow.
    I would recommend manual focus, mainly through the very good feeling ring.
    The image stabilizer is barely noticeable.
    The lens is somewhat waterproof, so I can confidently use it in light drizzle.
    Of course, the purchase of a high-quality protective filter is necessary.

    Translated from Greek ·
    12
  • 4
    George_Ouz

    The lens shaves. A little bigger than I would like but very light.

    Translated from Greek ·
    0
  • 5
    Pardal

    The best lens ever

    Translated from Greek ·
    1
  • See all