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Sontronics Sigma 2 Ribbon Microphone XLR Shock Mounted for Vocals
Microphones

Sontronics Sigma 2 Ribbon Microphone XLR Shock Mounted for Vocals

11 years after the first release of the SIGMA, SONTRONICS introduced the SIGMA 2, one of the best ribbon microphones on the market. Designed from scratch, it is manufactured in England from...

11 years after the first release of the SIGMA, SONTRONICS introduced the SIGMA 2, one of the best ribbon microphones on the market. Designed from scratch, it is manufactured in England from high-quality materials.

It is characterized by:

  • Warm and clear sound
  • Detail across the entire audio spectrum
  • Ideal for recording vocals and acoustic instruments

...

See full description See full description

  • Type (Directivity)

    Shotgun

    Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
  • Usage Voice, Computer (Gaming & Streaming), Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
876 12 €
Delivery by Thu, 06 Aug
14,00 €   shipping cost
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Product report

Description

Description

11 years after the first release of the SIGMA, SONTRONICS introduced the SIGMA 2, one of the best ribbon microphones on the market. Designed from scratch, it is manufactured in England from high-quality materials.

It is characterized by:

  • Warm and clear sound
  • Detail across the entire audio spectrum
  • Ideal for recording vocals and acoustic instruments

Designed from the ground up, the new SIGMA 2 is handcrafted at Sontronics' headquarters. It features a unique circuit, including a high-quality transformer made exclusively for Sontronics, in a metal chassis, CNC-machined from British stainless steel for the internal and external parts.

The SIGMA 2's circuit is designed to be unaffected by other devices that emit or receive RFI radio frequencies, filtering the signal to remain clean and interference-free.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Ribbon

Mode of Operation

Ribbon
Very natural and "soft" sound, especially at high frequencies. Used in studios and requires careful handling.
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
20 - 15000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
150 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
18 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
135 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Description & Specifications

11 years after the first release of the SIGMA, SONTRONICS introduced the SIGMA 2, one of the best ribbon microphones on the market. Designed from scratch, it is manufactured in England from high-quality materials.

It is characterized by:

  • Warm and clear sound
  • Detail across the entire audio spectrum
  • Ideal for recording vocals and acoustic instruments

Designed from the ground up, the new SIGMA 2 is handcrafted at Sontronics' headquarters. It features a unique circuit, including a high-quality transformer made exclusively for Sontronics, in a metal chassis, CNC-machined from British stainless steel for the internal and external parts.

The SIGMA 2's circuit is designed to be unaffected by other devices that emit or receive RFI radio frequencies, filtering the signal to remain clean and interference-free.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Ribbon

Mode of Operation

Ribbon
Very natural and "soft" sound, especially at high frequencies. Used in studios and requires careful handling.
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
20 - 15000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
150 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
18 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
135 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

876,12 €
14,00 €   shipping cost