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Crop Camera Lens M.Zuiko Digital ED 12-45mm f/4 PRO Standard / Wide Angle for Micro Four Thirds (MFT) Mount Black
Camera Lenses

Crop Camera Lens M.Zuiko Digital ED 12-45mm f/4 PRO Standard / Wide Angle for Micro Four Thirds (MFT) Mount Black

The Olympus M.Zuiko Digital ED 12-45mm f/4 PRO is a constant-aperture zoom lens for cameras with a Crop Frame sensor and a Micro Four Thirds (MFT) mount. The f/4 aperture remains constant throughout...

The Olympus M.Zuiko Digital ED 12-45mm f/4 PRO is a constant-aperture zoom lens for cameras with a Crop Frame sensor and a Micro Four Thirds (MFT) mount. The f/4 aperture remains constant throughout the focal length range, while autofocus supports capturing moving subjects. The ZERO coating reduces unwanted reflections and light loss at the edges, while the...

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Top specs

  • Type

    Standard

    The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Crop Frame

    Lenses designed for use on cameras with a crop frame sensor (smaller frame).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all

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Product report

Description

Description

The Olympus M.Zuiko Digital ED 12-45mm f/4 PRO is a constant-aperture zoom lens for cameras with a Crop Frame sensor and a Micro Four Thirds (MFT) mount. The f/4 aperture remains constant throughout the focal length range, while autofocus supports capturing moving subjects. The ZERO coating reduces unwanted reflections and light loss at the edges, while the optical design delivers sharpness across the entire frame and zoom range.

The lens supports macro photography with a maximum magnification of 0.25x, or 0.5x in 35 mm equivalent terms. It is compatible with Focus Stacking, which combines up to 15 photos taken at different focus positions into a single image. Its construction is resistant to dust and splashes.

  • Type: Constant-aperture zoom
  • Focal length range: 12–45 mm
  • Aperture: f/4–f/22
  • Mount: Micro Four Thirds (MFT)
  • Sensor type: Crop Frame
  • Autofocus: Yes
  • Filter diameter: 58 mm
  • Length: 70 mm
  • Diameter: 63.4 mm
  • Weight: 254 g
  • Color: Black
  • Use: Landscape photography, video production, wildlife and sports

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard, Wide Angle

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Crop Frame

Sensor Type

Crop Frame

Lenses designed for use on cameras with a crop frame sensor (smaller frame).
Maximum Aperture (f)
4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
58 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
12 - 45 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
254 gr
Mount
Micro Four Thirds (MFT)

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Nikos Ps
    5
    1 out of 1 members found this review helpful
    Nikos Ps

    After 4 months in my possession, I gradually have a good image of the lens.
    Let's go to the positives:
    + Excellent image quality, especially the contrast is impressive.
    + Sturdy construction, at the levels of a professional lens.
    + Good sharpness, even at wide apertures (f4).
    + Useful focal length, 24-90 in full frame equivalent.
    + Very good macro.
    + Very good price, especially if you find a deal, compared to similar lenses for larger sensors.
    Negatives now:
    - Bulky, especially if replacing a kit lens, like the 12-32 I have.
    - The zoom ring is more "loose" than I would like.
    - Lack of a selector for manual focus change.
    These are from an amateur.
    Comparison is made with the 12-32, 25mm f1.8, 15mm f1.7 that I have/had for years.
    Conclusion: If you want to upgrade your kit lens or are thinking of buying a new camera with 1000+ euros, instead of a Full Frame with a kit lens, this excellent alternative exists.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    1 out of 1 members found this review helpful
    Binis_Binis

    Unexpectedly incredible lens pleasantly surprised me, perhaps sharper than the 12-40

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • Nikos Ps
    5
    Nikos Ps

    After 4 months in my possession, I gradually have a good image of the lens.
    Let's go to the positives:
    + Excellent image quality, especially the contrast is impressive.
    + Sturdy construction, at the levels of a professional lens.
    + Good sharpness, even at wide apertures (f4).
    + Useful focal length, 24-90 in full frame equivalent.
    + Very good macro.
    + Very good price, especially if you find a deal, compared to similar lenses for larger sensors.
    Negatives now:
    - Bulky, especially if replacing a kit lens, like the 12-32 I have.
    - The zoom ring is more "loose" than I would like.
    - Lack of a selector for manual focus change.
    These are from an amateur.
    Comparison is made with the 12-32, 25mm f1.8, 15mm f1.7 that I have/had for years.
    Conclusion: If you want to upgrade your kit lens or are thinking of buying a new camera with 1000+ euros, instead of a Full Frame with a kit lens, this excellent alternative exists.

    Translated from Greek ·
    1
  • 5
    Binis_Binis

    Unexpectedly incredible lens pleasantly surprised me, perhaps sharper than the 12-40

    Translated from Greek ·
    1
  • See all

Description & Specifications

The Olympus M.Zuiko Digital ED 12-45mm f/4 PRO is a constant-aperture zoom lens for cameras with a Crop Frame sensor and a Micro Four Thirds (MFT) mount. The f/4 aperture remains constant throughout the focal length range, while autofocus supports capturing moving subjects. The ZERO coating reduces unwanted reflections and light loss at the edges, while the optical design delivers sharpness across the entire frame and zoom range.

The lens supports macro photography with a maximum magnification of 0.25x, or 0.5x in 35 mm equivalent terms. It is compatible with Focus Stacking, which combines up to 15 photos taken at different focus positions into a single image. Its construction is resistant to dust and splashes.

  • Type: Constant-aperture zoom
  • Focal length range: 12–45 mm
  • Aperture: f/4–f/22
  • Mount: Micro Four Thirds (MFT)
  • Sensor type: Crop Frame
  • Autofocus: Yes
  • Filter diameter: 58 mm
  • Length: 70 mm
  • Diameter: 63.4 mm
  • Weight: 254 g
  • Color: Black
  • Use: Landscape photography, video production, wildlife and sports

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard, Wide Angle

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Crop Frame

Sensor Type

Crop Frame

Lenses designed for use on cameras with a crop frame sensor (smaller frame).
Maximum Aperture (f)
4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
58 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
12 - 45 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
254 gr
Mount
Micro Four Thirds (MFT)

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Nikos Ps
    5
    1 out of 1 members found this review helpful
    Nikos Ps

    After 4 months in my possession, I gradually have a good image of the lens.
    Let's go to the positives:
    + Excellent image quality, especially the contrast is impressive.
    + Sturdy construction, at the levels of a professional lens.
    + Good sharpness, even at wide apertures (f4).
    + Useful focal length, 24-90 in full frame equivalent.
    + Very good macro.
    + Very good price, especially if you find a deal, compared to similar lenses for larger sensors.
    Negatives now:
    - Bulky, especially if replacing a kit lens, like the 12-32 I have.
    - The zoom ring is more "loose" than I would like.
    - Lack of a selector for manual focus change.
    These are from an amateur.
    Comparison is made with the 12-32, 25mm f1.8, 15mm f1.7 that I have/had for years.
    Conclusion: If you want to upgrade your kit lens or are thinking of buying a new camera with 1000+ euros, instead of a Full Frame with a kit lens, this excellent alternative exists.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    1 out of 1 members found this review helpful
    Binis_Binis

    Unexpectedly incredible lens pleasantly surprised me, perhaps sharper than the 12-40

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • Nikos Ps
    5
    Nikos Ps

    After 4 months in my possession, I gradually have a good image of the lens.
    Let's go to the positives:
    + Excellent image quality, especially the contrast is impressive.
    + Sturdy construction, at the levels of a professional lens.
    + Good sharpness, even at wide apertures (f4).
    + Useful focal length, 24-90 in full frame equivalent.
    + Very good macro.
    + Very good price, especially if you find a deal, compared to similar lenses for larger sensors.
    Negatives now:
    - Bulky, especially if replacing a kit lens, like the 12-32 I have.
    - The zoom ring is more "loose" than I would like.
    - Lack of a selector for manual focus change.
    These are from an amateur.
    Comparison is made with the 12-32, 25mm f1.8, 15mm f1.7 that I have/had for years.
    Conclusion: If you want to upgrade your kit lens or are thinking of buying a new camera with 1000+ euros, instead of a Full Frame with a kit lens, this excellent alternative exists.

    Translated from Greek ·
    1
  • 5
    Binis_Binis

    Unexpectedly incredible lens pleasantly surprised me, perhaps sharper than the 12-40

    Translated from Greek ·
    1
  • See all
799,00 €
14,00 €   shipping cost
Olympus