The first privatization of public land threatens Antonis Tade's unauthorized country house and along with it, his entire personal mythology. Powerless against authority but determined to fight to the end to save his "life investment," Antonis will declare the land he has encroached upon an independent state. And his children, hostages.

The play Revolutionary Methods for Cleaning the Pool was presented to you for two seasons at the Experimental Stage of the National Theater and at festivals both inside and outside Greece, while it was awarded the EURODRAM 2019 prize from the European Network for Drama in Translation for its Spanish translation.

Alexandra K* parodies the mosaic of modern Greek tragedy, delving deeply into it. — Dimitris Nanouris, Efimerida ton Sintakton

Alexandra K* writes about the generation in a modern way, without the ideologies of the past and with an ambivalent attitude towards her country and its people. — Matina Kaltaki, monopoli.gr

Written with humor, suspense, structured characters, and a strong background of socio-political commentary. An important contemporary modern Greek work, one that Greek dramaturgy needs. — Giota Dimitriadi, texnes-plus.gr

A work that speaks directly about young people's experiences from the decade-long crisis, armed with humor, without the slightest didacticism, but with a coherent theatrical writing. — Spyros Kakouriotis, e-dromos.gr

An allegorical as well as ironic commentary on modern Greek reality. — George Papagiannakis, iapopsi.gr

An exercise in questioning national and familial dogmas. Alexandra K*’s tragicomedy assimilates the entire situation of the Greek impasse. — Stella Charami, tospirto.net

Alexandra K*’s text places the "holy Greek family" at its center and highlights a series of "disturbing" themes with vivid language. — Sakis Ioannidis, Kathimerini

I don't believe there is a political analysis that approaches the reasons for the tremendous social defeat we are experiencing with such clarity. — Olga Moschohoritou, kommon.gr