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Canon Full Frame Camera Lens RF 100-500mm f/4.5-7.1L IS USM Telephoto / Super Telephoto / Tele Zoom for Canon RF Mount White
Camera Lenses

Canon Full Frame Camera Lens RF 100-500mm f/4.5-7.1L IS USM Telephoto / Super Telephoto / Tele Zoom for Canon RF Mount White

Fast, nearly silent autofocus performance.

Covering a variety of focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM ranges from 100mm to the super-telephoto 500mm while remaining sleek and easily...

Fast, nearly silent autofocus performance.

Covering a variety of focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM ranges from 100mm to the super-telephoto 500mm while remaining sleek and easily portable. Compact, with optical image stabilization and a moderate maximum aperture, this lens is user-friendly when on the move as well as in challenging...

See full description See full description

  • Type

    Telephoto

    Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.

    Super Telephoto

    Super telephoto lenses have optics that make things appear closer than they actually are, allowing for photography from a great distance. They are typically used for wildlife photography, sports events, and other subjects that cannot be approached by the photographer. Their focal length starts at 300mm for full frame, 180mm for crop frame, and 600mm for medium format.

    Tele Zoom

    Telephoto lenses with zoom capability and optics that allow photography from a distance.

    Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

    Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Variable Aperture Zoom

    Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all
Product report

Description

Description

Fast, nearly silent autofocus performance.

Covering a variety of focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM ranges from 100mm to the super-telephoto 500mm while remaining sleek and easily portable. Compact, with optical image stabilization and a moderate maximum aperture, this lens is user-friendly when on the move as well as in challenging lighting conditions.

It is also characterized by its advanced optical design, which includes a series of Super UD and UD elements to significantly reduce chromatic aberrations throughout the zoom range for greater clarity and color accuracy.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Telephoto, Super Telephoto, Tele Zoom

Type

Telephoto
Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.
Super Telephoto
Super telephoto lenses have optics that make things appear closer than they actually are, allowing for photography from a great distance. They are typically used for wildlife photography, sports events, and other subjects that cannot be approached by the photographer. Their focal length starts at 300mm for full frame, 180mm for crop frame, and 600mm for medium format.
Tele Zoom

Telephoto lenses with zoom capability and optics that allow photography from a distance.

Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.
Lens Type
Variable Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Variable Aperture Zoom
Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
4.5 - 7.1

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
32 - 54

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
77 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
100 - 500 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1365 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
White

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Iosif dig
    5
    9 out of 9 members found this review helpful
    Iosif dig

    The most important thing for me is color rendering! Absolutely natural and combined with its excellent sharpness, the result is simply impressive!
    The AF is extremely fast and completely silent!!
    Its weight is very small compared to its size and the focus and zoom rings are very convenient in their positions. What I would like to characterize it as flawless and in terms of build quality would be for the zoom ring to rotate smoother, more velvety, without feeling any minimal internal friction. Of course, I don't have such expectations from a lens that changes its size during zooming, moving a large portion of the lens in and out, which makes construction and rotation feel less smooth.
    Compared to the RF 24-105 4L, the EF 70-200 4L, and the EF 50 macro f2.5, I consider it to have clearly the best color rendering and sharpness!!

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • Iosif dig
    5
    Iosif dig

    The most important thing for me is color rendering! Absolutely natural and combined with its excellent sharpness, the result is simply impressive!
    The AF is extremely fast and completely silent!!
    Its weight is very small compared to its size and the focus and zoom rings are very convenient in their positions. What I would like to characterize it as flawless and in terms of build quality would be for the zoom ring to rotate smoother, more velvety, without feeling any minimal internal friction. Of course, I don't have such expectations from a lens that changes its size during zooming, moving a large portion of the lens in and out, which makes construction and rotation feel less smooth.
    Compared to the RF 24-105 4L, the EF 70-200 4L, and the EF 50 macro f2.5, I consider it to have clearly the best color rendering and sharpness!!

    Translated from Greek ·
    9
  • See all

Description & Specifications

Fast, nearly silent autofocus performance.

Covering a variety of focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM ranges from 100mm to the super-telephoto 500mm while remaining sleek and easily portable. Compact, with optical image stabilization and a moderate maximum aperture, this lens is user-friendly when on the move as well as in challenging lighting conditions.

It is also characterized by its advanced optical design, which includes a series of Super UD and UD elements to significantly reduce chromatic aberrations throughout the zoom range for greater clarity and color accuracy.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Telephoto, Super Telephoto, Tele Zoom

Type

Telephoto
Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.
Super Telephoto
Super telephoto lenses have optics that make things appear closer than they actually are, allowing for photography from a great distance. They are typically used for wildlife photography, sports events, and other subjects that cannot be approached by the photographer. Their focal length starts at 300mm for full frame, 180mm for crop frame, and 600mm for medium format.
Tele Zoom

Telephoto lenses with zoom capability and optics that allow photography from a distance.

Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.
Lens Type
Variable Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Variable Aperture Zoom
Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
4.5 - 7.1

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
32 - 54

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
77 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
100 - 500 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1365 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
White

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Iosif dig
    5
    9 out of 9 members found this review helpful
    Iosif dig

    The most important thing for me is color rendering! Absolutely natural and combined with its excellent sharpness, the result is simply impressive!
    The AF is extremely fast and completely silent!!
    Its weight is very small compared to its size and the focus and zoom rings are very convenient in their positions. What I would like to characterize it as flawless and in terms of build quality would be for the zoom ring to rotate smoother, more velvety, without feeling any minimal internal friction. Of course, I don't have such expectations from a lens that changes its size during zooming, moving a large portion of the lens in and out, which makes construction and rotation feel less smooth.
    Compared to the RF 24-105 4L, the EF 70-200 4L, and the EF 50 macro f2.5, I consider it to have clearly the best color rendering and sharpness!!

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • Iosif dig
    5
    Iosif dig

    The most important thing for me is color rendering! Absolutely natural and combined with its excellent sharpness, the result is simply impressive!
    The AF is extremely fast and completely silent!!
    Its weight is very small compared to its size and the focus and zoom rings are very convenient in their positions. What I would like to characterize it as flawless and in terms of build quality would be for the zoom ring to rotate smoother, more velvety, without feeling any minimal internal friction. Of course, I don't have such expectations from a lens that changes its size during zooming, moving a large portion of the lens in and out, which makes construction and rotation feel less smooth.
    Compared to the RF 24-105 4L, the EF 70-200 4L, and the EF 50 macro f2.5, I consider it to have clearly the best color rendering and sharpness!!

    Translated from Greek ·
    9
  • See all
3.049,00 €
14,00 €   shipping cost