Amidst a resilient and recurring, seemingly more or less strict or relaxed, imposed or voluntary, personal or mass, local, national, or universal, contemporary quarantine, Aristophanes' Lysistrata comes, once again, to remind us of its own ancient "double" quarantine... and together to remind us that theater and life, even under extremely adverse and abnormal conditions for their full development, can survive and flourish or, rather, "flourish in a feminine way" in the case of our work.