The corridor wrapped in darkness. Nevertheless, Berger discerned a winged insect slowly crawling on the ceiling; he followed it with his gaze. Only when he stopped watching it did he realize it was a bee. Although the only light in the corridor could hardly be called light, it was quite distinguishable. Small, circular, at eye level on the closed door that separated him from the other man; both were pressed against the concrete wall, each on their side of the door, holding their weapons ready. In the nonexistent light, the older man fixed his cold gray gaze on Berger and nodded. Without lowering his weapon, Berger bent down and picked up something that looked like a single magnifying glass for watchmakers or diamond appraisers. He quietly placed it on the peephole of the door and looked inside. The perspective was somewhat asymmetrical, but the interior of the apartment looked fine. A hallway stretched to the beginning of a living room. Right in front, at the first faint dawn of a November morning, a pair of giant eagles seemed to flutter inside toward the large windows of the room. As if in slow motion, they approached closer and closer, within the visual asymmetry, black silhouettes that for a moment seemed to hover in upward air currents just outside the windows.
Sam Berger is wanted for a murder he did not commit. Sam Berger is left alone. His colleague, Molly Bloom, is in a coma. Nevertheless, only he can stop a former agent turned bounty killer when he kidnaps a girl as bait for the terrorist attack he is planning, which threatens to destroy all of Stockholm. Or is he not? Is Berger not the solution but part of the problem?
The third adventure of Berger and Bloom is written for the book: At this moment, Dahl is the leading representative of Scandinavian noir. He combines the great British tradition of spy thrillers with American and female detective literature, interspersing his novels with literary references, as was done during the golden age of the genre, while his socio-political commentary remains sharp.
Arne Dahl once again wrote a clever and thrilling story where the protagonist is an anti-hero who is drawn to dangerous women. Sam follows his own path driving the plot forward. And I read with bated breath to see what happens next. His prose, as always, is marked by precision and literary grace.
Arne Dahl writes ambitious and well-crafted crime novels. Thrillers with conspiracies and great emotional intensity. Few Scandinavian writers compete with him in conveying a pleasant yet unsettling existential lightness. "Five plus Three" raises the bar high, and Dahl's Norwegian peers will have to work hard to catch up with him.
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Manufacturer
Product Guides
- Author
- Arne Dahl
- Publisher
- Metaichmio
- Publishers
- Metaixmio
- Type
- Crime
- Cover
- Soft
- Number of Pages
- 488
- Release Date
- 10/2020
- Publication Date
- 2020
- Dimensions
- 14x20.5 cm
- ISBN-13
- 9786180320657
Important information
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