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Sony Full Frame Camera Lens FE 28-60mm f/4-5.6 Wide Angle / Standard Zoom for Sony E Mount Black
Camera Lenses

Sony Full Frame Camera Lens FE 28-60mm f/4-5.6 Wide Angle / Standard Zoom for Sony E Mount Black

The Sony FE 28-60mm f/4-5.6 is a wide-angle to normal-length zoom lens characterized by its retractable design and sleek profile. The slim design makes this lens ideal for everyday use, and the...

The Sony FE 28-60mm f/4-5.6 is a wide-angle to normal-length zoom lens characterized by its retractable design and sleek profile. The slim design makes this lens ideal for everyday use, and the versatile focal length covers a wide range of subject types.

The optical design includes three aspherical elements, which help to reduce distortion and spherical...

See full description See full description

  • Type

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Variable Aperture Zoom

    Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all
Product report

Description

Description

The Sony FE 28-60mm f/4-5.6 is a wide-angle to normal-length zoom lens characterized by its retractable design and sleek profile. The slim design makes this lens ideal for everyday use, and the versatile focal length covers a wide range of subject types.

The optical design includes three aspherical elements, which help to reduce distortion and spherical aberrations, promoting greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieves quick and quiet autofocus performance for both photography and video needs. The lens body is also weather-resistant, allowing for work in harsh environmental conditions.

  • The compact zoom lens is designed for full-frame Sony E-mount mirrorless cameras but can also be used with APS-C models offering a 42-90mm equivalent focal length.
  • The retractable design maintains an especially compact profile when not in use.
  • The three aspherical elements help to reduce spherical aberrations and distortions throughout the zoom range for improved sharpness and accurate rendering.
  • The linear motor, along with an internal focusing mechanism, promotes quick, precise, and quiet focusing performance for both photos and videos.
  • The dust- and moisture-resistant design allows for working in harsh weather conditions.
  • The seven-blade rounded diaphragm contributes to a pleasing bokeh quality.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Wide Angle, Standard Zoom

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Variable Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Variable Aperture Zoom
Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
4 - 5.6

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22 - 32

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
40.5 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 60 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
167 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Georgy_Tushashvili
    4
    2 out of 3 members found this review helpful
    Georgy_Tushashvili

    Very good as a cheap option for beginners as a lens kit, if you work even a little on photo editing then the aperture won't bother you, it's definitely not 2.8 or 1.8 but it does its job well.

    Important note, it's not worth buying it on its own, I got it used for 250 euros, to have an easier and smaller solution for carrying. If it's in your kit, great, if not, get a 28-75 2.8, it's worth it. I have it on A7III

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color Quality
    • Acidity
    • Value for money
    Did you find this review helpful?
  • 5
    Admin_Filmwire

    • Quiet
    • Weight
    • Autofocus (AF) speed
    • Color representation
    • Construction quality
  • Georgy_Tushashvili
    4
    Georgy_Tushashvili

    Very good as a cheap option for beginners as a lens kit, if you work even a little on photo editing then the aperture won't bother you, it's definitely not 2.8 or 1.8 but it does its job well.

    Important note, it's not worth buying it on its own, I got it used for 250 euros, to have an easier and smaller solution for carrying. If it's in your kit, great, if not, get a 28-75 2.8, it's worth it. I have it on A7III

    Translated from Greek ·
    2
  • 5
    Admin_Filmwire

    0
  • See all

Description & Specifications

The Sony FE 28-60mm f/4-5.6 is a wide-angle to normal-length zoom lens characterized by its retractable design and sleek profile. The slim design makes this lens ideal for everyday use, and the versatile focal length covers a wide range of subject types.

The optical design includes three aspherical elements, which help to reduce distortion and spherical aberrations, promoting greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieves quick and quiet autofocus performance for both photography and video needs. The lens body is also weather-resistant, allowing for work in harsh environmental conditions.

  • The compact zoom lens is designed for full-frame Sony E-mount mirrorless cameras but can also be used with APS-C models offering a 42-90mm equivalent focal length.
  • The retractable design maintains an especially compact profile when not in use.
  • The three aspherical elements help to reduce spherical aberrations and distortions throughout the zoom range for improved sharpness and accurate rendering.
  • The linear motor, along with an internal focusing mechanism, promotes quick, precise, and quiet focusing performance for both photos and videos.
  • The dust- and moisture-resistant design allows for working in harsh weather conditions.
  • The seven-blade rounded diaphragm contributes to a pleasing bokeh quality.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Wide Angle, Standard Zoom

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Variable Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Variable Aperture Zoom
Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
4 - 5.6

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22 - 32

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
40.5 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 60 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
167 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Georgy_Tushashvili
    4
    2 out of 3 members found this review helpful
    Georgy_Tushashvili

    Very good as a cheap option for beginners as a lens kit, if you work even a little on photo editing then the aperture won't bother you, it's definitely not 2.8 or 1.8 but it does its job well.

    Important note, it's not worth buying it on its own, I got it used for 250 euros, to have an easier and smaller solution for carrying. If it's in your kit, great, if not, get a 28-75 2.8, it's worth it. I have it on A7III

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color Quality
    • Acidity
    • Value for money
    Did you find this review helpful?
  • 5
    Admin_Filmwire

    • Quiet
    • Weight
    • Autofocus (AF) speed
    • Color representation
    • Construction quality
  • Georgy_Tushashvili
    4
    Georgy_Tushashvili

    Very good as a cheap option for beginners as a lens kit, if you work even a little on photo editing then the aperture won't bother you, it's definitely not 2.8 or 1.8 but it does its job well.

    Important note, it's not worth buying it on its own, I got it used for 250 euros, to have an easier and smaller solution for carrying. If it's in your kit, great, if not, get a 28-75 2.8, it's worth it. I have it on A7III

    Translated from Greek ·
    2
  • 5
    Admin_Filmwire

    0
  • See all
467,00 €
14,00 €   shipping cost