Skroutz.mt

Sony Full Frame Camera Lens FE 50mm f/1.2 GM Fixed for Sony E Mount Black
Camera Lenses

Sony Full Frame Camera Lens FE 50mm f/1.2 GM Fixed for Sony E Mount Black

G Master resolution, without compromises

The small, lightweight FE 50 mm F1.2 GM is ideal for dedicated creators. XA (extreme aspherical) elements and other technologies deliver incredible resolution...

G Master resolution, without compromises

The small, lightweight FE 50 mm F1.2 GM is ideal for dedicated creators. XA (extreme aspherical) elements and other technologies deliver incredible resolution and contrast. Nano AR Coating II minimizes flare and ghosting, while the floating focus mechanism ensures optimum sharpness at any focusing distance.

Soft,...

See full description See full description

  • Type

    Standard

    The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Focal Length

    Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Portrait Photography
  • See all
Product report

Description

Description

G Master resolution, without compromises

The small, lightweight FE 50 mm F1.2 GM is ideal for dedicated creators. XA (extreme aspherical) elements and other technologies deliver incredible resolution and contrast. Nano AR Coating II minimizes flare and ghosting, while the floating focus mechanism ensures optimum sharpness at any focusing distance.

Soft, refined G Master bokeh

XA elements, along with meticulous control of spherical aberration during design and manufacturing, contribute to the beautiful G Master bokeh for distinctive portraits and more, especially with the shallow depth of field available at the lens's maximum F1.2 aperture. An 11-blade circular aperture mechanism contributes to beautifully circular bokeh.

Fast, precise, silent autofocus and tracking

Reliable fast precision focusing, even with the very shallow depth of field of 50 mm F1.2. Four XD (extreme dynamic) linear motors reliably position the large, heavy focusing elements for fast, precise AF. Genuine E-mount lenses ensure maximum performance of E-mount cameras, in both video and stills.

Professional maneuverability

With a diameter of 87 mm, a length of 108 mm, and a weight of 778 grams, the FE 50 mm F1.2 GM complements the small, high-performance E-mount bodies, offering highly versatile handling and portability. Three XA elements and four XD linear motors in an unexpectedly compact large-aperture lens, for incredible creative potential.

Professional handling and reliability

2 focus hold buttons, focus mode switch, focus ring, aperture ring with click-stop switching, and more for smooth operation. Focus hold buttons can be assigned other functions via the menu. Linear response manual focus for linear response of the focus ring during manual focusing. Dust and moisture resistance, front lens with fluorine coating.

Compatibility with FE 50 mm F1.2 GM

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
1.2

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
16

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
72 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
50 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
778 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Portrait Photography

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (3)

Reviews

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Weight
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money

Reviews photos

Reviews photos
Reviews photos
Reviews photos

Reviews by our members

  • Stelios tsipis
    5
    8 out of 9 members found this review helpful
    Stelios tsipis

    Personally, for me, it is the best automatic prime lens for the E mount. Lightweight, compact, very well-balanced, amazing performance in low light conditions at 1.2, although it truly shines at 2-2.8 with incredible autofocus; I use it on the A7SIII and FX3 for video. It has no distortion at all, it doesn’t focus close but that’s not a problem because you don’t buy this kind of lens for that purpose. I think it should be part of every serious photographer’s and videographer’s basic trio. Personally, if I’m going to use an automatic lens, this is my first choice—an insanely sharp lens, the bokeh is truly incredible. At 1.2 you need to be far enough for the subject to be properly focused, at 2 to 3.2 it’s fantastic even if the subject is quite close, autofocus is silent, and the focusing mechanism does not extend like the equivalent Canon RF. For €2200, it’s really a very good price for such a lens. I’ve also used the 1.4 but the truth is the 1.2 is much better, with the only drawback being about 200g heavier. If the dilemma is 1.4 or 1.2, my opinion is clearly 1.2 as long as it’s within your budget. That’s all for this amazing lens, have a good time and happy shooting!!

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • Ntinaras
    5
    7 out of 9 members found this review helpful
    Ntinaras

    Verified purchase

    I tried the lens on an A1.
    And the result was amazing.
    The quality of the bokeh image and the focusing speed is the best I have seen on a camera so far.
    The weight is very small for the lens's specifications, as well as its size.
    The price is also reasonable compared to the competition and what it offers.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • 5
    andreas_stathis49

    Verified purchase

    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
  • Stelios tsipis
    5
    Stelios tsipis

    Personally, for me, it is the best automatic prime lens for the E mount. Lightweight, compact, very well-balanced, amazing performance in low light conditions at 1.2, although it truly shines at 2-2.8 with incredible autofocus; I use it on the A7SIII and FX3 for video. It has no distortion at all, it doesn’t focus close but that’s not a problem because you don’t buy this kind of lens for that purpose. I think it should be part of every serious photographer’s and videographer’s basic trio. Personally, if I’m going to use an automatic lens, this is my first choice—an insanely sharp lens, the bokeh is truly incredible. At 1.2 you need to be far enough for the subject to be properly focused, at 2 to 3.2 it’s fantastic even if the subject is quite close, autofocus is silent, and the focusing mechanism does not extend like the equivalent Canon RF. For €2200, it’s really a very good price for such a lens. I’ve also used the 1.4 but the truth is the 1.2 is much better, with the only drawback being about 200g heavier. If the dilemma is 1.4 or 1.2, my opinion is clearly 1.2 as long as it’s within your budget. That’s all for this amazing lens, have a good time and happy shooting!!

    Translated from Greek ·
    8
  • Ntinaras
    5
    Ntinaras

    I tried the lens on an A1.
    And the result was amazing.
    The quality of the bokeh image and the focusing speed is the best I have seen on a camera so far.
    The weight is very small for the lens's specifications, as well as its size.
    The price is also reasonable compared to the competition and what it offers.

    Translated from Greek ·
    7
  • 5
    andreas_stathis49

    0
  • See all

Description & Specifications

G Master resolution, without compromises

The small, lightweight FE 50 mm F1.2 GM is ideal for dedicated creators. XA (extreme aspherical) elements and other technologies deliver incredible resolution and contrast. Nano AR Coating II minimizes flare and ghosting, while the floating focus mechanism ensures optimum sharpness at any focusing distance.

Soft, refined G Master bokeh

XA elements, along with meticulous control of spherical aberration during design and manufacturing, contribute to the beautiful G Master bokeh for distinctive portraits and more, especially with the shallow depth of field available at the lens's maximum F1.2 aperture. An 11-blade circular aperture mechanism contributes to beautifully circular bokeh.

Fast, precise, silent autofocus and tracking

Reliable fast precision focusing, even with the very shallow depth of field of 50 mm F1.2. Four XD (extreme dynamic) linear motors reliably position the large, heavy focusing elements for fast, precise AF. Genuine E-mount lenses ensure maximum performance of E-mount cameras, in both video and stills.

Professional maneuverability

With a diameter of 87 mm, a length of 108 mm, and a weight of 778 grams, the FE 50 mm F1.2 GM complements the small, high-performance E-mount bodies, offering highly versatile handling and portability. Three XA elements and four XD linear motors in an unexpectedly compact large-aperture lens, for incredible creative potential.

Professional handling and reliability

2 focus hold buttons, focus mode switch, focus ring, aperture ring with click-stop switching, and more for smooth operation. Focus hold buttons can be assigned other functions via the menu. Linear response manual focus for linear response of the focus ring during manual focusing. Dust and moisture resistance, front lens with fluorine coating.

Compatibility with FE 50 mm F1.2 GM

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
1.2

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
16

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
72 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
50 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
778 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Portrait Photography

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (3)

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Weight
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money

Reviews photos

Reviews photos
Reviews photos
Reviews photos

Reviews by our members

  • Stelios tsipis
    5
    8 out of 9 members found this review helpful
    Stelios tsipis

    Personally, for me, it is the best automatic prime lens for the E mount. Lightweight, compact, very well-balanced, amazing performance in low light conditions at 1.2, although it truly shines at 2-2.8 with incredible autofocus; I use it on the A7SIII and FX3 for video. It has no distortion at all, it doesn’t focus close but that’s not a problem because you don’t buy this kind of lens for that purpose. I think it should be part of every serious photographer’s and videographer’s basic trio. Personally, if I’m going to use an automatic lens, this is my first choice—an insanely sharp lens, the bokeh is truly incredible. At 1.2 you need to be far enough for the subject to be properly focused, at 2 to 3.2 it’s fantastic even if the subject is quite close, autofocus is silent, and the focusing mechanism does not extend like the equivalent Canon RF. For €2200, it’s really a very good price for such a lens. I’ve also used the 1.4 but the truth is the 1.2 is much better, with the only drawback being about 200g heavier. If the dilemma is 1.4 or 1.2, my opinion is clearly 1.2 as long as it’s within your budget. That’s all for this amazing lens, have a good time and happy shooting!!

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • Ntinaras
    5
    7 out of 9 members found this review helpful
    Ntinaras

    Verified purchase

    I tried the lens on an A1.
    And the result was amazing.
    The quality of the bokeh image and the focusing speed is the best I have seen on a camera so far.
    The weight is very small for the lens's specifications, as well as its size.
    The price is also reasonable compared to the competition and what it offers.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • 5
    andreas_stathis49

    Verified purchase

    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
  • Stelios tsipis
    5
    Stelios tsipis

    Personally, for me, it is the best automatic prime lens for the E mount. Lightweight, compact, very well-balanced, amazing performance in low light conditions at 1.2, although it truly shines at 2-2.8 with incredible autofocus; I use it on the A7SIII and FX3 for video. It has no distortion at all, it doesn’t focus close but that’s not a problem because you don’t buy this kind of lens for that purpose. I think it should be part of every serious photographer’s and videographer’s basic trio. Personally, if I’m going to use an automatic lens, this is my first choice—an insanely sharp lens, the bokeh is truly incredible. At 1.2 you need to be far enough for the subject to be properly focused, at 2 to 3.2 it’s fantastic even if the subject is quite close, autofocus is silent, and the focusing mechanism does not extend like the equivalent Canon RF. For €2200, it’s really a very good price for such a lens. I’ve also used the 1.4 but the truth is the 1.2 is much better, with the only drawback being about 200g heavier. If the dilemma is 1.4 or 1.2, my opinion is clearly 1.2 as long as it’s within your budget. That’s all for this amazing lens, have a good time and happy shooting!!

    Translated from Greek ·
    8
  • Ntinaras
    5
    Ntinaras

    I tried the lens on an A1.
    And the result was amazing.
    The quality of the bokeh image and the focusing speed is the best I have seen on a camera so far.
    The weight is very small for the lens's specifications, as well as its size.
    The price is also reasonable compared to the competition and what it offers.

    Translated from Greek ·
    7
  • 5
    andreas_stathis49

    0
  • See all
2.299,00 €
14,00 €   shipping cost