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Sontronics STC 2 Condenser Microphone XLR Shock Mounted for Vocals Pack
Microphones

Sontronics STC 2 Condenser Microphone XLR Shock Mounted for Vocals Pack

Large-diaphragm condenser microphone with a fixed cardioid pattern, ideal for vocals and acoustic instruments, from acoustic guitar and piano to brass, woodwinds, and strings. It can also be used in pairs for stereo applications.

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  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Computer (Gaming & Streaming), Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
256 00 €
Delivery by Thu, 06 Aug
14,00 €   shipping cost
Sent from Greece
From Djmania 5.0 (8)
5.0 (8 reviews)
Greece
1 piece
See Audio on the page of Djmania
Product report

Description

Description

The evenly balanced frequency response of the STC-2 results in rich, defined lows and a detailed, open top end, accurately reproducing your source in all its glory.

Like all Sontronics condenser microphones, the STC-2 features the characteristic smooth high-frequency roll-off, ensuring a natural top end and a recording that fits perfectly into your musical piece.

The package includes a spider shock mount, pop filter, 3m XLR connection cable, and storage case.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
12 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
120 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • MCMELTON
    5
    3 out of 3 members found this review helpful
    MCMELTON
    This review is about a variation of the product

    Very good microphone! Cheaper than its value! Honest!
    All vocals, in the songs from my channel (https://www.youtube.com/user/MeltonMelon), have been recorded with this until today, 19/1/2021.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • MCMELTON
    5
    MCMELTON

    Very good microphone! Cheaper than its value! Honest!
    All vocals, in the songs from my channel (https://www.youtube.com/user/MeltonMelon), have been recorded with this until today, 19/1/2021.

    Translated from Greek ·
    3
  • See all

Description & Specifications

The evenly balanced frequency response of the STC-2 results in rich, defined lows and a detailed, open top end, accurately reproducing your source in all its glory.

Like all Sontronics condenser microphones, the STC-2 features the characteristic smooth high-frequency roll-off, ensuring a natural top end and a recording that fits perfectly into your musical piece.

The package includes a spider shock mount, pop filter, 3m XLR connection cable, and storage case.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
12 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
120 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • MCMELTON
    5
    3 out of 3 members found this review helpful
    MCMELTON
    This review is about a variation of the product

    Very good microphone! Cheaper than its value! Honest!
    All vocals, in the songs from my channel (https://www.youtube.com/user/MeltonMelon), have been recorded with this until today, 19/1/2021.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • MCMELTON
    5
    MCMELTON

    Very good microphone! Cheaper than its value! Honest!
    All vocals, in the songs from my channel (https://www.youtube.com/user/MeltonMelon), have been recorded with this until today, 19/1/2021.

    Translated from Greek ·
    3
  • See all
256,00 €
14,00 €   shipping cost