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Audio Technica AT2035 Condenser Microphone XLR / USB Shock Mounted for Vocals
Microphones

Audio Technica AT2035 Condenser Microphone XLR / USB Shock Mounted for Vocals

Key features:

  • Frequency response: 20-20,000 Hz
  • Low frequency Roll Off 80 Hz
  • Sensitivity: 22.4 mV/Pa
  • Impedance: 120 ohm
  • Max SPL: 148 dB
See full description

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Computer (Gaming & Streaming), Musical Instruments, Studio
  • Placement Shock Mounted
  • Connectivity XLR, USB
  • See all
194 00 €
Delivery by Thu, 09 Jul
14,00 €   shipping cost
Sent from Greece
From Soundimage 5.0 (33)
5.0 (33 reviews)
Greece
5+ pieces
See Audio on the page of Soundimage
Product report

Description

Description

Designed for critical applications in home studios, professional studios, and live performances, this cardioid side-address condenser microphone provides exceptional detail and low noise.

Equipped with an 80 Hz high-pass filter and a 10 dB pad, the AT2035 easily handles high sound pressure levels. Along with its robust construction and high-performance specifications, it offers an exceptional level of consistency from model to model.

Additionally, it includes a protective case and a custom shock mount.

Exceptional Detail and Low Noise

The performance of this side-address microphone makes it an excellent choice for both studio and live applications.

The perfect microphone for creators

With its smooth, natural sound, the AT2035 is ideal for musicians, streamers, podcasters, and other content creators.

Professional Accessories

The AT2035 is equipped with an 80 Hz high-pass filter and a 10 dB pad, and comes with a custom shock mount.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
120 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
22.4 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
148 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR, USB

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (6)

Reviews

4.8
6
4.8
Review this product
  1. 4
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
  • dimitris.spendas
    5
    10 out of 11 members found this review helpful
    dimitris.spendas

    I will be brief:
    For voice:
    it has the so-called proximity effect, where you get closer and it sounds even your spleen and the juices in your throat if you put too much gain.. and it also has the pad 80hz cutout.. which means you have the ability to cancel the proximity to some extent.. the sound is quite objective and doesn't hurt your ears with the company's EQ with this large capsule.. it colors a bit at 4000 hz, meaning in the mid to high frequencies.. but only a few dB.. and of course, I believe you also pay for this coloring, it doesn't mean anything bad.. it makes me sound like a radio.

    For material quality:
    It offers the same as the at-3035 at a more affordable price and with a black body instead of silver...
    It has a fairly flat sound, the internal parts just fall a bit in terms of quality.. but still, it is unbeatable in the range up to 300 euros...
    and one last thing.. it has the highest SPL in its category and competes with microphones up to 800 euros in this field.. for those of you who have drums or trumpet like me, you want as wide a range as possible to make the appropriate placement and mastering with greater ease, to have additional dynamic range so that you can define the sound ceiling yourself...

    I have a first impression and unboxing on YouTube... (once I become familiar, I will upload a review with updates down here ↓
    https://youtu.be/m7-u2xAK0rA

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • Dean Manou
    5
    10 out of 11 members found this review helpful
    Dean Manou

    One of the best microphones for broadcasting/podcast, streaming, voice recording. The equivalent AT2020 is for song recordings/instrument recordings and generally about music. It's worth it!

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • 5
    denniszorb4

    Verified purchase

  • 4
    matitiki6

    Verified purchase

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • 5
    o0tsur

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • 1
    GeneralSkipperTv

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • dimitris.spendas
    5
    dimitris.spendas

    I will be brief:
    For voice:
    it has the so-called proximity effect, where you get closer and it sounds even your spleen and the juices in your throat if you put too much gain.. and it also has the pad 80hz cutout.. which means you have the ability to cancel the proximity to some extent.. the sound is quite objective and doesn't hurt your ears with the company's EQ with this large capsule.. it colors a bit at 4000 hz, meaning in the mid to high frequencies.. but only a few dB.. and of course, I believe you also pay for this coloring, it doesn't mean anything bad.. it makes me sound like a radio.

    For material quality:
    It offers the same as the at-3035 at a more affordable price and with a black body instead of silver...
    It has a fairly flat sound, the internal parts just fall a bit in terms of quality.. but still, it is unbeatable in the range up to 300 euros...
    and one last thing.. it has the highest SPL in its category and competes with microphones up to 800 euros in this field.. for those of you who have drums or trumpet like me, you want as wide a range as possible to make the appropriate placement and mastering with greater ease, to have additional dynamic range so that you can define the sound ceiling yourself...

    I have a first impression and unboxing on YouTube... (once I become familiar, I will upload a review with updates down here ↓
    https://youtu.be/m7-u2xAK0rA

    Translated from Greek ·
    10
  • Dean Manou
    5
    Dean Manou

    One of the best microphones for broadcasting/podcast, streaming, voice recording. The equivalent AT2020 is for song recordings/instrument recordings and generally about music. It's worth it!

    Translated from Greek ·
    10
  • 5
    denniszorb4

    0
  • 4
    matitiki6

    0
  • 5
    o0tsur

    0
  • See all

Description & Specifications

Designed for critical applications in home studios, professional studios, and live performances, this cardioid side-address condenser microphone provides exceptional detail and low noise.

Equipped with an 80 Hz high-pass filter and a 10 dB pad, the AT2035 easily handles high sound pressure levels. Along with its robust construction and high-performance specifications, it offers an exceptional level of consistency from model to model.

Additionally, it includes a protective case and a custom shock mount.

Exceptional Detail and Low Noise

The performance of this side-address microphone makes it an excellent choice for both studio and live applications.

The perfect microphone for creators

With its smooth, natural sound, the AT2035 is ideal for musicians, streamers, podcasters, and other content creators.

Professional Accessories

The AT2035 is equipped with an 80 Hz high-pass filter and a 10 dB pad, and comes with a custom shock mount.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
120 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
22.4 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
148 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR, USB

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (6)

4.8
6
4.8
Review this product
  1. 4
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
  • dimitris.spendas
    5
    10 out of 11 members found this review helpful
    dimitris.spendas

    I will be brief:
    For voice:
    it has the so-called proximity effect, where you get closer and it sounds even your spleen and the juices in your throat if you put too much gain.. and it also has the pad 80hz cutout.. which means you have the ability to cancel the proximity to some extent.. the sound is quite objective and doesn't hurt your ears with the company's EQ with this large capsule.. it colors a bit at 4000 hz, meaning in the mid to high frequencies.. but only a few dB.. and of course, I believe you also pay for this coloring, it doesn't mean anything bad.. it makes me sound like a radio.

    For material quality:
    It offers the same as the at-3035 at a more affordable price and with a black body instead of silver...
    It has a fairly flat sound, the internal parts just fall a bit in terms of quality.. but still, it is unbeatable in the range up to 300 euros...
    and one last thing.. it has the highest SPL in its category and competes with microphones up to 800 euros in this field.. for those of you who have drums or trumpet like me, you want as wide a range as possible to make the appropriate placement and mastering with greater ease, to have additional dynamic range so that you can define the sound ceiling yourself...

    I have a first impression and unboxing on YouTube... (once I become familiar, I will upload a review with updates down here ↓
    https://youtu.be/m7-u2xAK0rA

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • Dean Manou
    5
    10 out of 11 members found this review helpful
    Dean Manou

    One of the best microphones for broadcasting/podcast, streaming, voice recording. The equivalent AT2020 is for song recordings/instrument recordings and generally about music. It's worth it!

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • 5
    denniszorb4

    Verified purchase

  • 4
    matitiki6

    Verified purchase

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • 5
    o0tsur

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • 1
    GeneralSkipperTv

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • dimitris.spendas
    5
    dimitris.spendas

    I will be brief:
    For voice:
    it has the so-called proximity effect, where you get closer and it sounds even your spleen and the juices in your throat if you put too much gain.. and it also has the pad 80hz cutout.. which means you have the ability to cancel the proximity to some extent.. the sound is quite objective and doesn't hurt your ears with the company's EQ with this large capsule.. it colors a bit at 4000 hz, meaning in the mid to high frequencies.. but only a few dB.. and of course, I believe you also pay for this coloring, it doesn't mean anything bad.. it makes me sound like a radio.

    For material quality:
    It offers the same as the at-3035 at a more affordable price and with a black body instead of silver...
    It has a fairly flat sound, the internal parts just fall a bit in terms of quality.. but still, it is unbeatable in the range up to 300 euros...
    and one last thing.. it has the highest SPL in its category and competes with microphones up to 800 euros in this field.. for those of you who have drums or trumpet like me, you want as wide a range as possible to make the appropriate placement and mastering with greater ease, to have additional dynamic range so that you can define the sound ceiling yourself...

    I have a first impression and unboxing on YouTube... (once I become familiar, I will upload a review with updates down here ↓
    https://youtu.be/m7-u2xAK0rA

    Translated from Greek ·
    10
  • Dean Manou
    5
    Dean Manou

    One of the best microphones for broadcasting/podcast, streaming, voice recording. The equivalent AT2020 is for song recordings/instrument recordings and generally about music. It's worth it!

    Translated from Greek ·
    10
  • 5
    denniszorb4

    0
  • 4
    matitiki6

    0
  • 5
    o0tsur

    0
  • See all
194,00 €
14,00 €   shipping cost