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Nikon Full Frame Camera Lens NIKKOR Z 28-75mm f/2.8 Wide Angle for Nikon Z Mount Black
Camera Lenses

Nikon Full Frame Camera Lens NIKKOR Z 28-75mm f/2.8 Wide Angle for Nikon Z Mount Black

Fast wide-angle zoom telephoto lens f/2.8. Create your own unique shots. With such a fast and versatile lens, you are always ready to respond to whatever is around you. From street scenes to...

Fast wide-angle zoom telephoto lens f/2.8. Create your own unique shots. With such a fast and versatile lens, you are always ready to respond to whatever is around you. From street scenes to landscapes and portraits, compose freely with the compact NIKKOR Z 28-75mm f/2.8.

Upgrade your creativity. Elevate your artistic expression with a lightweight zoom lens...

See full description See full description

  • Type

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
Product report

Description

Description

Fast wide-angle zoom telephoto lens f/2.8. Create your own unique shots. With such a fast and versatile lens, you are always ready to respond to whatever is around you. From street scenes to landscapes and portraits, compose freely with the compact NIKKOR Z 28-75mm f/2.8.

Upgrade your creativity. Elevate your artistic expression with a lightweight zoom lens that delivers beautiful bokeh. Explore the creative possibilities of shallow depth of field or using higher shutter speeds with natural light. You can experiment with a range of classic focal lengths, while the constant f/2.8 aperture maintains consistent exposure across the entire zoom range.

Artistic bokeh. The large Z mount and the rounded f/2.8 9-blade aperture allow you to focus on your subject in front of beautifully smooth, natural bokeh. Create images with dramatic selective focus or take your portrait shots to a new level.

Always the right lighting. With its fast maximum aperture, this lens performs excellently using only available light. Capture clear, sharp images in low-light situations or use faster shutter speeds to freeze action without sacrificing brightness.

Try something new. The range from wide-angle to telephoto is ideal for exploring your framing options. Fit more of the scene at 28mm. Achieve incredible portraits at 75mm. You can also pursue dramatic perspectives by moving closer and filling the frame from high and low angles.

Get closer. The NIKKOR Z 28-75mm f/2.8 rewards you when you get close. The minimum focusing distance of just 0.19 m at 28 mm allows you to create close-ups with dramatic wide-angle perspectives. When shooting at 75 mm, you can make the most of the 0.39 m minimum focusing distance to isolate subject details. Bokeh is accentuated at closer distances, delivering impressive results.

Fast, reliable focusing. Focusing is smooth, silent, and perfectly sharp even during close-up shots. The fast autofocus system works in perfect sync with Nikon Z camera's eye-detection AF to keep focus exactly where you want it when taking portraits.

Video specialization. Add videos with outstanding image quality to your creative palette! Focus breathing is eliminated, allowing you to smoothly change focus while maintaining your framing. Smooth aperture control lets you capture beautiful, natural-looking changes in brightness.

See where it takes you. Play with framing. Play with motion. Play with depth of field. With its lightweight construction and sharp optics, the NIKKOR Z 28-75mm f/2.8 is an excellent everyday lens and a wonderfully creative partner.

Rich details. This fast-aperture zoom lens delivers greater sharp detail, richer colors, and reduced distortion even when shooting at the wide end of the focal length range.

Intuitive control. You can customize the smooth, clickless control ring to suit your shooting style. Use it for precise aperture control or to adjust aperture, ISO, or exposure compensation.

Ready to go anywhere. The NIKKOR Z 28-75mm f/2.8 is dust- and drip-resistant, with a coating that makes lens cleaning easier. From wide shots at ground level to urban landscapes on rainy days, don’t let anything hold you back.

  • Type: Nikon Z Mount
  • Format: FX
  • Focal length: 28–75 mm
  • Maximum aperture: f/2.8
  • Minimum aperture: f/22
  • Lens construction: 15 elements in 12 groups

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 75 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
565 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

3.5
2
3.5
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 1
  5. 1 star
    0
Review this product

Reviews by our members

  • Konstantinos_Parcharidis
    2
    5 out of 5 members found this review helpful
    Konstantinos_Parcharidis

    Verified purchase

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    • Quiet
    • Autofocus (AF) speed
    • Weight
    • Construction quality
    • Value for money
    Did you find this review helpful?
  • dmagiras
    5
    5 out of 7 members found this review helpful
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • Konstantinos_Parcharidis
    2
    Konstantinos_Parcharidis

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    5
  • dmagiras
    5
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    5
  • See all

Description & Specifications

Fast wide-angle zoom telephoto lens f/2.8. Create your own unique shots. With such a fast and versatile lens, you are always ready to respond to whatever is around you. From street scenes to landscapes and portraits, compose freely with the compact NIKKOR Z 28-75mm f/2.8.

Upgrade your creativity. Elevate your artistic expression with a lightweight zoom lens that delivers beautiful bokeh. Explore the creative possibilities of shallow depth of field or using higher shutter speeds with natural light. You can experiment with a range of classic focal lengths, while the constant f/2.8 aperture maintains consistent exposure across the entire zoom range.

Artistic bokeh. The large Z mount and the rounded f/2.8 9-blade aperture allow you to focus on your subject in front of beautifully smooth, natural bokeh. Create images with dramatic selective focus or take your portrait shots to a new level.

Always the right lighting. With its fast maximum aperture, this lens performs excellently using only available light. Capture clear, sharp images in low-light situations or use faster shutter speeds to freeze action without sacrificing brightness.

Try something new. The range from wide-angle to telephoto is ideal for exploring your framing options. Fit more of the scene at 28mm. Achieve incredible portraits at 75mm. You can also pursue dramatic perspectives by moving closer and filling the frame from high and low angles.

Get closer. The NIKKOR Z 28-75mm f/2.8 rewards you when you get close. The minimum focusing distance of just 0.19 m at 28 mm allows you to create close-ups with dramatic wide-angle perspectives. When shooting at 75 mm, you can make the most of the 0.39 m minimum focusing distance to isolate subject details. Bokeh is accentuated at closer distances, delivering impressive results.

Fast, reliable focusing. Focusing is smooth, silent, and perfectly sharp even during close-up shots. The fast autofocus system works in perfect sync with Nikon Z camera's eye-detection AF to keep focus exactly where you want it when taking portraits.

Video specialization. Add videos with outstanding image quality to your creative palette! Focus breathing is eliminated, allowing you to smoothly change focus while maintaining your framing. Smooth aperture control lets you capture beautiful, natural-looking changes in brightness.

See where it takes you. Play with framing. Play with motion. Play with depth of field. With its lightweight construction and sharp optics, the NIKKOR Z 28-75mm f/2.8 is an excellent everyday lens and a wonderfully creative partner.

Rich details. This fast-aperture zoom lens delivers greater sharp detail, richer colors, and reduced distortion even when shooting at the wide end of the focal length range.

Intuitive control. You can customize the smooth, clickless control ring to suit your shooting style. Use it for precise aperture control or to adjust aperture, ISO, or exposure compensation.

Ready to go anywhere. The NIKKOR Z 28-75mm f/2.8 is dust- and drip-resistant, with a coating that makes lens cleaning easier. From wide shots at ground level to urban landscapes on rainy days, don’t let anything hold you back.

  • Type: Nikon Z Mount
  • Format: FX
  • Focal length: 28–75 mm
  • Maximum aperture: f/2.8
  • Minimum aperture: f/22
  • Lens construction: 15 elements in 12 groups

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 75 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
565 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

3.5
2
3.5
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 1
  5. 1 star
    0
Review this product

Reviews by our members

  • Konstantinos_Parcharidis
    2
    5 out of 5 members found this review helpful
    Konstantinos_Parcharidis

    Verified purchase

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    • Quiet
    • Autofocus (AF) speed
    • Weight
    • Construction quality
    • Value for money
    Did you find this review helpful?
  • dmagiras
    5
    5 out of 7 members found this review helpful
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • Konstantinos_Parcharidis
    2
    Konstantinos_Parcharidis

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    5
  • dmagiras
    5
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    5
  • See all
949,00 €
14,00 €   shipping cost