“Petros, from a young age, followed his father's movements like a ritual. Rituals at home always had to be observed. If something was not done correctly, if it deviated, it would ruin his father's day. In the eyes of a small child, the world was ruined, it deviated.”

Anthí Tsiroúki, with her first theatrical work, INN ERR OO M, dares to approach timeless situations and heroes through an allegorical form, even though they are exceptionally relevant. She addresses everyday issues in a biting manner, yet viewed so subtly, that it awakens the reading audience and provokes their contemplation, without making it difficult. This is a work that is lively on paper, which will come even more to life on a theatrical stage in the future.

“INN ERR OO M proves, especially after the great pandemic, to be a work very close to us: Our rooms have now become more than just four walls – they yearn to become something much more complex. Are they perhaps reflections of a sought-after hidden identity? Fragments of the demand for an existential tragedy? Remnants of a terrible moment of surrender, where we have only existed and which no one will ever find in our obituaries? Kaleidoscopes of repressed desires or instincts that were civilly tamed and await to return?” notes Thanasis Triaridis in the book's introductory note.