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Shure SM7B Δυναμικό Microphone Shock Mounted for Vocals
Microphones

Shure SM7B Δυναμικό Microphone Shock Mounted for Vocals

Key features:

  • Frequency: 50 - 20000 Hz
  • Sensitivity: 1.12 mV/Pa
  • Impedance: 150 ohm
  • Connectivity: XLR
See full description

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Computer (Gaming & Streaming), Studio
  • Placement Shock Mounted
  • Connectivity XLR, 3 pin
  • See all
385 00 €
Delivery by Wed, 24 Jun
14,00 €   shipping cost
Sent from Greece
From Djmania 5.0 (7)
5.0 (7 reviews)
Greece
2 pieces
See Audio on the page of Djmania
Product report

Description

Description

The SM7B from SHURE is a dynamic cardioid microphone with a frequency range of 50 to 20,000 Hz, suitable for radio or television productions, offering protection from electromagnetic field noise.

How it works

The wide frequency response of the SM7B preserves the natural beauty of the sound it captures. With its detailed sound profile, words may travel far, but they always reach their destination with quality and intact clarity.

Why is it good?

The shock isolation of the air suspension and the pop filter eliminate both mechanical noises and breathing. Thus, words pass through and the rest stay out of the mix.

Uniform capture
The classic cardioid pattern is designed to reject off-axis sound. So, you can sing or speak at a comfortable angle and the microphone will capture the sound just as you want it, with minimal coloration.

Shield your sound
The advanced electromagnetic shielding protects against hum caused by computer screens and other studio equipment.

The Shure SM7B is the industry standard for podcasting and broadcast vocals, however it is an analog XLR microphone and cannot operate on its own. The most critical thing you need to know is that it requires a lot of gain. That’s why Audio Interfaces are essential for connecting it to your computer. Of course, you will need at least two XLR Cables (one from the microphone to the preamp and one from the preamp to the interface). Finally, due to its design, the microphone performs best when suspended from Microphone Arms, while for proper monitoring during recording, a pair of closed-back Studio Headphones will prevent sound from ‘bleeding’ back into your recording.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Δυναμικό

Mode of Operation

Δυναμικό

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
150 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
1.12 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Signal-to-Noise Ratio (SNR)
-

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR, 3 pin

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (9)

Reviews

4.8
9
4.8
Review this product
  1. 7
  2. 2
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
  • Oldschool
    4
    0 out of 1 members found this review helpful
    Oldschool
    Expert Creator

    Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    Did you find this review helpful?
  • panamav
    5
    4 out of 4 members found this review helpful
    panamav

    Verified purchase

    No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    Did you find this review helpful?
  • sdancer75
    4
    55 out of 59 members found this review helpful
    sdancer75

    The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • 5
    Aragi

    Verified purchase

    simply legendary.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • 5
    ter_Zeus

    Verified purchase

    3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    eleanna1210

    Verified purchase

  • 5
    Ahmed_Omri

    Verified purchase

  • 5
    Harp0oN

    Verified purchase

  • 5
    シ★P̶x̶v̶l̶0$シ★

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • Oldschool
    4
    Oldschool

    Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    0
  • panamav
    5
    panamav

    No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    4
  • sdancer75
    4
    sdancer75

    The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    55
  • 5
    Aragi

    simply legendary.

    Translated from Greek ·
    0
  • 5
    ter_Zeus

    3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    0
  • See all

Description & Specifications

The SM7B from SHURE is a dynamic cardioid microphone with a frequency range of 50 to 20,000 Hz, suitable for radio or television productions, offering protection from electromagnetic field noise.

How it works

The wide frequency response of the SM7B preserves the natural beauty of the sound it captures. With its detailed sound profile, words may travel far, but they always reach their destination with quality and intact clarity.

Why is it good?

The shock isolation of the air suspension and the pop filter eliminate both mechanical noises and breathing. Thus, words pass through and the rest stay out of the mix.

Uniform capture
The classic cardioid pattern is designed to reject off-axis sound. So, you can sing or speak at a comfortable angle and the microphone will capture the sound just as you want it, with minimal coloration.

Shield your sound
The advanced electromagnetic shielding protects against hum caused by computer screens and other studio equipment.

The Shure SM7B is the industry standard for podcasting and broadcast vocals, however it is an analog XLR microphone and cannot operate on its own. The most critical thing you need to know is that it requires a lot of gain. That’s why Audio Interfaces are essential for connecting it to your computer. Of course, you will need at least two XLR Cables (one from the microphone to the preamp and one from the preamp to the interface). Finally, due to its design, the microphone performs best when suspended from Microphone Arms, while for proper monitoring during recording, a pair of closed-back Studio Headphones will prevent sound from ‘bleeding’ back into your recording.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Δυναμικό

Mode of Operation

Δυναμικό

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
150 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
1.12 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Signal-to-Noise Ratio (SNR)
-

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR, 3 pin

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (9)

4.8
9
4.8
Review this product
  1. 7
  2. 2
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
  • Oldschool
    4
    0 out of 1 members found this review helpful
    Oldschool
    Expert Creator

    Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    Did you find this review helpful?
  • panamav
    5
    4 out of 4 members found this review helpful
    panamav

    Verified purchase

    No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    Did you find this review helpful?
  • sdancer75
    4
    55 out of 59 members found this review helpful
    sdancer75

    The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • 5
    Aragi

    Verified purchase

    simply legendary.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • 5
    ter_Zeus

    Verified purchase

    3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    eleanna1210

    Verified purchase

  • 5
    Ahmed_Omri

    Verified purchase

  • 5
    Harp0oN

    Verified purchase

  • 5
    シ★P̶x̶v̶l̶0$シ★

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • Oldschool
    4
    Oldschool

    Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    0
  • panamav
    5
    panamav

    No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    4
  • sdancer75
    4
    sdancer75

    The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    55
  • 5
    Aragi

    simply legendary.

    Translated from Greek ·
    0
  • 5
    ter_Zeus

    3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    0
  • See all
385,00 €
14,00 €   shipping cost