“These places were wet, dark, and flooded with a particular light. I remember the red and purple lights. And all this frenzy on stage that was born from the combination of natural instruments with synthesizers. You could hear that aggressive, animalistic bass pulling you in, pushing you forward.

As soon as they started playing, I knew I had to be there, I had to return to that experience of music, lyrics, and Trent's presence. I had forgotten how much “nerve” the live guitar and drums add to the music of NIN.

When they played “Head Like a Hole” as the last piece, it was overwhelming. I was just enjoying the moment. Everything was perfect that night, and even the rain…”

Daphne Carr is a writer, music critic, and editor of the Best Music Writing book series.