Among the significant works of the last year of his life, Richard Avedon (1923–2004) completed a book with his photographs of women. Always surpassing categorizations—he was both a fashion photographer and known as a "poet of portraiture"—Avedon was interested in how the elemental truths of modern life and human existence were reflected in his work. And what could be more elemental than women, who have enchanted artists throughout the centuries? Viewing his work in this way, Avedon managed to create a unique image of the women of his era, a tumultuous half-century with rapid changes in social events, cultural ideals, popular styles, and high fashion. As an artist, Avedon was deeply sensitive to the nuances of expression, movement, and behavior, and his photographs continuously opened a window into the inner lives of his subjects. These ranged from famous personalities (Marilyn Monroe), artists (Marguerite Duras, June Leaf), and high fashion models (Suzy Parker, Dovima) to anonymous individuals who simply caught his attention. Like the best of art and literature, these images evoke rich lives and complex experiences. A lucid essay by art historian Anne Hollander provides an overview of half a century of Avedon's images of women.
Pages: 256, Dimensions: 28.8x28.8cm
