Contents
Part I. General rules concerning all types of counterpoint.
Paragraphs 1-10 General observations
11-17 Guidelines regarding rhythm
18-25 Harmonic and melodic tones
26-40 About melodic motion
41-57 Passing and neighboring tones
58-96 Intervals in their harmonic aspect
97-106 Tones that form chords
107-108 Particularities of the melodic minor scale
Part II. Examples of simple counterpoint exercises.
a) Two-voiced counterpoint. Paragraphs 109-113 First type - Tone against tone
114-122 Second type - Two tones in one
123-128 Third type - Four tones in one
129-136 Fourth type - Delays
137-141 Fifth type - Embellished
b) Three-voiced counterpoint. Paragraphs 142-147 First type
148-149 Second type
150-151 Third type
152-153 Fourth type
154-155 Fifth type
156 Combinations of three-voiced counterpoint
c) Four-voiced counterpoint. Paragraphs 157-158 First type
159-160 Second type
161-162 Third type
163-164 Fourth type
165-166 Fifth type
167 Combinations of four-voiced counterpoint
169-170 Counterpoint for more than four voices
Part III. Counterpoint tricks.
Paragraphs 171-177 Inverted counterpoint
178-182 Counterpoint with imitations
183-184 The Rule
Part IV. Practical applications of counterpoint.
Paragraphs 185-195 Free counterpoint
196 The techniques of counterpoint
197-199 The double choir
200-201 The free rules
202 Compositions based on the continuous repetition of a melodic motif
203 The Chorale with variations
204-217 The fugue
Manufacturer
- Author
- Amarantos Amarantidis
- Publisher
- Panas Music
- Language
- Greek
- Subtitle
- Third Volume
- Cover
- Soft
- Number of Pages
- 254
- Release Date
- 08/02/2019
- Publication Date
- 2019
- Award
- -
- Dimensions
- 17x24 cm
- Art Movement
- Modernism
- Art Albums
- Yes
- Subjects
- Music Theory
- ISBN-13
- 9786185313098
Important information
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