Revised edition, with a new introduction by the author. The Theory of Performance is Richard Schechner's classic contribution to the performing arts and critical theory. It is a work characterized by erudition and elegance, spanning various fields, cultures, and histories, illuminating some of the most fundamental symbols and rituals through which we derive meaning in the world we live in. It is also an eloquent argument in favor of the importance of art, theater, and performance in expressing our deepest and most transformative desires.

Few have had such a significant impact on academia as well as the world of theatrical performances as Richard Schechner. For over four decades, his work has challenged conventional definitions of theater, ritual, and performance. When this fertile collection first appeared, Schechner's approach was not just innovative; it was revolutionary: drama is not merely something that happens on stage but something laden with meaning that operates on many levels of everyday life, both in secular and sacred rituals, in play, sports, legal processes, and popular entertainments.

Within these pages, Schechner examines the connections between Western and non-Western cultures, the performing arts, anthropology, rituals, performance in everyday life, play, psychotherapy, and shamanism. For this edition of Routledge Classics, Schechner wrote a new introduction, revised and enriched Chapter 1, and added an additional chapter at the end.

Unmatched in his field, Schechner has redefined what performance means, and in doing so, has challenged the boundaries separating audience from actor. Richard Schechner (1938-), one of the most prominent directors in contemporary theater, is also a world-renowned artist and scholar.