An extensive retrospective of Alma W. Thomas's broad artistic practice, shedding new light on her unique quest for beauty. Gaining fame in 1972 as the first African American woman to present a solo exhibition at the Whitney Museum of American Art, Alma W. Thomas (1891–1978) is known for her large abstract paintings, filled with uneven patterns of bright colors. This insightful reexamination of her life and work reveals her complex and deliberate artistic existence before, during, and after the years of commercial and critical success. It describes how her innovative palette and loose application of color stemmed from a long study of color theory.
Essays trace Thomas's journey from semi-rural Georgia to global recognition, placing her work within the context of the Washington Color School and the creative communities associated with Howard University. Including rare stage designs, sculptures, family photographs, watercolors, and puppets, this edition shows how Thomas's pursuit of beauty extended to every aspect of her life—from her vibrant abstract creations to the conscious crafting of her persona through community service, teaching, and gardening.
Pages: 336, Year of Publication: 0713, Dimensions: 24.1x24.1cm
