The book you are holding in your hands attempts to provide an updated recording of the reality that constitutes the "ecosystem" of (political) song today:

• Production Method and Time: from composition to the final "product"
• Distribution Method: the music industry and new media
• Communication with the Audience: dissemination and "closed doors"
• Contemporary Political Song: main representatives, recognition, and "success"
• Conclusions: nothing has changed and nothing is as it used to be

In this book, therefore, I am concerned with the new ways of perceiving and disseminating song, the technological changes and their impact on music listening, the dissemination and perception of political song, as well as the state of nationwide radio stations and the alternative pathways that are being created (e.g., regional radio stations, YouTube, Digital Service Providers like Spotify, Apple Music, Deezer, etc.).

In the effort of this analysis, important roles are played by examples, observation, and interaction with reality, as well as the constant professional involvement in the music industry for the past twenty-six (26) years.

Currently, there is an attempt to record the present reality, that which constitutes the "ecosystem" of creation, production, and communication of contemporary (political) song.