"For more than twenty years that I have been writing plays, it seems to me that I have always thought about this, to some extent, even though I have not always articulated it in such a concise manner (for which I apologize to those who have sometimes heard me ramble on during these twenty-three years...). However, I have never really managed to speak – at least to explain clearly – how theater – especially theater – could help me not to 'live and think like a pig.' And in this question, I would like to attempt to provide some elements of an answer today."

"Félix Guattari asked me to describe how I perceive the foundation of theatrical action. How this action was perceived by me and how it evolved into a ritual of subjectivity. As a process of uniqueness. What, in my opinion, were the motivations, the stakes. He asked me to briefly refer to what he himself calls unique arrangements of enunciation from which, in my view, theatrical practice emerges."

"I will clarify from the outset that I was asked to express myself more 'from my heart' rather than through the guise of a conceptual attire whose boundaries you will not have trouble perceiving [...]. The views that follow are based on a daydreaming about my practice. Their only ambition is that of a special envoy from the other side of the fourth wall [...]."