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AT 5040 Condenser Microphone XLR Shock Mounted for Vocals
Microphones

AT 5040 Condenser Microphone XLR Shock Mounted for Vocals

The Audio Technica AT 5040 condenser microphone connects via XLR and is designed for vocal recording. The shock mount helps support it.

  • Microphone type: Condenser
  • Connection: XLR
  • Mount: Shock mount
  • ...

The Audio Technica AT 5040 condenser microphone connects via XLR and is designed for vocal recording. The shock mount helps support it.

  • Microphone type: Condenser
  • Connection: XLR
  • Mount: Shock mount
  • Use: Vocals
See full description See full description

Top specs

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Vocal, Musical Instruments, Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
3200 00 €
Delivery Wed, 04 Nov - Tue, 10 Nov
14,00 €   shipping cost
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From Adagio 4.5 (67)
4.5 (67 reviews)
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Product report

Description

Description

The Audio Technica AT 5040 condenser microphone connects via XLR and is designed for vocal recording. The shock mount helps support it.

  • Microphone type: Condenser
  • Connection: XLR
  • Mount: Shock mount
  • Use: Vocals

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
50 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
142 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Vocal, Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Description & Specifications

The Audio Technica AT 5040 condenser microphone connects via XLR and is designed for vocal recording. The shock mount helps support it.

  • Microphone type: Condenser
  • Connection: XLR
  • Mount: Shock mount
  • Use: Vocals

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
50 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
142 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Vocal, Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

3.200,00 €
14,00 €   shipping cost
Audio Technica