Skroutz.mt

Sony Full Frame Camera Lens Vario-tessar T* Fe 16-35mm F/4 ZA OSS Standard Zoom for Sony E Mount Black
Camera Lenses

Sony Full Frame Camera Lens Vario-tessar T* Fe 16-35mm F/4 ZA OSS Standard Zoom for Sony E Mount Black

Wide-angle zoom lens, ZEISS quality and stunning contrast.

The ZEISS Vario-Tessar E-mount full-frame 16-35 mm zoom lens delivers outstanding performance in a compact and lightweight design. The...

Wide-angle zoom lens, ZEISS quality and stunning contrast.

The ZEISS Vario-Tessar E-mount full-frame 16-35 mm zoom lens delivers outstanding performance in a compact and lightweight design. The versatile zoom range combined with built-in optical image stabilization makes it an ideal choice for:

  • Snapshots
  • Indoor scenes photography
  • Group photos
  • Landscapes
  • ...
See full description See full description

  • Type

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
Product report

Description

Description

Wide-angle zoom lens, ZEISS quality and stunning contrast.

The ZEISS Vario-Tessar® E-mount full-frame 16-35 mm zoom lens delivers outstanding performance in a compact and lightweight design. The versatile zoom range combined with built-in optical image stabilization makes it an ideal choice for:

  • Snapshots
  • Indoor scenes photography
  • Group photos
  • Landscapes
  • Many others

Especially when used with a full-frame α7 series camera. The constant maximum aperture of F4 makes exposure and depth of field control easier.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
72 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
16 - 35 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
518 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (3)

Reviews

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Color representation
  • Value for money
  • Autofocus (AF) speed
  • Acidity
  • Weight
  • megas
    5
    1 out of 4 members found this review helpful
    megas

    Very good for photographing spaces, rooms, halls, etc.
    Landscapes are another strong point, although they naturally have wide-angle distortion, but it is reasonable at numbers below 18.
    In video, it has good stabilization but a small range of movements known to those who have the Sony A series.
    In shots with faces, the distortion becomes tiring many times, so I rarely use it at full wide-angle, but even a few shots at 16 and from a low angle give a different value to the subject.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • Dr.Feel
    5
    7 out of 10 members found this review helpful
    Dr.Feel

    Very good construction, a heavy and sturdy lens. Sharp enough for a zoom lens. At f4 its use is clear and in the range of 16-35mm. I am very satisfied with landscape photography, I haven't tried it for anything else yet.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Value for money
    • Autofocus (AF) speed
    • Acidity
    • Weight
    Did you find this review helpful?
  • 5
    Sakis.p

    The definition of construction quality and sharpness. Negative is its weight.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • megas
    5
    megas

    Very good for photographing spaces, rooms, halls, etc.
    Landscapes are another strong point, although they naturally have wide-angle distortion, but it is reasonable at numbers below 18.
    In video, it has good stabilization but a small range of movements known to those who have the Sony A series.
    In shots with faces, the distortion becomes tiring many times, so I rarely use it at full wide-angle, but even a few shots at 16 and from a low angle give a different value to the subject.

    Translated from Greek ·
    1
  • Dr.Feel
    5
    Dr.Feel

    Very good construction, a heavy and sturdy lens. Sharp enough for a zoom lens. At f4 its use is clear and in the range of 16-35mm. I am very satisfied with landscape photography, I haven't tried it for anything else yet.

    Translated from Greek ·
    7
  • 5
    Sakis.p

    The definition of construction quality and sharpness. Negative is its weight.

    Translated from Greek ·
    0
  • See all

Description & Specifications

Wide-angle zoom lens, ZEISS quality and stunning contrast.

The ZEISS Vario-Tessar® E-mount full-frame 16-35 mm zoom lens delivers outstanding performance in a compact and lightweight design. The versatile zoom range combined with built-in optical image stabilization makes it an ideal choice for:

  • Snapshots
  • Indoor scenes photography
  • Group photos
  • Landscapes
  • Many others

Especially when used with a full-frame α7 series camera. The constant maximum aperture of F4 makes exposure and depth of field control easier.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
72 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
16 - 35 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
518 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (3)

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Color representation
  • Value for money
  • Autofocus (AF) speed
  • Acidity
  • Weight
  • megas
    5
    1 out of 4 members found this review helpful
    megas

    Very good for photographing spaces, rooms, halls, etc.
    Landscapes are another strong point, although they naturally have wide-angle distortion, but it is reasonable at numbers below 18.
    In video, it has good stabilization but a small range of movements known to those who have the Sony A series.
    In shots with faces, the distortion becomes tiring many times, so I rarely use it at full wide-angle, but even a few shots at 16 and from a low angle give a different value to the subject.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • Dr.Feel
    5
    7 out of 10 members found this review helpful
    Dr.Feel

    Very good construction, a heavy and sturdy lens. Sharp enough for a zoom lens. At f4 its use is clear and in the range of 16-35mm. I am very satisfied with landscape photography, I haven't tried it for anything else yet.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Value for money
    • Autofocus (AF) speed
    • Acidity
    • Weight
    Did you find this review helpful?
  • 5
    Sakis.p

    The definition of construction quality and sharpness. Negative is its weight.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • megas
    5
    megas

    Very good for photographing spaces, rooms, halls, etc.
    Landscapes are another strong point, although they naturally have wide-angle distortion, but it is reasonable at numbers below 18.
    In video, it has good stabilization but a small range of movements known to those who have the Sony A series.
    In shots with faces, the distortion becomes tiring many times, so I rarely use it at full wide-angle, but even a few shots at 16 and from a low angle give a different value to the subject.

    Translated from Greek ·
    1
  • Dr.Feel
    5
    Dr.Feel

    Very good construction, a heavy and sturdy lens. Sharp enough for a zoom lens. At f4 its use is clear and in the range of 16-35mm. I am very satisfied with landscape photography, I haven't tried it for anything else yet.

    Translated from Greek ·
    7
  • 5
    Sakis.p

    The definition of construction quality and sharpness. Negative is its weight.

    Translated from Greek ·
    0
  • See all
1.199,00 €
14,00 €   shipping cost