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Nikon Full Frame Camera Lens Nikkor Z 50mm f/1.4 Fixed for Nikon Z Mount Black
Camera Lenses

Nikon Full Frame Camera Lens Nikkor Z 50mm f/1.4 Fixed for Nikon Z Mount Black

Key features:

  • Full-Frame | f/1.4 to f/16
  • Fast, Lightweight Prime Lens
  • STM Autofocus Stepping Motor
  • Minimum Focusing Distance: 0.37m
See full description

  • Type

    Standard

    The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all
Product report

Description

Description

Anything but typical

Capture natural perspectives with a new sense of freedom! With the fast f/1.4 aperture, rapid autofocus, smooth bokeh, and top performance in low light, this 50 mm full-frame prime lens boosts your creativity.

Focal length 50 mm. The beauty of natural projection.

There is nothing better than a bright 50 mm fixed focal length lens to capture a natural perspective with incredible ease! From unique portraits of people and places, to sharp close-up shots of details and textures, the NIKKOR Z 50mm f/1.4 captures various scenes in any lighting conditions. With its normal (or "standard") field of view and sharp optical elements, you can follow your instincts: take a few steps back to fill your frame more with the scene or get closer to your subject without distortions.

Fast and versatile f/1.4 aperture

The fast maximum aperture of f/1.4 ensures you immense flexibility to shoot anywhere with available light at lower ISO settings, use faster shutter speeds, and work creatively with depth of field or backlit scenes. With the wide-open f/1.4 aperture, you can make your subject stand out against the large, beautifully soft bokeh in the background or foreground. Shooting landscapes, urban skylines, or street scenes? Simply reduce the aperture value to ensure sharp details with high resolution across the entire frame.

Ultimate clarity even in close-up shots

Sunlight, moonlight, starlight, streetlights, candlelight: even when shooting with the aperture at f/1.4, this lens's multi-focus system locks precisely onto your subject. The autofocus is both fast and silent, allowing you to confidently and discreetly capture moments that would otherwise be lost in the blink of an eye. For more considered compositions, the 0.37 m close focusing distance lets you fill the frame, reveal small details, or comfortably shoot video in tight spaces.

Natural perspectives, beautifully captured

With its impressive performance, the NIKKOR Z 50mm f/1.4 lens is anything but typical! Colors are vibrant and true to life, contrast is sharp and clear, and brightness is wonderfully even across the frame. Whether you're shooting close-ups or from a distance, with a fully open aperture or at the minimum aperture value, you'll capture scenes with real depth, clarity, and sharpness.

Made for Inspired Explorations

Versatile enough so you don't have to constantly change lenses. Light enough to hold your camera as you wander. Compact enough to fit easily into any gear bag. This 50 mm f/1.4 fixed focal length lens is an excellent travel lens, even when you stay at home! Carefully designed for dust and moisture resistance, it is ready to help you tell your stories whenever and however you decide to explore.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
1.4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
16

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
50 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Weight
422 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • vaggelhs4
    5
    1 out of 1 members found this review helpful
    vaggelhs4

    Verified purchase

    I have always been negatively biased towards the 50mm focal length.

    My first 50mm was the Manual 50mm 1.8 Ai from 1975, which I adore. It had character as a lens. The AF-G 1.8 that followed had no character, it was just a coverage at 50mm...

    For some reason, Nikon has this lens at the same price as the 1.8!! Because it’s not the S series! And what does the S series give you? AF switch and metal barrel but 2/3 of a stop less light. They say the S line has better build quality. Sorry, but I can live without those if I have 1.4 glass. For me, there’s no comparison. I go for the brighter one.

    Don’t get stuck on marketing and don’t read too much into sharpness. It’s a 50mm prime. 50mm lenses have been made since 1958! There’s no way it’s not sharp.

    As soon as you put the lens on and start shooting images, you’ll forget everything else.

    Let’s get to the point! The lens is wonderful. It has character. It has that dreamy, fairytale style, not overly saturated, it has sharpness, no vignetting at 1.4 even with backlight. It has chromatic aberration that’s not easily removed, at least in my case, but I don’t care either.

    Its AF is good. Not the best, certainly not better than the 24-70 2.8 S nor better than the 85mm 1.8 S I have, but it gets the job done.

    You get a 1.4 to focus on the eyes, to do portraits, not to shoot sports and action. Its bokeh is insane.

    I’ve always worked with an 85mm. Since I got the 50mm, I work with it. I like what it gives more.

    At 1.4, however, you know that no lens forgives. It’s not for groups. However, at 2.8, when I put it side by side with the 24-70 at the same settings, same camera, the 50mm needed less ISO to work, obviously had cleaner images.

    It’s not a makeshift Nikon lens. They’ve worked seriously on it. It’s simply an underrated gem that Nikon released to compete with 3rd party brands like Viltrox. Its quality, price, and weight don’t let you go for a 3rd party lens.

    I don’t miss anything from this lens. Whoever gets it as their first lens will never regret it.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    George_Soumelidis_Photography

    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
  • vaggelhs4
    5
    vaggelhs4

    I have always been negatively biased towards the 50mm focal length.

    My first 50mm was the Manual 50mm 1.8 Ai from 1975, which I adore. It had character as a lens. The AF-G 1.8 that followed had no character, it was just a coverage at 50mm...

    For some reason, Nikon has this lens at the same price as the 1.8!! Because it’s not the S series! And what does the S series give you? AF switch and metal barrel but 2/3 of a stop less light. They say the S line has better build quality. Sorry, but I can live without those if I have 1.4 glass. For me, there’s no comparison. I go for the brighter one.

    Don’t get stuck on marketing and don’t read too much into sharpness. It’s a 50mm prime. 50mm lenses have been made since 1958! There’s no way it’s not sharp.

    As soon as you put the lens on and start shooting images, you’ll forget everything else.

    Let’s get to the point! The lens is wonderful. It has character. It has that dreamy, fairytale style, not overly saturated, it has sharpness, no vignetting at 1.4 even with backlight. It has chromatic aberration that’s not easily removed, at least in my case, but I don’t care either.

    Its AF is good. Not the best, certainly not better than the 24-70 2.8 S nor better than the 85mm 1.8 S I have, but it gets the job done.

    You get a 1.4 to focus on the eyes, to do portraits, not to shoot sports and action. Its bokeh is insane.

    I’ve always worked with an 85mm. Since I got the 50mm, I work with it. I like what it gives more.

    At 1.4, however, you know that no lens forgives. It’s not for groups. However, at 2.8, when I put it side by side with the 24-70 at the same settings, same camera, the 50mm needed less ISO to work, obviously had cleaner images.

    It’s not a makeshift Nikon lens. They’ve worked seriously on it. It’s simply an underrated gem that Nikon released to compete with 3rd party brands like Viltrox. Its quality, price, and weight don’t let you go for a 3rd party lens.

    I don’t miss anything from this lens. Whoever gets it as their first lens will never regret it.

    Translated from Greek ·
    1
  • 5
    George_Soumelidis_Photography

    0
  • See all

Description & Specifications

Anything but typical

Capture natural perspectives with a new sense of freedom! With the fast f/1.4 aperture, rapid autofocus, smooth bokeh, and top performance in low light, this 50 mm full-frame prime lens boosts your creativity.

Focal length 50 mm. The beauty of natural projection.

There is nothing better than a bright 50 mm fixed focal length lens to capture a natural perspective with incredible ease! From unique portraits of people and places, to sharp close-up shots of details and textures, the NIKKOR Z 50mm f/1.4 captures various scenes in any lighting conditions. With its normal (or "standard") field of view and sharp optical elements, you can follow your instincts: take a few steps back to fill your frame more with the scene or get closer to your subject without distortions.

Fast and versatile f/1.4 aperture

The fast maximum aperture of f/1.4 ensures you immense flexibility to shoot anywhere with available light at lower ISO settings, use faster shutter speeds, and work creatively with depth of field or backlit scenes. With the wide-open f/1.4 aperture, you can make your subject stand out against the large, beautifully soft bokeh in the background or foreground. Shooting landscapes, urban skylines, or street scenes? Simply reduce the aperture value to ensure sharp details with high resolution across the entire frame.

Ultimate clarity even in close-up shots

Sunlight, moonlight, starlight, streetlights, candlelight: even when shooting with the aperture at f/1.4, this lens's multi-focus system locks precisely onto your subject. The autofocus is both fast and silent, allowing you to confidently and discreetly capture moments that would otherwise be lost in the blink of an eye. For more considered compositions, the 0.37 m close focusing distance lets you fill the frame, reveal small details, or comfortably shoot video in tight spaces.

Natural perspectives, beautifully captured

With its impressive performance, the NIKKOR Z 50mm f/1.4 lens is anything but typical! Colors are vibrant and true to life, contrast is sharp and clear, and brightness is wonderfully even across the frame. Whether you're shooting close-ups or from a distance, with a fully open aperture or at the minimum aperture value, you'll capture scenes with real depth, clarity, and sharpness.

Made for Inspired Explorations

Versatile enough so you don't have to constantly change lenses. Light enough to hold your camera as you wander. Compact enough to fit easily into any gear bag. This 50 mm f/1.4 fixed focal length lens is an excellent travel lens, even when you stay at home! Carefully designed for dust and moisture resistance, it is ready to help you tell your stories whenever and however you decide to explore.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
1.4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
16

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
50 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Weight
422 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • vaggelhs4
    5
    1 out of 1 members found this review helpful
    vaggelhs4

    Verified purchase

    I have always been negatively biased towards the 50mm focal length.

    My first 50mm was the Manual 50mm 1.8 Ai from 1975, which I adore. It had character as a lens. The AF-G 1.8 that followed had no character, it was just a coverage at 50mm...

    For some reason, Nikon has this lens at the same price as the 1.8!! Because it’s not the S series! And what does the S series give you? AF switch and metal barrel but 2/3 of a stop less light. They say the S line has better build quality. Sorry, but I can live without those if I have 1.4 glass. For me, there’s no comparison. I go for the brighter one.

    Don’t get stuck on marketing and don’t read too much into sharpness. It’s a 50mm prime. 50mm lenses have been made since 1958! There’s no way it’s not sharp.

    As soon as you put the lens on and start shooting images, you’ll forget everything else.

    Let’s get to the point! The lens is wonderful. It has character. It has that dreamy, fairytale style, not overly saturated, it has sharpness, no vignetting at 1.4 even with backlight. It has chromatic aberration that’s not easily removed, at least in my case, but I don’t care either.

    Its AF is good. Not the best, certainly not better than the 24-70 2.8 S nor better than the 85mm 1.8 S I have, but it gets the job done.

    You get a 1.4 to focus on the eyes, to do portraits, not to shoot sports and action. Its bokeh is insane.

    I’ve always worked with an 85mm. Since I got the 50mm, I work with it. I like what it gives more.

    At 1.4, however, you know that no lens forgives. It’s not for groups. However, at 2.8, when I put it side by side with the 24-70 at the same settings, same camera, the 50mm needed less ISO to work, obviously had cleaner images.

    It’s not a makeshift Nikon lens. They’ve worked seriously on it. It’s simply an underrated gem that Nikon released to compete with 3rd party brands like Viltrox. Its quality, price, and weight don’t let you go for a 3rd party lens.

    I don’t miss anything from this lens. Whoever gets it as their first lens will never regret it.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    George_Soumelidis_Photography

    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
  • vaggelhs4
    5
    vaggelhs4

    I have always been negatively biased towards the 50mm focal length.

    My first 50mm was the Manual 50mm 1.8 Ai from 1975, which I adore. It had character as a lens. The AF-G 1.8 that followed had no character, it was just a coverage at 50mm...

    For some reason, Nikon has this lens at the same price as the 1.8!! Because it’s not the S series! And what does the S series give you? AF switch and metal barrel but 2/3 of a stop less light. They say the S line has better build quality. Sorry, but I can live without those if I have 1.4 glass. For me, there’s no comparison. I go for the brighter one.

    Don’t get stuck on marketing and don’t read too much into sharpness. It’s a 50mm prime. 50mm lenses have been made since 1958! There’s no way it’s not sharp.

    As soon as you put the lens on and start shooting images, you’ll forget everything else.

    Let’s get to the point! The lens is wonderful. It has character. It has that dreamy, fairytale style, not overly saturated, it has sharpness, no vignetting at 1.4 even with backlight. It has chromatic aberration that’s not easily removed, at least in my case, but I don’t care either.

    Its AF is good. Not the best, certainly not better than the 24-70 2.8 S nor better than the 85mm 1.8 S I have, but it gets the job done.

    You get a 1.4 to focus on the eyes, to do portraits, not to shoot sports and action. Its bokeh is insane.

    I’ve always worked with an 85mm. Since I got the 50mm, I work with it. I like what it gives more.

    At 1.4, however, you know that no lens forgives. It’s not for groups. However, at 2.8, when I put it side by side with the 24-70 at the same settings, same camera, the 50mm needed less ISO to work, obviously had cleaner images.

    It’s not a makeshift Nikon lens. They’ve worked seriously on it. It’s simply an underrated gem that Nikon released to compete with 3rd party brands like Viltrox. Its quality, price, and weight don’t let you go for a 3rd party lens.

    I don’t miss anything from this lens. Whoever gets it as their first lens will never regret it.

    Translated from Greek ·
    1
  • 5
    George_Soumelidis_Photography

    0
  • See all
499,00 €
14,00 €   shipping cost