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How is exoticism expressed in Greek-language recordings of the 78 RPM records?
What networks highlighted and spread it?
What kind of exoticism do the songs evangelize?
How is it understood as a lyrical narrative as well as a musical structure?
Why have Misirlou, Serach, and Mantoubala migrated into the collective unconscious of the Greeks?
The study at hand delves into the various expressions of the phenomenon of exoticism as it was realized in Greek urban music and captured in the 78 RPM recordings. Its ambition is to contribute to the critique and interpretation of it.
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