Camera Lenses

Sony Full Frame Camera Lens Fe 2870mm F/2 Gm Fixed for Sony E Mount Black

Key features:

  • Sony E-mount
  • Focal length (mm) 28-70
  • Maximum aperture (F) 2
  • Minimum aperture value (F) 22
  • Filter diameter (mm) 86
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Description

Description

  • Mount: Sony E-mount
  • Format: Full-frame 35 mm
  • Focal length (mm): 28-70
  • 35mm equivalent focal length (APS-C): 42-105
  • Lens groups/elements: 14-20
  • Angle of view (35mm): 75゚-34
  • Angle of view (APS-C): 54°-23°
  • Maximum aperture (F): 2
  • Minimum aperture (F): 22
  • Aperture blades: 11
  • Circular aperture: Yes
  • Minimum focusing distance: 0.38 m (1.25 ft)
  • Maximum magnification ratio (x): 0.23
  • Filter diameter (mm): 86
  • Image stabilization (Steadyshot): - (built-in)
  • Zoom system: Manual
  • Angle of view (APS-C): -
  • Teleconverter compatibility (x2.0): -
  • Hood type: Petal-shaped hood, bayonet type

Size & weight:

  • Dimensions (W x H): 92.9 x 139.8 mm (3-3/4 x 5-5/8 in.)
  • Weight: 918 g (32.4 oz.)

Included in the package

  • Hood (model): ALC-SH182
  • Front lens cap: ALC-F86S
  • Rear lens cap: ALC-R1EM
  • Soft case

Manufacturer

See full description

Specifications

Specifications

Dimensions

Type
Standard
Lens Type
Variable Aperture Zoom
Sensor Type
Full Frame
Maximum Aperture (f)
2
Minimum Aperture (f)
22
Filter Diameter
86 mm
Focal Length Range
28 - 70 mm
Focal Length
28 mm
Weight
918 gr
Mount
Sony E
Colour
Black

Features & Functions

Image Stabilization
No
Autofocus (AF)
No
3D
No

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product

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Reviews by our members

  • Stelios tsipis
    5
    7 out of 8 members found this review helpful

    Usually I don’t give 5 stars in a review, but this one, in my humble opinion, is truly the best automatic medium-zoom lens ever released.
    I’ve only had it for a few days, after receiving it from a well-known store in Glyfada, and I’m genuinely impressed by the work Sony did with this wonderful lens. The lens works on the FX3, RV, a7S III, and let’s hope in the near future on the a1 mkII, although they didn’t make a major upgrade from the previous one either.
    So the GM, at just 900 grams and a fairly small size, gives you a very important range with a constant f/2 aperture, truly perfect.
    An insanely sharp lens at all focal lengths, with much less distortion at 28mm compared to the Canon RF (which I also have with the Canon R5II; I’ve also done a related review, but I’ll make a separate comparison for these two lenses).
    So the G Master has amazing color rendition with almost zero focus breathing, which is crazy for a zoom lens, extremely well balanced without the barrel extending too much like on the 24-70 GM II. The well-known features are also mentioned in its description, such as aperture adjustment via a ring, separate buttons, a hood door, etc. I won’t go into those.
    I think it will become my second favorite lens after the 50mm GM f/1.2.
    I’m really trying to find a negative point about this lens; some mention as a downside the front section size at 86mm, where the truth is that it has a slightly odd size mainly because we’re all used to 82mm, but it’s not too bad for the filters that will be used. Personally, I always use a larger screw-on filter size for several reasons, one of them being to avoid vignetting, and it also works well in a matte box with an 86mm adapter (I usually use Tilta with two or three filters, one variable ND, a Mist 1/4 or 1/8, and one variable polarizer with the relevant mounts, etc., as well as square fixed filters for other jobs). The cost of the matte box is of course huge, but you can use a screw-on filter, e.g. a Nisi True Color at 95mm, which I also work with, and it’s perfect with an 86mm adapter; the result is superb.
    It is, of course, a very expensive lens. Is it worth the 3.5k? My opinion is that if you don’t make money from it, there is no reason to go for it, and the GM 24-70 mkII is perfect. I’m not mentioning the mkI at all because it is absolutely not worth the money; you can easily get a Sigma that is much better. Anyway, if you are a professional like me, a perfectionist, someone who looks for the smallest detail, who wants your work to stand out, to become easier, more enjoyable, more high-quality, especially in this whole mess (where everyone pretends to be a photographer and videographer with an a7 mkIII and a Tamron lens), if you’re a bit of a gadget person, like technology products, or simply don’t care about the money and have the means to invest in your work, then yes, you just buy it with your eyes closed, without any second thoughts and without guilt.
    *I will definitely come back with further information in the future about this almost perfect lens from the G Master series.
    Here is my review for this lens, my first review on YouTube basically!!

    https://youtu.be/-xqvSCZokgI?si=oPXW_mQ6saQshgxg

    **Have a good time and happy shooting!

    Translated from Greek ·
    Did you find this review helpful?
  • Usually I don’t give 5 stars in a review, but this one, in my humble opinion, is truly the best automatic medium-zoom lens ever released.
    I’ve only had it for a few days, after receiving it from a well-known store in Glyfada, and I’m genuinely impressed by the work Sony did with this wonderful lens. The lens works on the FX3, RV, a7S III, and let’s hope in the near future on the a1 mkII, although they didn’t make a major upgrade from the previous one either.
    So the GM, at just 900 grams and a fairly small size, gives you a very important range with a constant f/2 aperture, truly perfect.
    An insanely sharp lens at all focal lengths, with much less distortion at 28mm compared to the Canon RF (which I also have with the Canon R5II; I’ve also done a related review, but I’ll make a separate comparison for these two lenses).
    So the G Master has amazing color rendition with almost zero focus breathing, which is crazy for a zoom lens, extremely well balanced without the barrel extending too much like on the 24-70 GM II. The well-known features are also mentioned in its description, such as aperture adjustment via a ring, separate buttons, a hood door, etc. I won’t go into those.
    I think it will become my second favorite lens after the 50mm GM f/1.2.
    I’m really trying to find a negative point about this lens; some mention as a downside the front section size at 86mm, where the truth is that it has a slightly odd size mainly because we’re all used to 82mm, but it’s not too bad for the filters that will be used. Personally, I always use a larger screw-on filter size for several reasons, one of them being to avoid vignetting, and it also works well in a matte box with an 86mm adapter (I usually use Tilta with two or three filters, one variable ND, a Mist 1/4 or 1/8, and one variable polarizer with the relevant mounts, etc., as well as square fixed filters for other jobs). The cost of the matte box is of course huge, but you can use a screw-on filter, e.g. a Nisi True Color at 95mm, which I also work with, and it’s perfect with an 86mm adapter; the result is superb.
    It is, of course, a very expensive lens. Is it worth the 3.5k? My opinion is that if you don’t make money from it, there is no reason to go for it, and the GM 24-70 mkII is perfect. I’m not mentioning the mkI at all because it is absolutely not worth the money; you can easily get a Sigma that is much better. Anyway, if you are a professional like me, a perfectionist, someone who looks for the smallest detail, who wants your work to stand out, to become easier, more enjoyable, more high-quality, especially in this whole mess (where everyone pretends to be a photographer and videographer with an a7 mkIII and a Tamron lens), if you’re a bit of a gadget person, like technology products, or simply don’t care about the money and have the means to invest in your work, then yes, you just buy it with your eyes closed, without any second thoughts and without guilt.
    *I will definitely come back with further information in the future about this almost perfect lens from the G Master series.
    Here is my review for this lens, my first review on YouTube basically!!

    https://youtu.be/-xqvSCZokgI?si=oPXW_mQ6saQshgxg

    **Have a good time and happy shooting!

    Translated from Greek ·
    7
  • See all

Description & Specifications

  • Mount: Sony E-mount
  • Format: Full-frame 35 mm
  • Focal length (mm): 28-70
  • 35mm equivalent focal length (APS-C): 42-105
  • Lens groups/elements: 14-20
  • Angle of view (35mm): 75゚-34
  • Angle of view (APS-C): 54°-23°
  • Maximum aperture (F): 2
  • Minimum aperture (F): 22
  • Aperture blades: 11
  • Circular aperture: Yes
  • Minimum focusing distance: 0.38 m (1.25 ft)
  • Maximum magnification ratio (x): 0.23
  • Filter diameter (mm): 86
  • Image stabilization (Steadyshot): - (built-in)
  • Zoom system: Manual
  • Angle of view (APS-C): -
  • Teleconverter compatibility (x2.0): -
  • Hood type: Petal-shaped hood, bayonet type

Size & weight:

  • Dimensions (W x H): 92.9 x 139.8 mm (3-3/4 x 5-5/8 in.)
  • Weight: 918 g (32.4 oz.)

Included in the package

  • Hood (model): ALC-SH182
  • Front lens cap: ALC-F86S
  • Rear lens cap: ALC-R1EM
  • Soft case

Manufacturer

Dimensions

Type
Standard
Lens Type
Variable Aperture Zoom
Sensor Type
Full Frame
Maximum Aperture (f)
2
Minimum Aperture (f)
22
Filter Diameter
86 mm
Focal Length Range
28 - 70 mm
Focal Length
28 mm
Weight
918 gr
Mount
Sony E
Colour
Black

Features & Functions

Image Stabilization
No
Autofocus (AF)
No
3D
No

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product

Reviews photos

Reviews photos
Reviews photos
Reviews photos
Reviews photos

Reviews by our members

  • Stelios tsipis
    5
    7 out of 8 members found this review helpful

    Usually I don’t give 5 stars in a review, but this one, in my humble opinion, is truly the best automatic medium-zoom lens ever released.
    I’ve only had it for a few days, after receiving it from a well-known store in Glyfada, and I’m genuinely impressed by the work Sony did with this wonderful lens. The lens works on the FX3, RV, a7S III, and let’s hope in the near future on the a1 mkII, although they didn’t make a major upgrade from the previous one either.
    So the GM, at just 900 grams and a fairly small size, gives you a very important range with a constant f/2 aperture, truly perfect.
    An insanely sharp lens at all focal lengths, with much less distortion at 28mm compared to the Canon RF (which I also have with the Canon R5II; I’ve also done a related review, but I’ll make a separate comparison for these two lenses).
    So the G Master has amazing color rendition with almost zero focus breathing, which is crazy for a zoom lens, extremely well balanced without the barrel extending too much like on the 24-70 GM II. The well-known features are also mentioned in its description, such as aperture adjustment via a ring, separate buttons, a hood door, etc. I won’t go into those.
    I think it will become my second favorite lens after the 50mm GM f/1.2.
    I’m really trying to find a negative point about this lens; some mention as a downside the front section size at 86mm, where the truth is that it has a slightly odd size mainly because we’re all used to 82mm, but it’s not too bad for the filters that will be used. Personally, I always use a larger screw-on filter size for several reasons, one of them being to avoid vignetting, and it also works well in a matte box with an 86mm adapter (I usually use Tilta with two or three filters, one variable ND, a Mist 1/4 or 1/8, and one variable polarizer with the relevant mounts, etc., as well as square fixed filters for other jobs). The cost of the matte box is of course huge, but you can use a screw-on filter, e.g. a Nisi True Color at 95mm, which I also work with, and it’s perfect with an 86mm adapter; the result is superb.
    It is, of course, a very expensive lens. Is it worth the 3.5k? My opinion is that if you don’t make money from it, there is no reason to go for it, and the GM 24-70 mkII is perfect. I’m not mentioning the mkI at all because it is absolutely not worth the money; you can easily get a Sigma that is much better. Anyway, if you are a professional like me, a perfectionist, someone who looks for the smallest detail, who wants your work to stand out, to become easier, more enjoyable, more high-quality, especially in this whole mess (where everyone pretends to be a photographer and videographer with an a7 mkIII and a Tamron lens), if you’re a bit of a gadget person, like technology products, or simply don’t care about the money and have the means to invest in your work, then yes, you just buy it with your eyes closed, without any second thoughts and without guilt.
    *I will definitely come back with further information in the future about this almost perfect lens from the G Master series.
    Here is my review for this lens, my first review on YouTube basically!!

    https://youtu.be/-xqvSCZokgI?si=oPXW_mQ6saQshgxg

    **Have a good time and happy shooting!

    Translated from Greek ·
    Did you find this review helpful?
  • Usually I don’t give 5 stars in a review, but this one, in my humble opinion, is truly the best automatic medium-zoom lens ever released.
    I’ve only had it for a few days, after receiving it from a well-known store in Glyfada, and I’m genuinely impressed by the work Sony did with this wonderful lens. The lens works on the FX3, RV, a7S III, and let’s hope in the near future on the a1 mkII, although they didn’t make a major upgrade from the previous one either.
    So the GM, at just 900 grams and a fairly small size, gives you a very important range with a constant f/2 aperture, truly perfect.
    An insanely sharp lens at all focal lengths, with much less distortion at 28mm compared to the Canon RF (which I also have with the Canon R5II; I’ve also done a related review, but I’ll make a separate comparison for these two lenses).
    So the G Master has amazing color rendition with almost zero focus breathing, which is crazy for a zoom lens, extremely well balanced without the barrel extending too much like on the 24-70 GM II. The well-known features are also mentioned in its description, such as aperture adjustment via a ring, separate buttons, a hood door, etc. I won’t go into those.
    I think it will become my second favorite lens after the 50mm GM f/1.2.
    I’m really trying to find a negative point about this lens; some mention as a downside the front section size at 86mm, where the truth is that it has a slightly odd size mainly because we’re all used to 82mm, but it’s not too bad for the filters that will be used. Personally, I always use a larger screw-on filter size for several reasons, one of them being to avoid vignetting, and it also works well in a matte box with an 86mm adapter (I usually use Tilta with two or three filters, one variable ND, a Mist 1/4 or 1/8, and one variable polarizer with the relevant mounts, etc., as well as square fixed filters for other jobs). The cost of the matte box is of course huge, but you can use a screw-on filter, e.g. a Nisi True Color at 95mm, which I also work with, and it’s perfect with an 86mm adapter; the result is superb.
    It is, of course, a very expensive lens. Is it worth the 3.5k? My opinion is that if you don’t make money from it, there is no reason to go for it, and the GM 24-70 mkII is perfect. I’m not mentioning the mkI at all because it is absolutely not worth the money; you can easily get a Sigma that is much better. Anyway, if you are a professional like me, a perfectionist, someone who looks for the smallest detail, who wants your work to stand out, to become easier, more enjoyable, more high-quality, especially in this whole mess (where everyone pretends to be a photographer and videographer with an a7 mkIII and a Tamron lens), if you’re a bit of a gadget person, like technology products, or simply don’t care about the money and have the means to invest in your work, then yes, you just buy it with your eyes closed, without any second thoughts and without guilt.
    *I will definitely come back with further information in the future about this almost perfect lens from the G Master series.
    Here is my review for this lens, my first review on YouTube basically!!

    https://youtu.be/-xqvSCZokgI?si=oPXW_mQ6saQshgxg

    **Have a good time and happy shooting!

    Translated from Greek ·
    7
  • See all
3.599,00 €
14,00 €   shipping cost