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Lewitt Autofocus Condenser Microphone XLR Shock Mounted for Vocals
Microphones

Lewitt Autofocus Condenser Microphone XLR Shock Mounted for Vocals

The first microphone with automatic focus for your voice.

See full description

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Computer (Gaming & Streaming)
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
333 00 €
Delivery by Wed, 01 Jul
14,00 €   shipping cost
Sent from Greece
From Stollas 4.9 (34)
4.9 (34 reviews)
Greece
3 pieces
See Audio on the page of Stollas
Product report

Description

Description

  • Innovative XLR microphone
  • AURA technology based on sensors
  • MUTE by Distance feature
  • Exclusive MUTE button
  • Recording-ready sound
  • 1" true condenser capsule
  • 100% analog signal path
  • Works with any audio interface
  • Camera-friendly design


The first microphone with AURA sensor.

RAY is the first microphone to use AURA, our sensor-based technology*. It continuously measures your distance, providing groundbreaking interaction capabilities with your microphone.

*Patent pending

For perfectly balanced voice recordings.

Continuously measuring your distance from the microphone, RAY can adjust your levels and tone on the fly.

You can focus on your performance while creating flawless recordings for podcasts, content, live streaming, and music production.

Experience this groundbreaking new way of recording by clicking the button below.

MUTE from a distance. A silent revolution.

REMOTE MUTE. Step away from your microphone and automatically mute your signal. Or go live as you approach it.

Mute button. So simple, yet so useful.

The RAY is the first professional XLR microphone featuring a MUTE button.

You receive clear visual feedback when the MUTE is activated, and it operates fully analog, even when the MUTE is activated remotely.

Perform Better with Record-Ready Sound.

RAY features our signature Record-Ready sound. It is the first choice for producers and engineers working with artists such as Justin Bieber, The Rolling Stones, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat, whether in the studio or on stage.

High specifications ensure the best sound quality.

The RAY is based on the best-selling studio microphone, the LCT 440 PURE, and therefore features high-end specifications.

  • 1-inch true condenser studio capsule
  • Cardioid polar pattern with effective rear rejection
  • 8 dB(A) self-noise
  • Maximum SPL 131 dBSPL
  • Gold-plated 3-pin XLR connector
  • 100% analog signal path


A truly camera-friendly design.

The compact and smart design of RAY makes it easy to show your face on camera, read a script, or view a screen while using the microphone. There is no bulky pop filter or microphone covering your face or obstructing your view.

The shock mount protects your signal from noise transmitted through the structure. The pop filter protects your signal from plosives during vocal recordings and attaches to the shock mount magnetically.

Works with any audio interface and mixer.

  • The RAY is a true condenser microphone with a 3-pin XLR connector.
  • It powers all its features through 48V phantom power from your audio interface or mixer.
  • No additional power source is required.
  • Just plug it in and start recording.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Sensitivity
22.6 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
131 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
86 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming)
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product

Reviews by our members

  • Apomi
    5
    Apomi

    Verified purchase

    As far as microphones are concerned, as long as they are reliable models from reputable brands, after a certain price point, what makes a microphone "good" becomes subjective. It depends a lot on the use, the voice, and each person's taste.

    Personally, since I bought it for recording songs, I really like how it sounds with my voice.
    With my voice, where until now I used to add saturation with a lot of treble and still had to boost the high frequencies a lot in the EQ and cut the lows from a relatively high frequency to make it sound balanced, out of the box, completely raw, it already sounds as if I did all that, plus it has detail.

    The aura feature was very secondary for me, but it works well and it's nice to have. I wouldn't call it essential, but I wouldn't call it a gimmick either. Just be careful not to let a hand get in front of the sensor, but that hasn't happened to me by accident.

    I wouldn't recommend it if the voice it's going to be used with is high-pitched and/or thin, but for a lower and/or "fuller" voice, I highly recommend it.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    HSE Engineering Consultancy

    Verified purchase

  • Apomi
    5
    Apomi

    As far as microphones are concerned, as long as they are reliable models from reputable brands, after a certain price point, what makes a microphone "good" becomes subjective. It depends a lot on the use, the voice, and each person's taste.

    Personally, since I bought it for recording songs, I really like how it sounds with my voice.
    With my voice, where until now I used to add saturation with a lot of treble and still had to boost the high frequencies a lot in the EQ and cut the lows from a relatively high frequency to make it sound balanced, out of the box, completely raw, it already sounds as if I did all that, plus it has detail.

    The aura feature was very secondary for me, but it works well and it's nice to have. I wouldn't call it essential, but I wouldn't call it a gimmick either. Just be careful not to let a hand get in front of the sensor, but that hasn't happened to me by accident.

    I wouldn't recommend it if the voice it's going to be used with is high-pitched and/or thin, but for a lower and/or "fuller" voice, I highly recommend it.

    Translated from Greek ·
    0
  • 5
    HSE Engineering Consultancy

    0
  • See all

Description & Specifications

  • Innovative XLR microphone
  • AURA technology based on sensors
  • MUTE by Distance feature
  • Exclusive MUTE button
  • Recording-ready sound
  • 1" true condenser capsule
  • 100% analog signal path
  • Works with any audio interface
  • Camera-friendly design


The first microphone with AURA sensor.

RAY is the first microphone to use AURA, our sensor-based technology*. It continuously measures your distance, providing groundbreaking interaction capabilities with your microphone.

*Patent pending

For perfectly balanced voice recordings.

Continuously measuring your distance from the microphone, RAY can adjust your levels and tone on the fly.

You can focus on your performance while creating flawless recordings for podcasts, content, live streaming, and music production.

Experience this groundbreaking new way of recording by clicking the button below.

MUTE from a distance. A silent revolution.

REMOTE MUTE. Step away from your microphone and automatically mute your signal. Or go live as you approach it.

Mute button. So simple, yet so useful.

The RAY is the first professional XLR microphone featuring a MUTE button.

You receive clear visual feedback when the MUTE is activated, and it operates fully analog, even when the MUTE is activated remotely.

Perform Better with Record-Ready Sound.

RAY features our signature Record-Ready sound. It is the first choice for producers and engineers working with artists such as Justin Bieber, The Rolling Stones, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat, whether in the studio or on stage.

High specifications ensure the best sound quality.

The RAY is based on the best-selling studio microphone, the LCT 440 PURE, and therefore features high-end specifications.

  • 1-inch true condenser studio capsule
  • Cardioid polar pattern with effective rear rejection
  • 8 dB(A) self-noise
  • Maximum SPL 131 dBSPL
  • Gold-plated 3-pin XLR connector
  • 100% analog signal path


A truly camera-friendly design.

The compact and smart design of RAY makes it easy to show your face on camera, read a script, or view a screen while using the microphone. There is no bulky pop filter or microphone covering your face or obstructing your view.

The shock mount protects your signal from noise transmitted through the structure. The pop filter protects your signal from plosives during vocal recordings and attaches to the shock mount magnetically.

Works with any audio interface and mixer.

  • The RAY is a true condenser microphone with a 3-pin XLR connector.
  • It powers all its features through 48V phantom power from your audio interface or mixer.
  • No additional power source is required.
  • Just plug it in and start recording.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Sensitivity
22.6 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
131 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
86 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming)
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product

Reviews by our members

  • Apomi
    5
    Apomi

    Verified purchase

    As far as microphones are concerned, as long as they are reliable models from reputable brands, after a certain price point, what makes a microphone "good" becomes subjective. It depends a lot on the use, the voice, and each person's taste.

    Personally, since I bought it for recording songs, I really like how it sounds with my voice.
    With my voice, where until now I used to add saturation with a lot of treble and still had to boost the high frequencies a lot in the EQ and cut the lows from a relatively high frequency to make it sound balanced, out of the box, completely raw, it already sounds as if I did all that, plus it has detail.

    The aura feature was very secondary for me, but it works well and it's nice to have. I wouldn't call it essential, but I wouldn't call it a gimmick either. Just be careful not to let a hand get in front of the sensor, but that hasn't happened to me by accident.

    I wouldn't recommend it if the voice it's going to be used with is high-pitched and/or thin, but for a lower and/or "fuller" voice, I highly recommend it.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    HSE Engineering Consultancy

    Verified purchase

  • Apomi
    5
    Apomi

    As far as microphones are concerned, as long as they are reliable models from reputable brands, after a certain price point, what makes a microphone "good" becomes subjective. It depends a lot on the use, the voice, and each person's taste.

    Personally, since I bought it for recording songs, I really like how it sounds with my voice.
    With my voice, where until now I used to add saturation with a lot of treble and still had to boost the high frequencies a lot in the EQ and cut the lows from a relatively high frequency to make it sound balanced, out of the box, completely raw, it already sounds as if I did all that, plus it has detail.

    The aura feature was very secondary for me, but it works well and it's nice to have. I wouldn't call it essential, but I wouldn't call it a gimmick either. Just be careful not to let a hand get in front of the sensor, but that hasn't happened to me by accident.

    I wouldn't recommend it if the voice it's going to be used with is high-pitched and/or thin, but for a lower and/or "fuller" voice, I highly recommend it.

    Translated from Greek ·
    0
  • 5
    HSE Engineering Consultancy

    0
  • See all
333,00 €
14,00 €   shipping cost