Mirrorless Cameras

EOS R50 V Mirrorless Camera Kit (RF-S 14-30mm F/4-6.3 IS STM PZ) Black

The Canon EOS R50 V mirrorless camera is paired with the RF-S 14-30mm F/4-6.3 IS STM PZ lens for photography and video recording. The 24.2 MP APS-C CMOS sensor and DIGIC X processor support continuous...

The Canon EOS R50 V mirrorless camera is paired with the RF-S 14-30mm F/4-6.3 IS STM PZ lens for photography and video recording. The 24.2 MP APS-C CMOS sensor and DIGIC X processor support continuous shooting at up to 15 fps, while Dual Pixel CMOS AF II detects and tracks people, animals and vehicles. For video, it offers UHD 4K recording at up to 60 fps...

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Top specs

  • Connectivity Wi-Fi, Bluetooth, HDMI, 3.5 mm, USB Type-C
  • Display Touchscreen, 3"
  • See all

766 74 €
Delivery Tue, 10 Nov - Mon, 16 Nov
14,00 €   shipping cost
Sent from Greece
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Greece
2 pieces
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Description

Description

The Canon EOS R50 V mirrorless camera is paired with the RF-S 14-30mm F/4-6.3 IS STM PZ lens for photography and video recording. The 24.2 MP APS-C CMOS sensor and DIGIC X processor support continuous shooting at up to 15 fps, while Dual Pixel CMOS AF II detects and tracks people, animals and vehicles. For video, it offers UHD 4K recording at up to 60 fps with a crop, as well as Slow and Fast modes for controlling playback speed.

The vari-angle touchscreen makes it easy to shoot from different positions, while the front record button and tripod mount for vertical shooting are designed for video creation. Canon Log 3, HLG, PQ and Rec.709 are supported, along with live streaming via USB, HDMI or an app. The lens features power zoom and optical image stabilization.

  • Type: Mirrorless camera kit
  • Sensor: APS-C CMOS
  • Sensor resolution: 24.2 MP
  • Image resolution: 6000 x 4000 pixels
  • Image processor: DIGIC X
  • Lens mount: Canon RF
  • Kit lens: RF-S 14-30mm F/4-6.3 IS STM PZ
  • Lens focal length: 14-30 mm
  • Lens aperture: f/4-6.3
  • Lens image stabilization: Optical
  • Focus: Automatic and manual
  • Continuous shooting: Up to 15 fps
  • ISO sensitivity: 100-32000, expandable to 51200
  • Video resolution: UHD 4K (3840 x 2160)
  • Video frame rate: Up to 60 fps with a crop
  • Log recording: Canon Log 3
  • Image formats: C-RAW, HEIF, JPEG, RAW
  • Video formats: H.264 MPEG-4 AVC, MPEG-4, XF-AVC S, XF-HEVC S
  • Screen: 3-inch vari-angle LCD touchscreen
  • Screen resolution: 1,040,000 dots
  • Viewfinder: Built-in
  • Connectivity: Wi-Fi, Bluetooth, micro-HDMI, USB-C, 3.5 mm microphone input
  • Card support: SD, SDHC, SDXC
  • Color: Black
  • Body dimensions: 119.3 x 73.7 x 45.2 mm
  • Body weight: 370 g

Manufacturer

See full description

Specifications

Specifications

General Characteristics

Camera Type
Kit
Weight
370 gr
Colour
Black
Popular Series
Canon EOS R50
Dust / Moisture Protection
No

Technical Specifications

Mount
Canon RF
Image Stabilization
No
Built-in Flash
No
Log Recording
Yes
AI Recognition
No
Card Support
SDHC, SDXC
Connectivity
Wi-Fi, Bluetooth, HDMI, 3.5 mm, USB Type-C

Screen & Viewfinder

Screen Size
3 "
Viewfinder
Yes
Touch Screen
Yes
Tilting Screen
Yes

Sensor

Sensor Size
APS-C
Native ISO (min)
100
Native ISO (max)
32000
Autofocus (AF)
Yes

Image

Resolution (Megapixels)
24.2 MP
Image Resolution
6000 x 4000 pixels
Image Format
C-RAW, HEIF, JPEG, RAW

Video

Video Resolution
3840 x 2160
FPS
60 fps
Format Video
H.264 MPEG-4 AVC, MPEG-4

Dimensions

Height
119.3 mm
Height
73.7 mm
Length
45.2 mm

Top Specs

Monitor
Touchscreen, 3"

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (3)

Reviews

  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • MasterminD_
    5
    3 out of 3 members found this review helpful

    For the price, unbeatable! A camera aimed at aspiring filmmakers, or professionals who want a solid solution for low-budget jobs, and more. If you don’t make videos or don’t plan to make any at all, this isn’t for you. Of course, it’s not bad for photography either: it has a good burst rate and shoots 12-bit RAW with serious autofocus.

    Now, onto video. C-log (10-bit), and God bless. The dynamic range and noise handling may not be at particularly good levels, but this camera, with an f/2.8 lens (f/4 at the very most), can shoot video at 25 fps at night on the street or even in a nightclub (tested), and footage that can be sold, as long as you know how to work with log properly. ISO 6400 is pushing it, but it can handle it, and with a little noise reduction you’re good to go. The base ISO is 400, unlike the company’s other cameras, which are at 800. Based on what I’ve seen so far, you could even shoot a wedding or baptism with this camera, especially if you kit it out appropriately.
    The footage also matches very well with other Canon cameras in log; I’ve tested it with the R6.
    Sufficient inputs to let you build a small rig. Of course, it’s hard to find a monitor that won’t disable other functions (as far as I know, only Atomos monitors are suitable). But with a setup like this, you’re on a budget, so at least initially, you can skip the monitor.
    False color and focus peaking, very serious tools for proper filmmaking.
    It fits very easily on almost all gimbals (depending on what lens you have on it, too). I use it with a Canon EF 17-40mm f/4 and a Viltrox speed booster or a regular Canon adapter on a Feiyu Scorp Mini 3 Pro, with a cage and microphone to add weight at the back so it can balance (it’s a small gimbal, so it doesn’t have much leeway), just about, but with a full range of movement.
    Speaking of the cage, it’s a must for even a little ergonomics, because the camera doesn’t have a good grip on its own, and so you can attach a couple of things to it. The SmallRig cage for this camera costs less than cages for most other cameras, so it’s a small expense.
    Small and lightweight, especially considering its video capabilities.
    The autofocus is excellent here too, with plenty of settings, whether you’re using RF or EF lenses. With the 17-40 I mentioned earlier (a 20-year-old lens), it has made me look like a pro even in very low-light conditions.

    The 14-30mm PZ lens is decent, but because its aperture varies as you zoom, it gets darker, which means it’s pretty much useless when shooting in log, given that you want to stay at ISO 400, 800, 1600, and so on. If you don’t shoot in log and use auto ISO, or if you shoot in well-lit spaces and f/6.3 is enough for you, then it works. It’s worth getting as a kit if you don’t have a backup lens or want something that fits easily in a bag/small bag. The camera has a power zoom button anyway, which is for this lens, so it’s a good match.

    I’ve written a lot of details, hoping to help someone who had this camera in mind or is looking for a budget camera for filmmaking/video. Don’t be afraid of it; it’s a little gem. At this price, there’s nothing better. Even if you find a better camera used, I think all the other things you’ll need will cost a lot more, whereas with the R50V, they’ll be more affordable, and you’ll have a great package to get started.

    Translated from Greek ·
    Did you find this review helpful?
  • This review is about the bundle: Body

  • For the price, unbeatable! A camera aimed at aspiring filmmakers, or professionals who want a solid solution for low-budget jobs, and more. If you don’t make videos or don’t plan to make any at all, this isn’t for you. Of course, it’s not bad for photography either: it has a good burst rate and shoots 12-bit RAW with serious autofocus.

    Now, onto video. C-log (10-bit), and God bless. The dynamic range and noise handling may not be at particularly good levels, but this camera, with an f/2.8 lens (f/4 at the very most), can shoot video at 25 fps at night on the street or even in a nightclub (tested), and footage that can be sold, as long as you know how to work with log properly. ISO 6400 is pushing it, but it can handle it, and with a little noise reduction you’re good to go. The base ISO is 400, unlike the company’s other cameras, which are at 800. Based on what I’ve seen so far, you could even shoot a wedding or baptism with this camera, especially if you kit it out appropriately.
    The footage also matches very well with other Canon cameras in log; I’ve tested it with the R6.
    Sufficient inputs to let you build a small rig. Of course, it’s hard to find a monitor that won’t disable other functions (as far as I know, only Atomos monitors are suitable). But with a setup like this, you’re on a budget, so at least initially, you can skip the monitor.
    False color and focus peaking, very serious tools for proper filmmaking.
    It fits very easily on almost all gimbals (depending on what lens you have on it, too). I use it with a Canon EF 17-40mm f/4 and a Viltrox speed booster or a regular Canon adapter on a Feiyu Scorp Mini 3 Pro, with a cage and microphone to add weight at the back so it can balance (it’s a small gimbal, so it doesn’t have much leeway), just about, but with a full range of movement.
    Speaking of the cage, it’s a must for even a little ergonomics, because the camera doesn’t have a good grip on its own, and so you can attach a couple of things to it. The SmallRig cage for this camera costs less than cages for most other cameras, so it’s a small expense.
    Small and lightweight, especially considering its video capabilities.
    The autofocus is excellent here too, with plenty of settings, whether you’re using RF or EF lenses. With the 17-40 I mentioned earlier (a 20-year-old lens), it has made me look like a pro even in very low-light conditions.

    The 14-30mm PZ lens is decent, but because its aperture varies as you zoom, it gets darker, which means it’s pretty much useless when shooting in log, given that you want to stay at ISO 400, 800, 1600, and so on. If you don’t shoot in log and use auto ISO, or if you shoot in well-lit spaces and f/6.3 is enough for you, then it works. It’s worth getting as a kit if you don’t have a backup lens or want something that fits easily in a bag/small bag. The camera has a power zoom button anyway, which is for this lens, so it’s a good match.

    I’ve written a lot of details, hoping to help someone who had this camera in mind or is looking for a budget camera for filmmaking/video. Don’t be afraid of it; it’s a little gem. At this price, there’s nothing better. Even if you find a better camera used, I think all the other things you’ll need will cost a lot more, whereas with the R50V, they’ll be more affordable, and you’ll have a great package to get started.

    Translated from Greek ·
    3
  • 0
  • 0
  • See all

Description & Specifications

General Characteristics

Camera Type
Kit
Weight
370 gr
Colour
Black
Popular Series
Canon EOS R50
Dust / Moisture Protection
No

Technical Specifications

Mount
Canon RF
Image Stabilization
No
Built-in Flash
No
Log Recording
Yes
AI Recognition
No
Card Support
SDHC, SDXC
Connectivity
Wi-Fi, Bluetooth, HDMI, 3.5 mm, USB Type-C

Screen & Viewfinder

Screen Size
3 "
Viewfinder
Yes
Touch Screen
Yes
Tilting Screen
Yes

Sensor

Sensor Size
APS-C
Native ISO (min)
100
Native ISO (max)
32000
Autofocus (AF)
Yes

Image

Resolution (Megapixels)
24.2 MP
Image Resolution
6000 x 4000 pixels
Image Format
C-RAW, HEIF, JPEG, RAW

Video

Video Resolution
3840 x 2160
FPS
60 fps
Format Video
H.264 MPEG-4 AVC, MPEG-4

Dimensions

Height
119.3 mm
Height
73.7 mm
Length
45.2 mm

Top Specs

Monitor
Touchscreen, 3"

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Description

The Canon EOS R50 V mirrorless camera is paired with the RF-S 14-30mm F/4-6.3 IS STM PZ lens for photography and video recording. The 24.2 MP APS-C CMOS sensor and DIGIC X processor support continuous shooting at up to 15 fps, while Dual Pixel CMOS AF II detects and tracks people, animals and vehicles. For video, it offers UHD 4K recording at up to 60 fps with a crop, as well as Slow and Fast modes for controlling playback speed.

The vari-angle touchscreen makes it easy to shoot from different positions, while the front record button and tripod mount for vertical shooting are designed for video creation. Canon Log 3, HLG, PQ and Rec.709 are supported, along with live streaming via USB, HDMI or an app. The lens features power zoom and optical image stabilization.

  • Type: Mirrorless camera kit
  • Sensor: APS-C CMOS
  • Sensor resolution: 24.2 MP
  • Image resolution: 6000 x 4000 pixels
  • Image processor: DIGIC X
  • Lens mount: Canon RF
  • Kit lens: RF-S 14-30mm F/4-6.3 IS STM PZ
  • Lens focal length: 14-30 mm
  • Lens aperture: f/4-6.3
  • Lens image stabilization: Optical
  • Focus: Automatic and manual
  • Continuous shooting: Up to 15 fps
  • ISO sensitivity: 100-32000, expandable to 51200
  • Video resolution: UHD 4K (3840 x 2160)
  • Video frame rate: Up to 60 fps with a crop
  • Log recording: Canon Log 3
  • Image formats: C-RAW, HEIF, JPEG, RAW
  • Video formats: H.264 MPEG-4 AVC, MPEG-4, XF-AVC S, XF-HEVC S
  • Screen: 3-inch vari-angle LCD touchscreen
  • Screen resolution: 1,040,000 dots
  • Viewfinder: Built-in
  • Connectivity: Wi-Fi, Bluetooth, micro-HDMI, USB-C, 3.5 mm microphone input
  • Card support: SD, SDHC, SDXC
  • Color: Black
  • Body dimensions: 119.3 x 73.7 x 45.2 mm
  • Body weight: 370 g

Manufacturer

Reviews (3)

  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • MasterminD_
    5
    3 out of 3 members found this review helpful

    For the price, unbeatable! A camera aimed at aspiring filmmakers, or professionals who want a solid solution for low-budget jobs, and more. If you don’t make videos or don’t plan to make any at all, this isn’t for you. Of course, it’s not bad for photography either: it has a good burst rate and shoots 12-bit RAW with serious autofocus.

    Now, onto video. C-log (10-bit), and God bless. The dynamic range and noise handling may not be at particularly good levels, but this camera, with an f/2.8 lens (f/4 at the very most), can shoot video at 25 fps at night on the street or even in a nightclub (tested), and footage that can be sold, as long as you know how to work with log properly. ISO 6400 is pushing it, but it can handle it, and with a little noise reduction you’re good to go. The base ISO is 400, unlike the company’s other cameras, which are at 800. Based on what I’ve seen so far, you could even shoot a wedding or baptism with this camera, especially if you kit it out appropriately.
    The footage also matches very well with other Canon cameras in log; I’ve tested it with the R6.
    Sufficient inputs to let you build a small rig. Of course, it’s hard to find a monitor that won’t disable other functions (as far as I know, only Atomos monitors are suitable). But with a setup like this, you’re on a budget, so at least initially, you can skip the monitor.
    False color and focus peaking, very serious tools for proper filmmaking.
    It fits very easily on almost all gimbals (depending on what lens you have on it, too). I use it with a Canon EF 17-40mm f/4 and a Viltrox speed booster or a regular Canon adapter on a Feiyu Scorp Mini 3 Pro, with a cage and microphone to add weight at the back so it can balance (it’s a small gimbal, so it doesn’t have much leeway), just about, but with a full range of movement.
    Speaking of the cage, it’s a must for even a little ergonomics, because the camera doesn’t have a good grip on its own, and so you can attach a couple of things to it. The SmallRig cage for this camera costs less than cages for most other cameras, so it’s a small expense.
    Small and lightweight, especially considering its video capabilities.
    The autofocus is excellent here too, with plenty of settings, whether you’re using RF or EF lenses. With the 17-40 I mentioned earlier (a 20-year-old lens), it has made me look like a pro even in very low-light conditions.

    The 14-30mm PZ lens is decent, but because its aperture varies as you zoom, it gets darker, which means it’s pretty much useless when shooting in log, given that you want to stay at ISO 400, 800, 1600, and so on. If you don’t shoot in log and use auto ISO, or if you shoot in well-lit spaces and f/6.3 is enough for you, then it works. It’s worth getting as a kit if you don’t have a backup lens or want something that fits easily in a bag/small bag. The camera has a power zoom button anyway, which is for this lens, so it’s a good match.

    I’ve written a lot of details, hoping to help someone who had this camera in mind or is looking for a budget camera for filmmaking/video. Don’t be afraid of it; it’s a little gem. At this price, there’s nothing better. Even if you find a better camera used, I think all the other things you’ll need will cost a lot more, whereas with the R50V, they’ll be more affordable, and you’ll have a great package to get started.

    Translated from Greek ·
    Did you find this review helpful?
  • This review is about the bundle: Body

  • For the price, unbeatable! A camera aimed at aspiring filmmakers, or professionals who want a solid solution for low-budget jobs, and more. If you don’t make videos or don’t plan to make any at all, this isn’t for you. Of course, it’s not bad for photography either: it has a good burst rate and shoots 12-bit RAW with serious autofocus.

    Now, onto video. C-log (10-bit), and God bless. The dynamic range and noise handling may not be at particularly good levels, but this camera, with an f/2.8 lens (f/4 at the very most), can shoot video at 25 fps at night on the street or even in a nightclub (tested), and footage that can be sold, as long as you know how to work with log properly. ISO 6400 is pushing it, but it can handle it, and with a little noise reduction you’re good to go. The base ISO is 400, unlike the company’s other cameras, which are at 800. Based on what I’ve seen so far, you could even shoot a wedding or baptism with this camera, especially if you kit it out appropriately.
    The footage also matches very well with other Canon cameras in log; I’ve tested it with the R6.
    Sufficient inputs to let you build a small rig. Of course, it’s hard to find a monitor that won’t disable other functions (as far as I know, only Atomos monitors are suitable). But with a setup like this, you’re on a budget, so at least initially, you can skip the monitor.
    False color and focus peaking, very serious tools for proper filmmaking.
    It fits very easily on almost all gimbals (depending on what lens you have on it, too). I use it with a Canon EF 17-40mm f/4 and a Viltrox speed booster or a regular Canon adapter on a Feiyu Scorp Mini 3 Pro, with a cage and microphone to add weight at the back so it can balance (it’s a small gimbal, so it doesn’t have much leeway), just about, but with a full range of movement.
    Speaking of the cage, it’s a must for even a little ergonomics, because the camera doesn’t have a good grip on its own, and so you can attach a couple of things to it. The SmallRig cage for this camera costs less than cages for most other cameras, so it’s a small expense.
    Small and lightweight, especially considering its video capabilities.
    The autofocus is excellent here too, with plenty of settings, whether you’re using RF or EF lenses. With the 17-40 I mentioned earlier (a 20-year-old lens), it has made me look like a pro even in very low-light conditions.

    The 14-30mm PZ lens is decent, but because its aperture varies as you zoom, it gets darker, which means it’s pretty much useless when shooting in log, given that you want to stay at ISO 400, 800, 1600, and so on. If you don’t shoot in log and use auto ISO, or if you shoot in well-lit spaces and f/6.3 is enough for you, then it works. It’s worth getting as a kit if you don’t have a backup lens or want something that fits easily in a bag/small bag. The camera has a power zoom button anyway, which is for this lens, so it’s a good match.

    I’ve written a lot of details, hoping to help someone who had this camera in mind or is looking for a budget camera for filmmaking/video. Don’t be afraid of it; it’s a little gem. At this price, there’s nothing better. Even if you find a better camera used, I think all the other things you’ll need will cost a lot more, whereas with the R50V, they’ll be more affordable, and you’ll have a great package to get started.

    Translated from Greek ·
    3
  • 0
  • 0
  • See all
766,74 €
14,00 €   shipping cost