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Full Frame Camera Lens AF 135mm f/1.8 LAB Z Fixed for Nikon Z Mount Black
Camera Lenses

Full Frame Camera Lens AF 135mm f/1.8 LAB Z Fixed for Nikon Z Mount Black

Key features:

  • 135mm f/1.8 focal length
  • For full-frame Nikon Z mount
  • HyperVCM motor for ultra-fast autofocus
  • 4 ED and 2 high-refractive optical elements
  • 11-blade circular aperture
  • Magnesium alloy body
See full description

Top specs

  • Type

    Standard

    The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all

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Product report

Description

Description

The Viltrox AF 135mm f/1.8 LAB Z is a premium telephoto prime lens for full-frame Nikon Z mirrorless cameras. Designed to deliver superior optical performance, it is an excellent choice for professional portrait and fashion photography. It combines impressive depth compression with a very bright aperture, creating a soft separation between the subject and the background. It features an innovative high-speed autofocus system, minimal focus breathing for video recording, and a comprehensive range of physical controls. Its robust metal construction and full weather sealing ensure reliability and durability in demanding conditions.

135mm Focal Length and Perspective Compression

The 135mm focal length provides ideal optical geometry for portraits.
It delivers an excellent level of perspective compression, bringing the background closer to the subject.
It naturally flatters facial features without causing distortion.
It is specially designed for Nikon Z system Full Frame cameras.
It offers a minimum focusing distance of 73 centimeters (2.4') for close-up portraits.
It is an indispensable tool for studio, fashion, and event photography.

Bright f/1.8 Aperture and Creamy 11-Blade Bokeh

The bright maximum aperture of f/1.8 makes shooting in low-light conditions easy.
It allows you to maintain low sensitivity settings and fast shutter speeds.
It achieves an exceptionally shallow depth of field, precisely isolating the main subject.
The aperture features 11 blades for a perfectly circular, balanced opening.
It produces soft, even, creamy bokeh in out-of-focus areas.
It lends every outdoor shot a unique sense of depth and a cinematic look.

Optical Construction with 4 ED Elements and a High Refractive Index

The advanced optical design consists of 14 elements in 9 groups.
It includes four precision extra-low dispersion (ED) lenses.
It also incorporates two high refractive index elements to optimize light.
This composition greatly helps reduce distortion and chromatic aberration.
It ensures high contrast, impressive sharpness, and faithful color reproduction.
It delivers rich detail and clarity from the center to the edges of the frame.

HyperVCM Motor and Focus Breathing Control

The lens features Viltrox’s patented HyperVCM motor.
It delivers 150% faster focusing compared with conventional STM motors.
It ensures fast, precise, and near-silent autofocus in real time.
It stands out for minimizing focus breathing and focus shift.
It maintains consistent framing during focus pulls, producing smooth video transitions.
A reliable choice for content creators who demand professional results.

Magnesium-Aluminum Alloy Body and Weather Protection

The body is made of durable magnesium-aluminum alloy for impact resistance.
It features advanced dust and moisture protection for reliable performance in challenging conditions.
The front element has a multilayer nano-coating that resists water and stains.
It incorporates two programmable Fn buttons, a focus limiter, and a multifunction ring.
It includes a built-in USB-C port for direct firmware updates.
The front section features a large 92 mm filter thread for use with professional filters.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
1.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
16

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
135 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
1265 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • vaggelhs4
    4
    6 out of 6 members found this review helpful
    vaggelhs4

    I have been a photographer for 7 years and I systematically invest in my equipment. Not in the most expensive pieces, but in the most value-for-money and only Nikon. When I tried Nikon's Plena (135mm 1.8) I fell in love with it.

    Since then, I was looking for an alternative that would cost less and I found it in Viltrox. The reviews everywhere were 5/5 and everyone said it is comparable to the respective Sony and Nikon lenses.

    I thought, it can't be, there must be something negative and indeed there is: THE WEIGHT. 300g heavier than the Nikon is a lot, but the €1600 price difference between them was also a lot.

    I bought it for one purpose: To complement Nikon's 85mm, which remains the main telephoto portrait lens due to its weight, quality, and flexibility.

    In the first jobs with it, I realized that this lens is not just to complement the 85mm but to replace the 70-200.

    Its sharpness is at a very high level. The focusing is fast.
    However, the bottleneck here is the camera. If you have a Z6ii/z5 or older, there is an issue with the focusing system, which is inherently sluggish. This lens should be used on z5ii/z6iii/z8/z9, which have new processors and can easily and accurately detect the eye.

    The bokeh... oh my GOD... On another level. Creamy... It's love.

    POSITIVES:
    - 82mm filter like most good lenses (24-70, 70-200)
    - Sharpness
    - Build quality
    NEGATIVES
    - Weight

    Who is it for:
    - For professionals who want something extra
    - For those who already have 70-200 and 85mm lenses and want something bright for more telephoto situations
    - For those who have €1000 and want to invest in good glass for the coming years
    - For those who shoot a lot of night events
    - For those who want to add the 135mm as a prime lens to their repertoire after the trinity 35/50/85

    Who it is NOT for:
    - For those just starting out. It's not a basic lens. It's a luxury
    - For those who don't have the time/patience/creativity to learn a new focal length and how it will benefit their work

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    George_Soumelidis_Photography

  • vaggelhs4
    4
    vaggelhs4

    I have been a photographer for 7 years and I systematically invest in my equipment. Not in the most expensive pieces, but in the most value-for-money and only Nikon. When I tried Nikon's Plena (135mm 1.8) I fell in love with it.

    Since then, I was looking for an alternative that would cost less and I found it in Viltrox. The reviews everywhere were 5/5 and everyone said it is comparable to the respective Sony and Nikon lenses.

    I thought, it can't be, there must be something negative and indeed there is: THE WEIGHT. 300g heavier than the Nikon is a lot, but the €1600 price difference between them was also a lot.

    I bought it for one purpose: To complement Nikon's 85mm, which remains the main telephoto portrait lens due to its weight, quality, and flexibility.

    In the first jobs with it, I realized that this lens is not just to complement the 85mm but to replace the 70-200.

    Its sharpness is at a very high level. The focusing is fast.
    However, the bottleneck here is the camera. If you have a Z6ii/z5 or older, there is an issue with the focusing system, which is inherently sluggish. This lens should be used on z5ii/z6iii/z8/z9, which have new processors and can easily and accurately detect the eye.

    The bokeh... oh my GOD... On another level. Creamy... It's love.

    POSITIVES:
    - 82mm filter like most good lenses (24-70, 70-200)
    - Sharpness
    - Build quality
    NEGATIVES
    - Weight

    Who is it for:
    - For professionals who want something extra
    - For those who already have 70-200 and 85mm lenses and want something bright for more telephoto situations
    - For those who have €1000 and want to invest in good glass for the coming years
    - For those who shoot a lot of night events
    - For those who want to add the 135mm as a prime lens to their repertoire after the trinity 35/50/85

    Who it is NOT for:
    - For those just starting out. It's not a basic lens. It's a luxury
    - For those who don't have the time/patience/creativity to learn a new focal length and how it will benefit their work

    Translated from Greek ·
    6
  • 5
    George_Soumelidis_Photography

    0
  • See all

Description & Specifications

The Viltrox AF 135mm f/1.8 LAB Z is a premium telephoto prime lens for full-frame Nikon Z mirrorless cameras. Designed to deliver superior optical performance, it is an excellent choice for professional portrait and fashion photography. It combines impressive depth compression with a very bright aperture, creating a soft separation between the subject and the background. It features an innovative high-speed autofocus system, minimal focus breathing for video recording, and a comprehensive range of physical controls. Its robust metal construction and full weather sealing ensure reliability and durability in demanding conditions.

135mm Focal Length and Perspective Compression

The 135mm focal length provides ideal optical geometry for portraits.
It delivers an excellent level of perspective compression, bringing the background closer to the subject.
It naturally flatters facial features without causing distortion.
It is specially designed for Nikon Z system Full Frame cameras.
It offers a minimum focusing distance of 73 centimeters (2.4') for close-up portraits.
It is an indispensable tool for studio, fashion, and event photography.

Bright f/1.8 Aperture and Creamy 11-Blade Bokeh

The bright maximum aperture of f/1.8 makes shooting in low-light conditions easy.
It allows you to maintain low sensitivity settings and fast shutter speeds.
It achieves an exceptionally shallow depth of field, precisely isolating the main subject.
The aperture features 11 blades for a perfectly circular, balanced opening.
It produces soft, even, creamy bokeh in out-of-focus areas.
It lends every outdoor shot a unique sense of depth and a cinematic look.

Optical Construction with 4 ED Elements and a High Refractive Index

The advanced optical design consists of 14 elements in 9 groups.
It includes four precision extra-low dispersion (ED) lenses.
It also incorporates two high refractive index elements to optimize light.
This composition greatly helps reduce distortion and chromatic aberration.
It ensures high contrast, impressive sharpness, and faithful color reproduction.
It delivers rich detail and clarity from the center to the edges of the frame.

HyperVCM Motor and Focus Breathing Control

The lens features Viltrox’s patented HyperVCM motor.
It delivers 150% faster focusing compared with conventional STM motors.
It ensures fast, precise, and near-silent autofocus in real time.
It stands out for minimizing focus breathing and focus shift.
It maintains consistent framing during focus pulls, producing smooth video transitions.
A reliable choice for content creators who demand professional results.

Magnesium-Aluminum Alloy Body and Weather Protection

The body is made of durable magnesium-aluminum alloy for impact resistance.
It features advanced dust and moisture protection for reliable performance in challenging conditions.
The front element has a multilayer nano-coating that resists water and stains.
It incorporates two programmable Fn buttons, a focus limiter, and a multifunction ring.
It includes a built-in USB-C port for direct firmware updates.
The front section features a large 92 mm filter thread for use with professional filters.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
1.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
16

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
135 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
1265 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • vaggelhs4
    4
    6 out of 6 members found this review helpful
    vaggelhs4

    I have been a photographer for 7 years and I systematically invest in my equipment. Not in the most expensive pieces, but in the most value-for-money and only Nikon. When I tried Nikon's Plena (135mm 1.8) I fell in love with it.

    Since then, I was looking for an alternative that would cost less and I found it in Viltrox. The reviews everywhere were 5/5 and everyone said it is comparable to the respective Sony and Nikon lenses.

    I thought, it can't be, there must be something negative and indeed there is: THE WEIGHT. 300g heavier than the Nikon is a lot, but the €1600 price difference between them was also a lot.

    I bought it for one purpose: To complement Nikon's 85mm, which remains the main telephoto portrait lens due to its weight, quality, and flexibility.

    In the first jobs with it, I realized that this lens is not just to complement the 85mm but to replace the 70-200.

    Its sharpness is at a very high level. The focusing is fast.
    However, the bottleneck here is the camera. If you have a Z6ii/z5 or older, there is an issue with the focusing system, which is inherently sluggish. This lens should be used on z5ii/z6iii/z8/z9, which have new processors and can easily and accurately detect the eye.

    The bokeh... oh my GOD... On another level. Creamy... It's love.

    POSITIVES:
    - 82mm filter like most good lenses (24-70, 70-200)
    - Sharpness
    - Build quality
    NEGATIVES
    - Weight

    Who is it for:
    - For professionals who want something extra
    - For those who already have 70-200 and 85mm lenses and want something bright for more telephoto situations
    - For those who have €1000 and want to invest in good glass for the coming years
    - For those who shoot a lot of night events
    - For those who want to add the 135mm as a prime lens to their repertoire after the trinity 35/50/85

    Who it is NOT for:
    - For those just starting out. It's not a basic lens. It's a luxury
    - For those who don't have the time/patience/creativity to learn a new focal length and how it will benefit their work

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    George_Soumelidis_Photography

  • vaggelhs4
    4
    vaggelhs4

    I have been a photographer for 7 years and I systematically invest in my equipment. Not in the most expensive pieces, but in the most value-for-money and only Nikon. When I tried Nikon's Plena (135mm 1.8) I fell in love with it.

    Since then, I was looking for an alternative that would cost less and I found it in Viltrox. The reviews everywhere were 5/5 and everyone said it is comparable to the respective Sony and Nikon lenses.

    I thought, it can't be, there must be something negative and indeed there is: THE WEIGHT. 300g heavier than the Nikon is a lot, but the €1600 price difference between them was also a lot.

    I bought it for one purpose: To complement Nikon's 85mm, which remains the main telephoto portrait lens due to its weight, quality, and flexibility.

    In the first jobs with it, I realized that this lens is not just to complement the 85mm but to replace the 70-200.

    Its sharpness is at a very high level. The focusing is fast.
    However, the bottleneck here is the camera. If you have a Z6ii/z5 or older, there is an issue with the focusing system, which is inherently sluggish. This lens should be used on z5ii/z6iii/z8/z9, which have new processors and can easily and accurately detect the eye.

    The bokeh... oh my GOD... On another level. Creamy... It's love.

    POSITIVES:
    - 82mm filter like most good lenses (24-70, 70-200)
    - Sharpness
    - Build quality
    NEGATIVES
    - Weight

    Who is it for:
    - For professionals who want something extra
    - For those who already have 70-200 and 85mm lenses and want something bright for more telephoto situations
    - For those who have €1000 and want to invest in good glass for the coming years
    - For those who shoot a lot of night events
    - For those who want to add the 135mm as a prime lens to their repertoire after the trinity 35/50/85

    Who it is NOT for:
    - For those just starting out. It's not a basic lens. It's a luxury
    - For those who don't have the time/patience/creativity to learn a new focal length and how it will benefit their work

    Translated from Greek ·
    6
  • 5
    George_Soumelidis_Photography

    0
  • See all
991,00 €
14,00 €   shipping cost
Viltrox