Formality of the Cinema is a reference book in the field of Film Studies. It covers a wide range of topics, from technical issues related to filmmaking to contemporary theories of cinematic analysis.

Through examples of both older and modern films, Bernard F. Dick introduces readers to a problematic analysis of cinematic works that considers both the technical features of the film and issues of form, aesthetics, and ideology.

It is a book that can be used as a university textbook for undergraduate and graduate Film Studies students, as it provides an introduction to the art of filmmaking through simple and clear language.

The new, revised edition is enriched with new chapters related to written film analysis and references to recent developments such as digital cinematography and online sources, with greater emphasis on international films and the work of women creators, among others.

The Film Studies series aims to become a reference library for the theory and practice of filmmaking, with a focus on the latest aesthetic and theoretical explorations, the relationship between technology and aesthetics, and new approaches to works by past and present directors.

"This book offers everything my students need to understand the challenges of film analysis. The author's style invites the reader to engage in dialogue." Julie Steward, Stamford University

"Dick says everything we want to read... The book is easy to read and distinguished by its wealth of information and wonderful style." David Popowski, Minnesota State University

"Formality of the Cinema is an ideal introductory manual for those beginning to study film." Daniel M. Linton, University of Memphis

"The author manages to convey his enthusiasm for the art of filmmaking to the reader. He invites them to share an exciting journey of discovery." Thomas Murray, Fitchburg State University