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Tokina Crop Camera Lens AT-X 11-20mm f/2.8 PRO DX Wide Angle Zoom for Canon EF Mount Black
Camera Lenses

Tokina Crop Camera Lens AT-X 11-20mm f/2.8 PRO DX Wide Angle Zoom for Canon EF Mount Black

Wide-Angle Lens with a constant f/2.8 aperture for Canon APS-C cameras.

  • Mount Type: EF-Mount Lens/APS-C Format 17.5-32mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • P-MO Elements & Glass Molded...

Wide-Angle Lens with a constant f/2.8 aperture for Canon APS-C cameras.

  • Mount Type: EF-Mount Lens/APS-C Format 17.5-32mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • P-MO Elements & Glass Molded Aspherical Elements
  • Three SD Ultra-Low Dispersion Elements
  • Multiple Lens Coatings
  • Internal Focusing; One-Touch Focus Mechanism
  • Nine-Blade Diaphragm

The Tokina...

See full description See full description

  • Type

    Wide Angle Zoom

    Wide-angle lenses with zoom capability and optics that allow for fitting many elements within the frame with relatively little distortion. Their focal length usually starts from 24-35mm for full frame, 15-25mm for crop frame, and 50-70mm for medium format. 2. They are usually used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Crop Frame

    Lenses designed for use on cameras with a crop frame sensor (smaller frame).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
Product report

Description

Description

Wide-Angle Lens with a constant f/2.8 aperture for Canon APS-C cameras.

  • Mount Type: EF-Mount Lens/APS-C Format 17.5-32mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • P-MO Elements & Glass Molded Aspherical Elements
  • Three SD Ultra-Low Dispersion Elements
  • Multiple Lens Coatings
  • Internal Focusing; One-Touch Focus Mechanism
  • Nine-Blade Diaphragm

The Tokina AT-X 11-20mm f/2.8 PRO DX lens offers consistent brightness throughout the zoom range. A hybrid aspherical P-MO element combined with two glass elements reduces distortions and corrects various aberrations. The lens is well-suited for a variety of conditions, covering wide-angle perspectives with continuous brightness.

The One-Touch focus mechanism facilitates switching between automatic and manual focus, while the internal design maintains the lens length during use. The focus ring with moderate torque offers precise handling during manual focusing. The nine-blade diaphragm provides a pleasing out-of-focus quality.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Wide Angle Zoom

Type

Wide Angle Zoom
Wide-angle lenses with zoom capability and optics that allow for fitting many elements within the frame with relatively little distortion. Their focal length usually starts from 24-35mm for full frame, 15-25mm for crop frame, and 50-70mm for medium format. 2. They are usually used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Crop Frame

Sensor Type

Crop Frame

Lenses designed for use on cameras with a crop frame sensor (smaller frame).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
11 - 20 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
560 gr
Mount
Canon EF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (6)

Reviews

4.8
6
4.8
Review this product
  1. 5
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Color representation
  • Value for money
  • Construction quality
  • Acidity
  • Autofocus (AF) speed
  • Moderate noise
  • Weight
  • Theo Xydias
    5
    6 out of 8 members found this review helpful
    Theo Xydias
    This review is about the mount: Nikon F

    I have made an unboxing video on YouTube, Theo Xydias. I got it for both amateur and professional use. Initially, I was going for the Tokina 11-16, but after seeing comparisons, I ended up with this one. It has incredible sharpness, the autofocus is lightning fast, and it performs amazingly in low-light conditions. It is the best choice for a crop sensor, especially if you're photographing stars. I also use it for in-car videos, capturing the entire front of the car. From me, it's a 10 out of 10 lens. Combine it with a Hoya UV/ND filter and you won't regret it. Lastly, some people mentioned the weight. Okay, it weighs 502 grams, but you don't need a crane to lift it.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • mixalhslapardas1991
    5
    3 out of 3 members found this review helpful
    mixalhslapardas1991
    This review is about the mount: Nikon F

    I was torn between the 11-20 and the 11-16, like many others. In the end, I went for the 11-20 and I am extremely satisfied. Great sharpness. The extra mm it provides are almost necessary for me to avoid changing lenses. The 11mm sends the subject very far away. For astrophotography, both the 11-20 and the 11-16 are top lenses for crop bodies.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • FotisPanag
    5
    16 out of 16 members found this review helpful
    FotisPanag
    This review is about the mount: Nikon F

    The lens is relatively heavy, which doesn't mean it's a disadvantage. This happens due to its sturdy construction and the glass it carries (82mm diameter & f2.8).
    The sharpness is equally excellent, especially from f5.6 as mentioned in reviews on the internet, without lacking in wider apertures.
    As for its "downsides" (which in my case, don't concern me much with what it offers me, hence the quotation marks).
    The autofocus mechanism is slightly noisier than Nikon's "silent" ones and a bit slower. Personally, it doesn't bother me at all, as it is at very acceptable levels even for enthusiastic photographers. It has also been proven that many third-party lenses tend to be slightly slower but with much better sharpness performance.
    As for me, I consider the lens to be very good and worth its money. I highly recommend it.

    Update 24/10/2019
    The lens has performed exceptionally well in indoor and landscape photography where I have used it. Together with a HOYA ND1000 filter, I have taken beautiful long exposures.
    I encountered a focusing issue through the camera's Live View (Nikon D7200) and it was sent to the authorized service center (it was just before the 2-year warranty expired). It took 1 month since it had to be sent abroad. The staff at the service center in Greece were polite, professional, and tried to resolve the issue as quickly as possible. Even the official Tokina Facebook page responded almost immediately to my inquiries regarding the service process.

    Translated from Greek ·
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Moderate noise
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • 5
    3 out of 3 members found this review helpful
    Chris32
    This review is about the mount: Nikon F

    Excellent lens value for money!

    Translated from Greek ·
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Moderate noise
    • Weight
    Did you find this review helpful?
  • 4
    stej

    • Color representation
    • Value for money
    • Moderate noise
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Acidity
  • 5
    sv7nhn
    This review is about the mount: Nikon F

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • Theo Xydias
    5
    Theo Xydias

    I have made an unboxing video on YouTube, Theo Xydias. I got it for both amateur and professional use. Initially, I was going for the Tokina 11-16, but after seeing comparisons, I ended up with this one. It has incredible sharpness, the autofocus is lightning fast, and it performs amazingly in low-light conditions. It is the best choice for a crop sensor, especially if you're photographing stars. I also use it for in-car videos, capturing the entire front of the car. From me, it's a 10 out of 10 lens. Combine it with a Hoya UV/ND filter and you won't regret it. Lastly, some people mentioned the weight. Okay, it weighs 502 grams, but you don't need a crane to lift it.

    Translated from Greek ·
    6
  • mixalhslapardas1991
    5
    mixalhslapardas1991

    I was torn between the 11-20 and the 11-16, like many others. In the end, I went for the 11-20 and I am extremely satisfied. Great sharpness. The extra mm it provides are almost necessary for me to avoid changing lenses. The 11mm sends the subject very far away. For astrophotography, both the 11-20 and the 11-16 are top lenses for crop bodies.

    Translated from Greek ·
    3
  • FotisPanag
    5
    FotisPanag

    The lens is relatively heavy, which doesn't mean it's a disadvantage. This happens due to its sturdy construction and the glass it carries (82mm diameter & f2.8).
    The sharpness is equally excellent, especially from f5.6 as mentioned in reviews on the internet, without lacking in wider apertures.
    As for its "downsides" (which in my case, don't concern me much with what it offers me, hence the quotation marks).
    The autofocus mechanism is slightly noisier than Nikon's "silent" ones and a bit slower. Personally, it doesn't bother me at all, as it is at very acceptable levels even for enthusiastic photographers. It has also been proven that many third-party lenses tend to be slightly slower but with much better sharpness performance.
    As for me, I consider the lens to be very good and worth its money. I highly recommend it.

    Update 24/10/2019
    The lens has performed exceptionally well in indoor and landscape photography where I have used it. Together with a HOYA ND1000 filter, I have taken beautiful long exposures.
    I encountered a focusing issue through the camera's Live View (Nikon D7200) and it was sent to the authorized service center (it was just before the 2-year warranty expired). It took 1 month since it had to be sent abroad. The staff at the service center in Greece were polite, professional, and tried to resolve the issue as quickly as possible. Even the official Tokina Facebook page responded almost immediately to my inquiries regarding the service process.

    Translated from Greek ·
    16
  • 5
    Chris32

    Excellent lens value for money!

    Translated from Greek ·
    3
  • 4
    stej

    0
  • See all

Description & Specifications

Wide-Angle Lens with a constant f/2.8 aperture for Canon APS-C cameras.

  • Mount Type: EF-Mount Lens/APS-C Format 17.5-32mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • P-MO Elements & Glass Molded Aspherical Elements
  • Three SD Ultra-Low Dispersion Elements
  • Multiple Lens Coatings
  • Internal Focusing; One-Touch Focus Mechanism
  • Nine-Blade Diaphragm

The Tokina AT-X 11-20mm f/2.8 PRO DX lens offers consistent brightness throughout the zoom range. A hybrid aspherical P-MO element combined with two glass elements reduces distortions and corrects various aberrations. The lens is well-suited for a variety of conditions, covering wide-angle perspectives with continuous brightness.

The One-Touch focus mechanism facilitates switching between automatic and manual focus, while the internal design maintains the lens length during use. The focus ring with moderate torque offers precise handling during manual focusing. The nine-blade diaphragm provides a pleasing out-of-focus quality.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Wide Angle Zoom

Type

Wide Angle Zoom
Wide-angle lenses with zoom capability and optics that allow for fitting many elements within the frame with relatively little distortion. Their focal length usually starts from 24-35mm for full frame, 15-25mm for crop frame, and 50-70mm for medium format. 2. They are usually used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Crop Frame

Sensor Type

Crop Frame

Lenses designed for use on cameras with a crop frame sensor (smaller frame).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
11 - 20 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
560 gr
Mount
Canon EF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (6)

4.8
6
4.8
Review this product
  1. 5
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Color representation
  • Value for money
  • Construction quality
  • Acidity
  • Autofocus (AF) speed
  • Moderate noise
  • Weight
  • Theo Xydias
    5
    6 out of 8 members found this review helpful
    Theo Xydias
    This review is about the mount: Nikon F

    I have made an unboxing video on YouTube, Theo Xydias. I got it for both amateur and professional use. Initially, I was going for the Tokina 11-16, but after seeing comparisons, I ended up with this one. It has incredible sharpness, the autofocus is lightning fast, and it performs amazingly in low-light conditions. It is the best choice for a crop sensor, especially if you're photographing stars. I also use it for in-car videos, capturing the entire front of the car. From me, it's a 10 out of 10 lens. Combine it with a Hoya UV/ND filter and you won't regret it. Lastly, some people mentioned the weight. Okay, it weighs 502 grams, but you don't need a crane to lift it.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • mixalhslapardas1991
    5
    3 out of 3 members found this review helpful
    mixalhslapardas1991
    This review is about the mount: Nikon F

    I was torn between the 11-20 and the 11-16, like many others. In the end, I went for the 11-20 and I am extremely satisfied. Great sharpness. The extra mm it provides are almost necessary for me to avoid changing lenses. The 11mm sends the subject very far away. For astrophotography, both the 11-20 and the 11-16 are top lenses for crop bodies.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • FotisPanag
    5
    16 out of 16 members found this review helpful
    FotisPanag
    This review is about the mount: Nikon F

    The lens is relatively heavy, which doesn't mean it's a disadvantage. This happens due to its sturdy construction and the glass it carries (82mm diameter & f2.8).
    The sharpness is equally excellent, especially from f5.6 as mentioned in reviews on the internet, without lacking in wider apertures.
    As for its "downsides" (which in my case, don't concern me much with what it offers me, hence the quotation marks).
    The autofocus mechanism is slightly noisier than Nikon's "silent" ones and a bit slower. Personally, it doesn't bother me at all, as it is at very acceptable levels even for enthusiastic photographers. It has also been proven that many third-party lenses tend to be slightly slower but with much better sharpness performance.
    As for me, I consider the lens to be very good and worth its money. I highly recommend it.

    Update 24/10/2019
    The lens has performed exceptionally well in indoor and landscape photography where I have used it. Together with a HOYA ND1000 filter, I have taken beautiful long exposures.
    I encountered a focusing issue through the camera's Live View (Nikon D7200) and it was sent to the authorized service center (it was just before the 2-year warranty expired). It took 1 month since it had to be sent abroad. The staff at the service center in Greece were polite, professional, and tried to resolve the issue as quickly as possible. Even the official Tokina Facebook page responded almost immediately to my inquiries regarding the service process.

    Translated from Greek ·
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Moderate noise
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • 5
    3 out of 3 members found this review helpful
    Chris32
    This review is about the mount: Nikon F

    Excellent lens value for money!

    Translated from Greek ·
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Moderate noise
    • Weight
    Did you find this review helpful?
  • 4
    stej

    • Color representation
    • Value for money
    • Moderate noise
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Acidity
  • 5
    sv7nhn
    This review is about the mount: Nikon F

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • Theo Xydias
    5
    Theo Xydias

    I have made an unboxing video on YouTube, Theo Xydias. I got it for both amateur and professional use. Initially, I was going for the Tokina 11-16, but after seeing comparisons, I ended up with this one. It has incredible sharpness, the autofocus is lightning fast, and it performs amazingly in low-light conditions. It is the best choice for a crop sensor, especially if you're photographing stars. I also use it for in-car videos, capturing the entire front of the car. From me, it's a 10 out of 10 lens. Combine it with a Hoya UV/ND filter and you won't regret it. Lastly, some people mentioned the weight. Okay, it weighs 502 grams, but you don't need a crane to lift it.

    Translated from Greek ·
    6
  • mixalhslapardas1991
    5
    mixalhslapardas1991

    I was torn between the 11-20 and the 11-16, like many others. In the end, I went for the 11-20 and I am extremely satisfied. Great sharpness. The extra mm it provides are almost necessary for me to avoid changing lenses. The 11mm sends the subject very far away. For astrophotography, both the 11-20 and the 11-16 are top lenses for crop bodies.

    Translated from Greek ·
    3
  • FotisPanag
    5
    FotisPanag

    The lens is relatively heavy, which doesn't mean it's a disadvantage. This happens due to its sturdy construction and the glass it carries (82mm diameter & f2.8).
    The sharpness is equally excellent, especially from f5.6 as mentioned in reviews on the internet, without lacking in wider apertures.
    As for its "downsides" (which in my case, don't concern me much with what it offers me, hence the quotation marks).
    The autofocus mechanism is slightly noisier than Nikon's "silent" ones and a bit slower. Personally, it doesn't bother me at all, as it is at very acceptable levels even for enthusiastic photographers. It has also been proven that many third-party lenses tend to be slightly slower but with much better sharpness performance.
    As for me, I consider the lens to be very good and worth its money. I highly recommend it.

    Update 24/10/2019
    The lens has performed exceptionally well in indoor and landscape photography where I have used it. Together with a HOYA ND1000 filter, I have taken beautiful long exposures.
    I encountered a focusing issue through the camera's Live View (Nikon D7200) and it was sent to the authorized service center (it was just before the 2-year warranty expired). It took 1 month since it had to be sent abroad. The staff at the service center in Greece were polite, professional, and tried to resolve the issue as quickly as possible. Even the official Tokina Facebook page responded almost immediately to my inquiries regarding the service process.

    Translated from Greek ·
    16
  • 5
    Chris32

    Excellent lens value for money!

    Translated from Greek ·
    3
  • 4
    stej

    0
  • See all
599,00 €
14,00 €   shipping cost