Dialogues; because the author is unable to express any opinion without automatically feeling the need to write its possible counterargument.

Comedic; because they all primarily aim for laughter, regardless of whether some of them pretend, supposedly, to also offer sincere reflection or whether they surrender from the start to the liberating embrace of pure stupidity.

Just open the book you have in your hands to find out if this collection of short theatrical dialogues and dialogical essays about flirting and love, work and bureaucracy, social media and face-to-face communication, family and single life, mental health and chaos is to your taste.