The album strikes an ideal balance between anarchic experimentation and carefully structured sonic accessibility, revealing the two sides of Papakonstantinou: simultaneously creative and subversive, composer and saboteur. The result is a work that is both personal and impersonal, earthly and at the same time otherworldly.

Just as the multi-layered arrangements of instruments created the evocative soundscape on the album, so too do the layers of the contributors' voices create a unique book. The participants describe how pieces that initially seemed completely unrelated found a common atmosphere and meaning and were transformed and united on the album. […] It is no coincidence that the book succeeds both as a document and as an artistic analysis, as well as a reflection on the era, the origins, and the impact of an album that changed the domestic music scene. And it achieves this because it does not focus only on the truly interesting story of an album, but also explores what it means to make music "from the inside."