In 1993 an author buried a golden sculpture—the Chouette d’Or (Golden Owl)—and released a book with eleven allusive clues as to its whereabouts somewhere in France. Nearly 30 years later, many continue to search for the treasure which remains unfound. Over a period of three years, artist Emily Graham photographed those pursuing the treasure in their potentially futile quest, whilst collecting research and ephemera. The resulting images, combined with documentation on the search—texts, correspondence and maps—form her new book The Blindest Man.

In ‘The Blindest Man’, Graham’s photographs reflect the mysterious clues of the hunt. Elusive and unexplained symbols occur throughout, such as a peacock on a hillside, markings on a wall, a spiral staircase leading into the sky—all left open to interpretation by the viewer. There is a sense of both implied narrative and pursuit with images of roads and paths which lead out of sight and a phone just off the hook. The motif of ‘unseeing’ recurs throughout—a man peering through a hole in the wall, a face obscured by dabbled sunlight and an eyeball in the palm of a hand. Graham’s photographs are presented alongside documentation around the search. Fictions and facts, combined with conjecture, collectively presenting the contradictions of a pursuit that has no answers and no end.