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Rode NTG4 Plus Condenser (Small Diaphragm) Microphone Shock Mounted for Camera
Microphones

Rode NTG4 Plus Condenser (Small Diaphragm) Microphone Shock Mounted for Camera

The new Rode microphone, NTG4+, is based on the successful design platform of the NTG2. It is a high-quality directional condenser microphone for broadcast applications that provides high-quality...

The new Rode microphone, NTG4+, is based on the successful design platform of the NTG2. It is a high-quality directional condenser microphone for broadcast applications that provides high-quality recordings across a wide range of applications, whether used on-camera or on a boom. It stands out for its particularly low noise, high sensitivity, and the ability...

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  • Type (Directivity)

    Shotgun

    Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
  • Usage Υπολογιστή (Gaming & Streaming), Παρουσιάσεων & Θεάτρου, Φωτογραφικής & Βίντεο, Μουσικών Οργάνων, Studio
  • Placement Shock Mounted
  • Connectivity XLR, USB, mini XLR
  • See all
Product report

Description

Description

The new Rode microphone, NTG4+, is based on the successful design platform of the NTG2. It is a high-quality directional condenser microphone for broadcast applications that provides high-quality recordings across a wide range of applications, whether used on-camera or on a boom. It stands out for its particularly low noise, high sensitivity, and the ability to change equalization/level control via digital switching. The NTG4+ is the first microphone to incorporate a battery that provides 150+ hours of operation after being charged through the provided MicroUSB port.


Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
25 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
135 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR, USB, mini XLR

General Characteristics

Device Group
Υπολογιστή (Gaming & Streaming), Παρουσιάσεων & Θεάτρου, Φωτογραφικής & Βίντεο, Μουσικών Οργάνων, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • tsioukas
    5
    13 out of 13 members found this review helpful
    tsioukas

    The microphone is worth its money. It produces accurate and clear sound, reducing peripheral noise significantly. Compared to the NTG2, it has a subtle improvement, depending on the equipment you have, of course.

    If I could mention some negatives, they are as follows:

    - If it gets disconnected while in Phantom Power mode, instead of turning off, it remains on using its internal battery (although this might be a safety feature), so you need to turn it off every time. The problem is that the foam covers the buttons/LEDs, so it can be forgotten to be turned off.
    - Compared to the NTG2 that I own, its surface is more "rough," resulting in it being very sensitive to friction when held in hand, and the sound gets picked up by the microphone. However, these microphones are designed for camera/boom, so it is not a significant issue.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • tsioukas
    5
    tsioukas

    The microphone is worth its money. It produces accurate and clear sound, reducing peripheral noise significantly. Compared to the NTG2, it has a subtle improvement, depending on the equipment you have, of course.

    If I could mention some negatives, they are as follows:

    - If it gets disconnected while in Phantom Power mode, instead of turning off, it remains on using its internal battery (although this might be a safety feature), so you need to turn it off every time. The problem is that the foam covers the buttons/LEDs, so it can be forgotten to be turned off.
    - Compared to the NTG2 that I own, its surface is more "rough," resulting in it being very sensitive to friction when held in hand, and the sound gets picked up by the microphone. However, these microphones are designed for camera/boom, so it is not a significant issue.

    Translated from Greek ·
    13
  • See all

Description & Specifications

The new Rode microphone, NTG4+, is based on the successful design platform of the NTG2. It is a high-quality directional condenser microphone for broadcast applications that provides high-quality recordings across a wide range of applications, whether used on-camera or on a boom. It stands out for its particularly low noise, high sensitivity, and the ability to change equalization/level control via digital switching. The NTG4+ is the first microphone to incorporate a battery that provides 150+ hours of operation after being charged through the provided MicroUSB port.


Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
25 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
135 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR, USB, mini XLR

General Characteristics

Device Group
Υπολογιστή (Gaming & Streaming), Παρουσιάσεων & Θεάτρου, Φωτογραφικής & Βίντεο, Μουσικών Οργάνων, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • tsioukas
    5
    13 out of 13 members found this review helpful
    tsioukas

    The microphone is worth its money. It produces accurate and clear sound, reducing peripheral noise significantly. Compared to the NTG2, it has a subtle improvement, depending on the equipment you have, of course.

    If I could mention some negatives, they are as follows:

    - If it gets disconnected while in Phantom Power mode, instead of turning off, it remains on using its internal battery (although this might be a safety feature), so you need to turn it off every time. The problem is that the foam covers the buttons/LEDs, so it can be forgotten to be turned off.
    - Compared to the NTG2 that I own, its surface is more "rough," resulting in it being very sensitive to friction when held in hand, and the sound gets picked up by the microphone. However, these microphones are designed for camera/boom, so it is not a significant issue.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • tsioukas
    5
    tsioukas

    The microphone is worth its money. It produces accurate and clear sound, reducing peripheral noise significantly. Compared to the NTG2, it has a subtle improvement, depending on the equipment you have, of course.

    If I could mention some negatives, they are as follows:

    - If it gets disconnected while in Phantom Power mode, instead of turning off, it remains on using its internal battery (although this might be a safety feature), so you need to turn it off every time. The problem is that the foam covers the buttons/LEDs, so it can be forgotten to be turned off.
    - Compared to the NTG2 that I own, its surface is more "rough," resulting in it being very sensitive to friction when held in hand, and the sound gets picked up by the microphone. However, these microphones are designed for camera/boom, so it is not a significant issue.

    Translated from Greek ·
    13
  • See all
239,76 €
14,00 €   shipping cost