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Sony Full Frame Camera Lens FE 24-70mm F2.8 GM Standard Zoom for Sony E Mount Black
Camera Lenses

Sony Full Frame Camera Lens FE 24-70mm F2.8 GM Standard Zoom for Sony E Mount Black

Key features:

  • Lens Mount:Sony E
  • Lens Type:Fixed Aperture Zoom
  • Sensor Type:Full Frame
  • Focus Control:Autofocus
  • Focal Length Range:24 - 70 mm
  • Filter Diameter (mm):82
See full description

  • Type

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
Product report

Description

Description

A new era in standard zoom performance.

Uncompromising design and technology in a new zoom lens with a constant F2.8, which can fully leverage the performance capabilities offered by both existing and future high-resolution camera bodies.

Excellent resolution and background defocus (bokeh)

The XA (extreme aspherical) lens element with top surface precision not only contributes to impressive resolution and detail across the entire frame and throughout the zoom range, but also plays an extremely important role in achieving smooth, gentle background defocusing (bokeh), which can be a powerful expressive tool in a wide range of shooting conditions.

Natural performance and color

An ED (Extra-low Dispersion) element and a Super ED glass element in an optical path designed to the highest standards contribute to achieving realistic, natural images without unnatural colors, maintaining control over axial and lateral chromatic aberration, while also maximizing subject resolution for impressive texture and detail.

Bright, fast F2.8 at any focal length

The constant maximum aperture of F2.8 makes it easier to maintain stable exposure settings throughout the zoom range, continuously offering the ability to shoot in low light or at very high shutter speeds. Consistently impressive image quality is ensured at any aperture or focal length.

Precise focus at amazing speed

Apart from mounting large-aperture lenses with extremely high precision for accurate focusing, the Direct Drive SSM (DDSSM) system minimizes missed movements, while the advanced control system and improved algorithms enhance the speed of AF operation. The use of the DDSSM system is also smooth and silent, making it ideal for movies and photos.

The 9-blade aperture enhances the stunning appearance of background defocus (bokeh)

The stunning beauty of the background defocus (bokeh) of this lens is further enhanced by the 9-blade circular aperture design, which contributes to smoothness as well as natural bright shades.

Impressive Clarity and Contrast

Sony's exclusive Nano AR Coating reduces reflections that can cause flare and ghosting, especially in backlit conditions. The result is consistently high contrast and clarity with deep blacks across the widest possible range of shooting conditions. (1. Nano AR Coating / 2. Glass / 3. Transmitted light)

Flexible focus control at your fingertips

The ability to quickly react to rapidly changing shooting conditions can make the difference between capturing the photo or not. The manual/auto focus switch and the focus hold button are placed in easily accessible locations, providing flexible, professional control over a wide range of subjects and conditions.

Zoom lock improves portability

Zoom lenses can sometimes extend due to their weight during transport. This can be annoying while also increasing the likelihood of accidental damage. The zoom lock switch provides a simple, secure way to lock the zoom mechanism for safe and comfortable transport.

Lock and Release Cover

The cover lock mechanism prevents accidental removal of the cover during transport, while the cover release button facilitates the removal and reattachment of the cover when necessary.

Absolute reliability in tough conditions

Careful sealing measures against dust and moisture have been applied to ensure maximum protection and reliability in difficult conditions. Shoot with confidence in light rain or wind.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
886 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (3)

Reviews

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight
  • john_karakatsianis
    5
    1 out of 1 members found this review helpful
    john_karakatsianis

    Amazing lens. I use it for video and photography. Very sharp, accurate colors, and although I mostly use manual focus for video, when I need autofocus it is very fast and reliable. Yes, it is an expensive lens, but it is more than worth the money. The only negative, which I would expect at this price, is that I would like the zoom to be internal, because now its size gets a bit out of hand when you are at 70mm. I believe it is Sony's best overall lens.

    Translated from Greek ·
    Did you find this review helpful?
  • Nondas_Garafas
    5
    6 out of 7 members found this review helpful
    Nondas_Garafas

    Excellent lens!!!
    I use it for videos with the Sony a7s iii.
    Incredible colors, autofocus along with the AF of the a7s iii is fantastic, it is a fairly sharp lens, not as sharp as the Sony GM lenses like the 135mm f/1.8 or the 70-200mm f/2.8...
    But small differences.
    Quite heavy lens and I would like the zoom ring to be smoother.
    It has vignetting which I like, the distortion is not at all bothersome... Expected at 24mm anyway.
    Because it is not a prime lens... And no chromatic aberration at all...

    Is it worth the money?? YES

    Very expensive, aimed at professionals...
    In general, there are more economical solutions like the Sigma and even better the Tamron 28-70mm

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • 5
    2 out of 4 members found this review helpful
    christos.n

    High-quality construction, fast autofocus, silent

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • john_karakatsianis
    5
    john_karakatsianis

    Amazing lens. I use it for video and photography. Very sharp, accurate colors, and although I mostly use manual focus for video, when I need autofocus it is very fast and reliable. Yes, it is an expensive lens, but it is more than worth the money. The only negative, which I would expect at this price, is that I would like the zoom to be internal, because now its size gets a bit out of hand when you are at 70mm. I believe it is Sony's best overall lens.

    Translated from Greek ·
    1
  • Nondas_Garafas
    5
    Nondas_Garafas

    Excellent lens!!!
    I use it for videos with the Sony a7s iii.
    Incredible colors, autofocus along with the AF of the a7s iii is fantastic, it is a fairly sharp lens, not as sharp as the Sony GM lenses like the 135mm f/1.8 or the 70-200mm f/2.8...
    But small differences.
    Quite heavy lens and I would like the zoom ring to be smoother.
    It has vignetting which I like, the distortion is not at all bothersome... Expected at 24mm anyway.
    Because it is not a prime lens... And no chromatic aberration at all...

    Is it worth the money?? YES

    Very expensive, aimed at professionals...
    In general, there are more economical solutions like the Sigma and even better the Tamron 28-70mm

    Translated from Greek ·
    6
  • 5
    christos.n

    High-quality construction, fast autofocus, silent

    Translated from Greek ·
    2
  • See all

Description & Specifications

A new era in standard zoom performance.

Uncompromising design and technology in a new zoom lens with a constant F2.8, which can fully leverage the performance capabilities offered by both existing and future high-resolution camera bodies.

Excellent resolution and background defocus (bokeh)

The XA (extreme aspherical) lens element with top surface precision not only contributes to impressive resolution and detail across the entire frame and throughout the zoom range, but also plays an extremely important role in achieving smooth, gentle background defocusing (bokeh), which can be a powerful expressive tool in a wide range of shooting conditions.

Natural performance and color

An ED (Extra-low Dispersion) element and a Super ED glass element in an optical path designed to the highest standards contribute to achieving realistic, natural images without unnatural colors, maintaining control over axial and lateral chromatic aberration, while also maximizing subject resolution for impressive texture and detail.

Bright, fast F2.8 at any focal length

The constant maximum aperture of F2.8 makes it easier to maintain stable exposure settings throughout the zoom range, continuously offering the ability to shoot in low light or at very high shutter speeds. Consistently impressive image quality is ensured at any aperture or focal length.

Precise focus at amazing speed

Apart from mounting large-aperture lenses with extremely high precision for accurate focusing, the Direct Drive SSM (DDSSM) system minimizes missed movements, while the advanced control system and improved algorithms enhance the speed of AF operation. The use of the DDSSM system is also smooth and silent, making it ideal for movies and photos.

The 9-blade aperture enhances the stunning appearance of background defocus (bokeh)

The stunning beauty of the background defocus (bokeh) of this lens is further enhanced by the 9-blade circular aperture design, which contributes to smoothness as well as natural bright shades.

Impressive Clarity and Contrast

Sony's exclusive Nano AR Coating reduces reflections that can cause flare and ghosting, especially in backlit conditions. The result is consistently high contrast and clarity with deep blacks across the widest possible range of shooting conditions. (1. Nano AR Coating / 2. Glass / 3. Transmitted light)

Flexible focus control at your fingertips

The ability to quickly react to rapidly changing shooting conditions can make the difference between capturing the photo or not. The manual/auto focus switch and the focus hold button are placed in easily accessible locations, providing flexible, professional control over a wide range of subjects and conditions.

Zoom lock improves portability

Zoom lenses can sometimes extend due to their weight during transport. This can be annoying while also increasing the likelihood of accidental damage. The zoom lock switch provides a simple, secure way to lock the zoom mechanism for safe and comfortable transport.

Lock and Release Cover

The cover lock mechanism prevents accidental removal of the cover during transport, while the cover release button facilitates the removal and reattachment of the cover when necessary.

Absolute reliability in tough conditions

Careful sealing measures against dust and moisture have been applied to ensure maximum protection and reliability in difficult conditions. Shoot with confidence in light rain or wind.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
886 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (3)

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight
  • john_karakatsianis
    5
    1 out of 1 members found this review helpful
    john_karakatsianis

    Amazing lens. I use it for video and photography. Very sharp, accurate colors, and although I mostly use manual focus for video, when I need autofocus it is very fast and reliable. Yes, it is an expensive lens, but it is more than worth the money. The only negative, which I would expect at this price, is that I would like the zoom to be internal, because now its size gets a bit out of hand when you are at 70mm. I believe it is Sony's best overall lens.

    Translated from Greek ·
    Did you find this review helpful?
  • Nondas_Garafas
    5
    6 out of 7 members found this review helpful
    Nondas_Garafas

    Excellent lens!!!
    I use it for videos with the Sony a7s iii.
    Incredible colors, autofocus along with the AF of the a7s iii is fantastic, it is a fairly sharp lens, not as sharp as the Sony GM lenses like the 135mm f/1.8 or the 70-200mm f/2.8...
    But small differences.
    Quite heavy lens and I would like the zoom ring to be smoother.
    It has vignetting which I like, the distortion is not at all bothersome... Expected at 24mm anyway.
    Because it is not a prime lens... And no chromatic aberration at all...

    Is it worth the money?? YES

    Very expensive, aimed at professionals...
    In general, there are more economical solutions like the Sigma and even better the Tamron 28-70mm

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • 5
    2 out of 4 members found this review helpful
    christos.n

    High-quality construction, fast autofocus, silent

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • john_karakatsianis
    5
    john_karakatsianis

    Amazing lens. I use it for video and photography. Very sharp, accurate colors, and although I mostly use manual focus for video, when I need autofocus it is very fast and reliable. Yes, it is an expensive lens, but it is more than worth the money. The only negative, which I would expect at this price, is that I would like the zoom to be internal, because now its size gets a bit out of hand when you are at 70mm. I believe it is Sony's best overall lens.

    Translated from Greek ·
    1
  • Nondas_Garafas
    5
    Nondas_Garafas

    Excellent lens!!!
    I use it for videos with the Sony a7s iii.
    Incredible colors, autofocus along with the AF of the a7s iii is fantastic, it is a fairly sharp lens, not as sharp as the Sony GM lenses like the 135mm f/1.8 or the 70-200mm f/2.8...
    But small differences.
    Quite heavy lens and I would like the zoom ring to be smoother.
    It has vignetting which I like, the distortion is not at all bothersome... Expected at 24mm anyway.
    Because it is not a prime lens... And no chromatic aberration at all...

    Is it worth the money?? YES

    Very expensive, aimed at professionals...
    In general, there are more economical solutions like the Sigma and even better the Tamron 28-70mm

    Translated from Greek ·
    6
  • 5
    christos.n

    High-quality construction, fast autofocus, silent

    Translated from Greek ·
    2
  • See all
1.499,00 €
14,00 €   shipping cost