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Lewitt LCT 940 Condenser Microphone XLR Shock Mounted for Vocals
Microphones

Lewitt LCT 940 Condenser Microphone XLR Shock Mounted for Vocals

Acoustic operating principle: pressure gradient transducer

  • Externally polarized
  • Transducer D25.4 mm - 1 inch
  • Directional pattern: omni
  • Extended cardioid
  • Cardioid
  • Hypercardioid
  • Figure-8 and additional...

Acoustic operating principle: pressure gradient transducer

  • Externally polarized
  • Transducer D25.4 mm - 1 inch
  • Directional pattern: omni
  • Extended cardioid
  • Cardioid
  • Hypercardioid
  • Figure-8 and additional intermediate patterns
  • Remote control capability
  • Frequency range: 20 ... 20,000 Hz
  • Sensitivity: 23 mV / Pa (-33 dBV), cardioid
  • 20 mV / Pa (-34 dBV), omni
  • 23 mV...
See full description See full description
  • Type (Directivity) Multipattern
  • Usage Vocal, Musical Instruments, Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
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Product report

Description

Description

Acoustic operating principle: pressure gradient transducer

  • Externally polarized
  • Transducer D25.4 mm - 1 inch
  • Directional pattern: omni
  • Extended cardioid
  • Cardioid
  • Hypercardioid
  • Figure-8 and additional intermediate patterns
  • Remote control capability
  • Frequency range: 20 ... 20,000 Hz
  • Sensitivity: 23 mV / Pa (-33 dBV), cardioid
  • 20 mV / Pa (-34 dBV), omni
  • 23 mV / Pa (-33 dBV), figure-8
  • Signal / noise ratio (FET): 86 dB-A
  • Signal / noise ratio (Tube): 82 dB-A
  • Equivalent noise level (FET): 8 dB-A, cardioid (IEC 61672-1) - 9 dB-A, omni (IEC 61672-1) - 8 dB-A, figure-8 (IEC 61672-1)
  • Equivalent noise level (Tube): 12 dB-A, cardioid (IEC 61672-1) - 13 dB-A, omni (IEC 61672-1) - 12 dB-A, figure-8 (IEC 61672-1)
  • Dynamic range for FET mic. Amp.: 135 dB-A
  • Dynamic range for Tube mic. Amp.: 128 dB-A
  • Max. SPL for 0.5 % THD (FET): 143 dB, 0 dB pre-attenuated - 149 dB, 6 dB pre-attenuated - 155 dB, 12 dB pre-attenuated - 161 dB, 18 dB pre-attenuated

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Multipattern
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
23 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
135 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
86 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Vocal, Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Description & Specifications

Acoustic operating principle: pressure gradient transducer

  • Externally polarized
  • Transducer D25.4 mm - 1 inch
  • Directional pattern: omni
  • Extended cardioid
  • Cardioid
  • Hypercardioid
  • Figure-8 and additional intermediate patterns
  • Remote control capability
  • Frequency range: 20 ... 20,000 Hz
  • Sensitivity: 23 mV / Pa (-33 dBV), cardioid
  • 20 mV / Pa (-34 dBV), omni
  • 23 mV / Pa (-33 dBV), figure-8
  • Signal / noise ratio (FET): 86 dB-A
  • Signal / noise ratio (Tube): 82 dB-A
  • Equivalent noise level (FET): 8 dB-A, cardioid (IEC 61672-1) - 9 dB-A, omni (IEC 61672-1) - 8 dB-A, figure-8 (IEC 61672-1)
  • Equivalent noise level (Tube): 12 dB-A, cardioid (IEC 61672-1) - 13 dB-A, omni (IEC 61672-1) - 12 dB-A, figure-8 (IEC 61672-1)
  • Dynamic range for FET mic. Amp.: 135 dB-A
  • Dynamic range for Tube mic. Amp.: 128 dB-A
  • Max. SPL for 0.5 % THD (FET): 143 dB, 0 dB pre-attenuated - 149 dB, 6 dB pre-attenuated - 155 dB, 12 dB pre-attenuated - 161 dB, 18 dB pre-attenuated

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Multipattern
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
23 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
135 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
86 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Vocal, Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.