Microphones

Shure SM7B Δυναμικό Microphone XLR Shock Mounted for Vocals Podcast Bundle

Key features:

  • Dynamic microphone
  • Cardioid polar pattern
  • Frequency: 50 - 20000 Hz
  • Sommer microphone cable
  • Roadworx microphone arm
See full description

Top specs

  • Usage Voice, Computer (Gaming & Streaming), Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
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Description

Description

SM7B by SHURE, dynamic cardioid microphone, with a frequency range of 50 to 20,000 Hz, suitable for radio or television productions. Offers protection from electromagnetic field noise. Includes mount.

Roadworx Microphone Arm

  • Cables with a diameter of up to 8 mm can be attached to the underside of the arms with a clip system
  • Aluminum construction
  • Central locking joint
  • 3/8" Threaded connection with 5/8" adapter
  • Desk clamp up to 56 mm or table mount up to 45 mm (20 mm hole)
  • Upper arm length: 43 cm
  • Lower arm length: 43 cm
  • Color: Black

Sommer Cable Stage 22 SGHN BK 3,0m

  • Microphone cable
  • Length: 3 m
  • For stage and studio applications
  • 2x 0.22 mm² (AWG 24)
  • Hicon HI-X3CM - HI-X3CF connector
  • PVC jacket with a diameter of 6.4 mm
  • Color: Black

Manufacturer

See full description

Specifications

Specifications

Dimensions

Mode of Operation
Dynamic
Directivity
Unidirectional (Cardioid)
Frequency
50 - 20000 Hz
Impendance
150 ohm
Sensitivity
1.12 mV/Pa
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (10)

Reviews

  1. 8
  2. 2
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
  • Oldschool
    4
    0 out of 1 members found this review helpful
    This review is about a variation of the product

    Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    Did you find this review helpful?
  • panamav
    5
    4 out of 4 members found this review helpful

    Verified purchase

    This review is about a variation of the product

    No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    Did you find this review helpful?
  • sdancer75
    4
    55 out of 59 members found this review helpful
    This review is about a variation of the product

    The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • Verified purchase

    This review is about a variation of the product

    simply legendary.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • Verified purchase

    This review is about a variation of the product

    3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    Did you find this review helpful?
  • This review is about a variation of the product

  • Verified purchase

    This review is about a variation of the product

  • Verified purchase

    This review is about a variation of the product

  • Verified purchase

    This review is about a variation of the product

  • This review is about a variation of the product

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    0
  • No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    4
  • The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    55
  • simply legendary.

    Translated from Greek ·
    0
  • 3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    0
  • See all

Description & Specifications

SM7B by SHURE, dynamic cardioid microphone, with a frequency range of 50 to 20,000 Hz, suitable for radio or television productions. Offers protection from electromagnetic field noise. Includes mount.

Roadworx Microphone Arm

  • Cables with a diameter of up to 8 mm can be attached to the underside of the arms with a clip system
  • Aluminum construction
  • Central locking joint
  • 3/8" Threaded connection with 5/8" adapter
  • Desk clamp up to 56 mm or table mount up to 45 mm (20 mm hole)
  • Upper arm length: 43 cm
  • Lower arm length: 43 cm
  • Color: Black

Sommer Cable Stage 22 SGHN BK 3,0m

  • Microphone cable
  • Length: 3 m
  • For stage and studio applications
  • 2x 0.22 mm² (AWG 24)
  • Hicon HI-X3CM - HI-X3CF connector
  • PVC jacket with a diameter of 6.4 mm
  • Color: Black

Manufacturer

Dimensions

Mode of Operation
Dynamic
Directivity
Unidirectional (Cardioid)
Frequency
50 - 20000 Hz
Impendance
150 ohm
Sensitivity
1.12 mV/Pa
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (10)

  1. 8
  2. 2
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
  • Oldschool
    4
    0 out of 1 members found this review helpful
    This review is about a variation of the product

    Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    Did you find this review helpful?
  • panamav
    5
    4 out of 4 members found this review helpful

    Verified purchase

    This review is about a variation of the product

    No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    Did you find this review helpful?
  • sdancer75
    4
    55 out of 59 members found this review helpful
    This review is about a variation of the product

    The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • Verified purchase

    This review is about a variation of the product

    simply legendary.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • Verified purchase

    This review is about a variation of the product

    3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    Did you find this review helpful?
  • This review is about a variation of the product

  • Verified purchase

    This review is about a variation of the product

  • Verified purchase

    This review is about a variation of the product

  • Verified purchase

    This review is about a variation of the product

  • This review is about a variation of the product

    • Sound quality
    • Construction quality
    • Durability
    • Value for money
  • Every person has a different voice and every voice sounds better on different microphones.
    The SM7B has the title of "perfect" while there is no perfect microphone and it certainly is not itself a perfect microphone either.

    While it is a very good microphone, I think its sound is more often a "problem" than the best result someone could have. If you have tried it and liked its sound, then obviously go for it! If not, I consider it an expensive risk.
    Personally, I switched it for the Lewitt 440 Pure, an incredibly better result for MY VOICE.

    Translated from Greek ·
    0
  • No evaluation needed. Nor many words. Epic microphone. In every respect. For big and serious kids

    Translated from Greek ·
    4
  • The product is very good and you will also see very good reviews wherever you read. However, compared to the condenser microphone I have at half the cost, it has less clarity in voice purity. Of course, anyone who chooses this microphone chooses it because they want to "pull" less noise in environments with inadequate sound insulation or to speak very close without distortions and intense proximity. The build quality is one of the best you can find. I give it 4 stars only because of the cost. I believe it could cost less, even with compromises in build quality.

    Edit: After at least 1 year together in a personal recording studio, I have only good things to say. No matter which condenser microphone I worked with, none of them had such a high-quality result in terms of noise reduction. I feel like I love it and wouldn't change it except for the electrovoice re-20, not for the quality but for the last one's ability to adjust the sound intensity with small head rotations. If you don't move much in your chair, then the Shure SM7B is the best you can get for a studio with low or moderate sound insulation and with strong noises in the mouth. It's no coincidence that M. Jackson used it for the legendary album Thriller.

    However, you should know that it requires a lot of dB gain. I have connected it to the golden age pre 73 dlx preamp, which has 80dB gain. In order not to work at maximum with resulting noise, I have used the Triton Audio FetHead. Now there is a lot of amplification with a very clean result without needing to stick to the microphone to have sufficient intensity in the DAW and without needing to digitally amplify the signal.

    Some recordings made with this microphone:
    https://www.youtube.com/watch?time_continue=23&v=ZcBzNBN9EQo
    https://www.youtube.com/watch?time_continue=165&v=0nLC4R2kQK0

    Translated from Greek ·
    55
  • simply legendary.

    Translated from Greek ·
    0
  • 3 words I will say ....... Excellent in everything!

    Translated from Greek ·
    0
  • See all