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Sigma Full Frame Camera Lens 24-70mm F/2.8 Dg Dn Ii Art Standard Zoom / Wide Angle for Leica L Mount Black
Camera Lenses

Sigma Full Frame Camera Lens 24-70mm F/2.8 Dg Dn Ii Art Standard Zoom / Wide Angle for Leica L Mount Black

Featuring improved performance in a smaller and lighter body, the top-tier Sigma 24-70mm f/2.8 DG DN II (Art) for L-Mount lens uses an advanced optical design to enhance sharpness, resolution, and...

Featuring improved performance in a smaller and lighter body, the top-tier Sigma 24-70mm f/2.8 DG DN II (Art) for L-Mount lens uses an advanced optical design to enhance sharpness, resolution, and portability. Additions such as accelerated autofocus, a clickable aperture ring, and a minimum focusing distance of 17 cm make this compact-sized lens ideal for...

See full description See full description

  • Type

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
Product report

Description

Description

Featuring improved performance in a smaller and lighter body, the top-tier Sigma 24-70mm f/2.8 DG DN II (Art) for L-Mount lens uses an advanced optical design to enhance sharpness, resolution, and portability. Additions such as accelerated autofocus, a clickable aperture ring, and a minimum focusing distance of 17 cm make this compact-sized lens ideal for those seeking versatility without compromising on perfection.

Refined Optical Design

  • Six "F" Low Dispersion (FLD) elements and two Special Low Dispersion (SLD) elements reduce chromatic aberrations.
  • Five aspherical elements contribute to the lens's compact construction.
  • The bright f/2.8 aperture produces a beautiful bokeh effect.
  • Super Multi-Layer and Nano Porous Coatings minimize flare and ghosting.
  • The lens suppresses focus breathing during video recording.

Faster Focus, Closer Focus

  • The introduction of a high-response linear actuator motor (HLA) delivers focusing speeds more than three times faster.
  • The minimum focusing distance is 17 cm with a maximum magnification of 1:2.7.

Built Strong and Slim

  • The overall length has been reduced to 120.2 mm, while the weight is 745 g.
  • Additionally, the aperture ring features click and lock switches.
  • The robust internal structure includes metal parts and rubber seals for dust and moisture protection.
  • Two AF-L buttons can be programmed for shooting settings.

Technical Specifications:

  • Maximum Aperture: f/2.8
  • Minimum Aperture: f/22
  • Lens Mount: L-Mount
  • Lens Format Coverage: Full Frame
  • Angle of View: 84.1° to 34.3°
  • Minimum Focusing Distance: 17 cm
  • Maximum Magnification: 0.37x
  • Macro Reproduction Ratio: 1:2.7
  • Optical Design: 19 Elements in 15 Groups
  • Diaphragm Blades: 11, Rounded
  • Focus Type: Autofocus
  • Image Stabilization: No
  • Filter Size: 82 mm (Front)
  • Dimensions (ø x L): 87.8 x 120.2 mm
  • Weight: 745 g

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard Zoom, Wide Angle

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Mount
Leica L

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (9)

Reviews

5.0
9
5.0
Review this product
  1. 8
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight
  • Sakis.p
    5
    Sakis.p
    This review is about the mount: Sony E

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    Did you find this review helpful?
  • blackben
    5
    blackben
    This review is about the mount: Sony E

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    Did you find this review helpful?
  • 1
    2 out of 22 members found this review helpful
    gobopi1574
    This review is about the mount: Sony E

    I had to take it to service from the first month

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    george.18

    Verified purchase

    This review is about the mount: Sony E

  • 5
    ANTONIS_POPI_SANTORINI

    Verified purchase

  • 5
    George_Paterakis74

    Verified purchase

    This review is about the mount: Sony E

  • 5
    Christos Drosos
    This review is about the mount: Sony E

  • 5
    Koulouridis

    Verified purchase

    This review is about the mount: Sony E

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • 5
    christosdiam

    Verified purchase

    This review is about the mount: Sony E

  • Sakis.p
    5
    Sakis.p

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    0
  • blackben
    5
    blackben

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    0
  • 1
    gobopi1574

    I had to take it to service from the first month

    Translated from Greek ·
    2
  • 5
    george.18

    0
  • 5
    ANTONIS_POPI_SANTORINI

    0
  • See all

Description & Specifications

Featuring improved performance in a smaller and lighter body, the top-tier Sigma 24-70mm f/2.8 DG DN II (Art) for L-Mount lens uses an advanced optical design to enhance sharpness, resolution, and portability. Additions such as accelerated autofocus, a clickable aperture ring, and a minimum focusing distance of 17 cm make this compact-sized lens ideal for those seeking versatility without compromising on perfection.

Refined Optical Design

  • Six "F" Low Dispersion (FLD) elements and two Special Low Dispersion (SLD) elements reduce chromatic aberrations.
  • Five aspherical elements contribute to the lens's compact construction.
  • The bright f/2.8 aperture produces a beautiful bokeh effect.
  • Super Multi-Layer and Nano Porous Coatings minimize flare and ghosting.
  • The lens suppresses focus breathing during video recording.

Faster Focus, Closer Focus

  • The introduction of a high-response linear actuator motor (HLA) delivers focusing speeds more than three times faster.
  • The minimum focusing distance is 17 cm with a maximum magnification of 1:2.7.

Built Strong and Slim

  • The overall length has been reduced to 120.2 mm, while the weight is 745 g.
  • Additionally, the aperture ring features click and lock switches.
  • The robust internal structure includes metal parts and rubber seals for dust and moisture protection.
  • Two AF-L buttons can be programmed for shooting settings.

Technical Specifications:

  • Maximum Aperture: f/2.8
  • Minimum Aperture: f/22
  • Lens Mount: L-Mount
  • Lens Format Coverage: Full Frame
  • Angle of View: 84.1° to 34.3°
  • Minimum Focusing Distance: 17 cm
  • Maximum Magnification: 0.37x
  • Macro Reproduction Ratio: 1:2.7
  • Optical Design: 19 Elements in 15 Groups
  • Diaphragm Blades: 11, Rounded
  • Focus Type: Autofocus
  • Image Stabilization: No
  • Filter Size: 82 mm (Front)
  • Dimensions (ø x L): 87.8 x 120.2 mm
  • Weight: 745 g

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard Zoom, Wide Angle

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Mount
Leica L

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (9)

5.0
9
5.0
Review this product
  1. 8
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight
  • Sakis.p
    5
    Sakis.p
    This review is about the mount: Sony E

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    Did you find this review helpful?
  • blackben
    5
    blackben
    This review is about the mount: Sony E

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    Did you find this review helpful?
  • 1
    2 out of 22 members found this review helpful
    gobopi1574
    This review is about the mount: Sony E

    I had to take it to service from the first month

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    george.18

    Verified purchase

    This review is about the mount: Sony E

  • 5
    ANTONIS_POPI_SANTORINI

    Verified purchase

  • 5
    George_Paterakis74

    Verified purchase

    This review is about the mount: Sony E

  • 5
    Christos Drosos
    This review is about the mount: Sony E

  • 5
    Koulouridis

    Verified purchase

    This review is about the mount: Sony E

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • 5
    christosdiam

    Verified purchase

    This review is about the mount: Sony E

  • Sakis.p
    5
    Sakis.p

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    0
  • blackben
    5
    blackben

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    0
  • 1
    gobopi1574

    I had to take it to service from the first month

    Translated from Greek ·
    2
  • 5
    george.18

    0
  • 5
    ANTONIS_POPI_SANTORINI

    0
  • See all
1.389,00 €
14,00 €   shipping cost