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Sigma Full Frame Camera Lens 24-70mm f/2.8 DG DN II Art Standard Zoom / Wide Angle for Sony E Mount Black
Camera Lenses

Sigma Full Frame Camera Lens 24-70mm f/2.8 DG DN II Art Standard Zoom / Wide Angle for Sony E Mount Black

Key features:

  • Lens Mount: Sony E
  • Camera Format: Full Frame
  • Focal Length: 24-70mm
  • Maximum Aperture: f/2.8
See full description

  • Type

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
Product report

Description

Description

Featuring improved performance in a smaller and lighter body, the top-tier Sigma 24-70mm f/2.8 DG DN II (Art) lens for Sony E-Mount uses an advanced optical design to enhance sharpness, resolution, and portability. Additions such as accelerated autofocus, a clickable aperture ring, and a minimum focusing distance of 17 cm make this lens ideal for those seeking versatility without compromising on perfection.

Refined Optical Design

  • Six "F" Low Dispersion (FLD) elements, two Special Low Dispersion (SLD) elements, and five aspherical elements significantly reduce chromatic aberrations and fringing throughout the zoom range for improved clarity and color accuracy.
  • Increased control of sagittal coma flare delivers high resolution across the entire frame.
  • The bright f/2.8 aperture and 11-blade rounded diaphragm produce a large, beautiful bokeh effect.
  • Super Multi-Layer and Nano Porous Coatings minimize lens flare and ghosting, producing images rich in contrast and neutral colors.
  • Designed to suppress focus breathing, creating natural-looking focus pulls during video recording.

Faster Focus, Closer Focus

  • The introduction of a high-response Linear Actuator (HLA) linear motor delivers focusing speeds more than three times faster than its predecessor.
  • The minimum focusing distance is improved to 17 cm with a maximum magnification of 1:2.7 for close-up subjects.

Built Strong and Slim

  • The overall length has been reduced to 120.2 mm and the weight to 745 g.
  • The aperture ring features click and lock switches for improved handling.
  • The robust internal structure includes metal parts and rubber seals for protection against dust and moisture.
  • Two integrated AF-L buttons can be programmed for various shooting settings.
  • AF/MF switch and zoom lock switch to prevent accidental barrel extension.

Technical Specifications:

  • Maximum Aperture: f/2.8
  • Minimum Aperture: f/22
  • Lens Mount: Sony E
  • Format Compatibility: Full Frame
  • Angle of View: 84.1° to 34.3°
  • Minimum Focusing Distance: 17 cm
  • Maximum Magnification: 0.37x
  • Macro Reproduction Ratio: 1:2.7
  • Optical Design: 19 elements in 15 groups
  • Diaphragm Blades: 11, rounded
  • Focus Type: Autofocus
  • Image Stabilization: No
  • Filter Size: 82 mm (Front)
  • Dimensions (ø x L): 87.8 x 122.2 mm
  • Weight: 735 g

Advanced optical design

Six "F" Low Dispersion (FLD), two Special Low Dispersion (SLD) elements, and five aspherical elements significantly reduce chromatic aberrations and color fringing throughout the zoom range for improved clarity and color accuracy. Additionally, the increased sagittal coma flare control delivers high resolution across the entire frame.

  • In addition to superior optical performance, the five aspherical elements contribute to the lens's compact construction with their thin, highly polished design.
  • The bright f/2.8 aperture and rounded 11-blade diaphragm create a large, beautiful bokeh effect.
  • Super multi-layer and nano-porous coatings have been applied to the lens elements to minimize flare and ghosting and help produce images rich in contrast and neutral color, even in backlit conditions.
  • The lens is also designed to suppress focus breathing as the viewing angle changes throughout the zoom range, creating naturally appearing focus pulls when recording video.

Focus faster, focus closer

  • The introduction of a high-response linear actuator (HLA) linear motor for autofocus drive delivers focusing speeds more than three times faster than its predecessor.
  • At the wide-angle end of the zoom range, the minimum focusing distance is improved to 6.7" with a maximum magnification of 1:2.7 to suit working with close-up subjects or in tight spaces.

Built strong and swift

  • Maintaining the same number of lens elements, the overall length was reduced to 4.8" while the weight was reduced to 1.6 pounds.
  • The aperture ring features click and lock switches for improved handling during use.
  • The robust internal structure features metal parts for zoom extension, while the exterior has rubber seals at the base to protect the lens from dust and moisture.
  • Two built-in AF-L buttons can be programmed to adjust various shooting settings, and the lens also features a dedicated AF/MF switch and a zoom lock switch to prevent accidental barrel extension.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard Zoom, Wide Angle

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
835 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (8)

Reviews

5.0
8
5.0
Review this product
  1. 7
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight
  • Sakis.p
    5
    Sakis.p

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    Did you find this review helpful?
  • blackben
    5
    blackben

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    Did you find this review helpful?
  • 1
    2 out of 21 members found this review helpful
    gobopi1574

    I had to take it to service from the first month

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    ANTONIS_POPI_SANTORINI

    Verified purchase

    This review is about the mount: Leica L

  • 5
    George_Paterakis74

    Verified purchase

  • 5
    Christos Drosos

  • 5
    Koulouridis

    Verified purchase

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • 5
    christosdiam

    Verified purchase

  • Sakis.p
    5
    Sakis.p

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    0
  • blackben
    5
    blackben

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    0
  • 1
    gobopi1574

    I had to take it to service from the first month

    Translated from Greek ·
    2
  • 5
    ANTONIS_POPI_SANTORINI

    0
  • 5
    George_Paterakis74

    0
  • See all

Description & Specifications

Featuring improved performance in a smaller and lighter body, the top-tier Sigma 24-70mm f/2.8 DG DN II (Art) lens for Sony E-Mount uses an advanced optical design to enhance sharpness, resolution, and portability. Additions such as accelerated autofocus, a clickable aperture ring, and a minimum focusing distance of 17 cm make this lens ideal for those seeking versatility without compromising on perfection.

Refined Optical Design

  • Six "F" Low Dispersion (FLD) elements, two Special Low Dispersion (SLD) elements, and five aspherical elements significantly reduce chromatic aberrations and fringing throughout the zoom range for improved clarity and color accuracy.
  • Increased control of sagittal coma flare delivers high resolution across the entire frame.
  • The bright f/2.8 aperture and 11-blade rounded diaphragm produce a large, beautiful bokeh effect.
  • Super Multi-Layer and Nano Porous Coatings minimize lens flare and ghosting, producing images rich in contrast and neutral colors.
  • Designed to suppress focus breathing, creating natural-looking focus pulls during video recording.

Faster Focus, Closer Focus

  • The introduction of a high-response Linear Actuator (HLA) linear motor delivers focusing speeds more than three times faster than its predecessor.
  • The minimum focusing distance is improved to 17 cm with a maximum magnification of 1:2.7 for close-up subjects.

Built Strong and Slim

  • The overall length has been reduced to 120.2 mm and the weight to 745 g.
  • The aperture ring features click and lock switches for improved handling.
  • The robust internal structure includes metal parts and rubber seals for protection against dust and moisture.
  • Two integrated AF-L buttons can be programmed for various shooting settings.
  • AF/MF switch and zoom lock switch to prevent accidental barrel extension.

Technical Specifications:

  • Maximum Aperture: f/2.8
  • Minimum Aperture: f/22
  • Lens Mount: Sony E
  • Format Compatibility: Full Frame
  • Angle of View: 84.1° to 34.3°
  • Minimum Focusing Distance: 17 cm
  • Maximum Magnification: 0.37x
  • Macro Reproduction Ratio: 1:2.7
  • Optical Design: 19 elements in 15 groups
  • Diaphragm Blades: 11, rounded
  • Focus Type: Autofocus
  • Image Stabilization: No
  • Filter Size: 82 mm (Front)
  • Dimensions (ø x L): 87.8 x 122.2 mm
  • Weight: 735 g

Advanced optical design

Six "F" Low Dispersion (FLD), two Special Low Dispersion (SLD) elements, and five aspherical elements significantly reduce chromatic aberrations and color fringing throughout the zoom range for improved clarity and color accuracy. Additionally, the increased sagittal coma flare control delivers high resolution across the entire frame.

  • In addition to superior optical performance, the five aspherical elements contribute to the lens's compact construction with their thin, highly polished design.
  • The bright f/2.8 aperture and rounded 11-blade diaphragm create a large, beautiful bokeh effect.
  • Super multi-layer and nano-porous coatings have been applied to the lens elements to minimize flare and ghosting and help produce images rich in contrast and neutral color, even in backlit conditions.
  • The lens is also designed to suppress focus breathing as the viewing angle changes throughout the zoom range, creating naturally appearing focus pulls when recording video.

Focus faster, focus closer

  • The introduction of a high-response linear actuator (HLA) linear motor for autofocus drive delivers focusing speeds more than three times faster than its predecessor.
  • At the wide-angle end of the zoom range, the minimum focusing distance is improved to 6.7" with a maximum magnification of 1:2.7 to suit working with close-up subjects or in tight spaces.

Built strong and swift

  • Maintaining the same number of lens elements, the overall length was reduced to 4.8" while the weight was reduced to 1.6 pounds.
  • The aperture ring features click and lock switches for improved handling during use.
  • The robust internal structure features metal parts for zoom extension, while the exterior has rubber seals at the base to protect the lens from dust and moisture.
  • Two built-in AF-L buttons can be programmed to adjust various shooting settings, and the lens also features a dedicated AF/MF switch and a zoom lock switch to prevent accidental barrel extension.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard Zoom, Wide Angle

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
835 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (8)

5.0
8
5.0
Review this product
  1. 7
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight
  • Sakis.p
    5
    Sakis.p

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    Did you find this review helpful?
  • blackben
    5
    blackben

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    Did you find this review helpful?
  • 1
    2 out of 21 members found this review helpful
    gobopi1574

    I had to take it to service from the first month

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    ANTONIS_POPI_SANTORINI

    Verified purchase

    This review is about the mount: Leica L

  • 5
    George_Paterakis74

    Verified purchase

  • 5
    Christos Drosos

  • 5
    Koulouridis

    Verified purchase

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • 5
    christosdiam

    Verified purchase

  • Sakis.p
    5
    Sakis.p

    Excellent and at half the price of the Sony. The only difference is that it is 50 grams heavier than the G Master 2. In the comparison I did, there is no difference in image quality or autofocus. If you are a photographer, the Sony gives you something extra if you want to shoot in bursts.

    Translated from Greek ·
    0
  • blackben
    5
    blackben

    Excellent lens, it competes equally with the Sony 24-70 2.8 G Master both in Auto focus and in image quality. Truly exceptional value for money, watch Gerald Undone's video to see that it really is an amazing lens and at half the price of the G Master.

    Translated from Greek ·
    0
  • 1
    gobopi1574

    I had to take it to service from the first month

    Translated from Greek ·
    2
  • 5
    ANTONIS_POPI_SANTORINI

    0
  • 5
    George_Paterakis74

    0
  • See all
1.389,00 €
14,00 €   shipping cost