Five plays and a film compose the artistic, unique personality of Sarah Kane. Twenty-five years after her death and despite the negative reviews she received, she has established herself as a classic British writer of the 20th century and, indeed, the most representative of the theatrical movement "in-yer-face theatre," where violence, love, and myth are presented on stage in every form intact.

Phaedra's Love, Cleansed, Crave, 4.48 Psychosis, and Skin are the titles of the plays and the film included in this edition, which represents a comprehensive record of her artistic journey.

Verbal, physical, emotional, and psychological fragmentation dominates her work, with the main aim being the representation and unmasking of contemporary reality on stage.

"I wanted to present violence on stage because sometimes we have to immerse ourselves in hell itself with our imagination to avoid going there in reality," she famously stated.