Contents Note from the Editors

History of Art and Nationalism: From the "French" Renaissance to the "Primitive" Painters

The Elevation of Henri Focillon as the Quintessential Representative of the French School of Art History

The Phenomenology of the Image in Art History: The Case of Heinrich Wolfflin

Claudius Civilis by Aby Warburg

Reception of Antiquity and Studies in Art History. From Aby Warburg to the Interdisciplinary Research Program SFB 644: "Transformations of Antiquity" ("Transformationen der Antike")

Socialist Realism or Simply Realism? The Social Content of Art and the Proper or Improper Use of Related Terms

The Designer as Gesamtkunstler: Crisis and Transformations of Artistic Labor in the German Applied Arts Movement of the Early 20th Century

"Do You Believe in the Usefulness of Art Criticism?" A Critical Approach to a 1927 Opinion Survey in the Newspaper Paris-Midi

The Globalist Perception of Contemporary Art History as Totalitarianism. Production Systems, Induction, Entropy, and Statements about the End of Art

The Letter of Bronzino to Varchi and the Allegory with Venus and Cupid within the Framework of the Paragone of the Arts

Iconographic - Iconological Excesses of Greek Interest in the Italian Renaissance: Ancient Greek and Byzantine Over-Readings in Early Renaissance Italian Art

The Painter Antonios Vasilakis, Known as Aliénze (L'Aliense) (Milos 1556 - Venice 1629)

"On Painting": An Unknown Manuscript of the 18th Century

"The Absolute Confusion of the Professional Crisis": Artists and the Sculptures of the Parthenon at the British Parliament Committee, 1816

From the Iconographic Workshop to Industrial Production: The Work of Corfiot Nikolaos Aspiotis

History of Neo-Hellenic Ecclesiastical Art: Issues of Defining the Research Field and Redefining the Historiographical Method

The Georgian Collection of Medieval Enamel Icons from the 19th-20th Century and the Surrounding Atmosphere of the Era

"A Somewhat Incomplete Idea": The Critique of Tonis Spiteris on the Theophilos Exhibition in Paris in 1961

Caresse Crosby and Her Role in Promoting Greek Art Internationally. The Artistic Magazine Portfolio and the 1953 Exhibition in Delphi

Alexandros Iolas in the Years of Hugo Gallery, Collectors de Menil, and the Promotion of Surrealism in the United States

Mec Art Graphic 1972: The Artists of Mec Art and the Publisher Magda Kotzia

The Re-exhibition "Modernites plurielles" of the Permanent Collections of the Pompidou Museum: Re-examining the Narrative of Modern Western Art

"Our Sea," Again: Reasons for Mediterranean Photography

Public Sculpture and Memory. The Case of the Monuments for Kyriakos Matsis, the Holocaust, and the Jewish Cemetery at Aristotle University of Thessaloniki

The Case of the National Carthage (1952-1956). The Controversy Surrounding the First Greek Monument in the Liberated Dodecanese

The Work of Georgios Pol. Georgiou: Eclecticism, Indigenous "Primitivism," and "Peripheral" Cosmopolitanism as "Other" Modernism

The Relationship of the Art of Greek Painter Dimitris Perdikidis with the National Narrative on Abstract Painting in Spain (1953-1964)

National Cartography and Photographic Landscape: The First Institutional Attempts to Showcase Greece (1900-1910)

The "Generation of the '30s" in the Historiography of Neo-Hellenic Art: The Problematic Use of an Unclear Term and the Construction of a Non-existent "Generation" of Artists

Images of Modern Women in Greek Interwar Art

The Workshop of Konstantinos Parthenis at the Athens School of Fine Arts: Teaching Art as a Teaching of its "Science"

The Work of the Uneducated Painter Spyros Paliouras (1877-1957): A Version of Greekness in the Interwar Period?

The Archive of George Zongolopoulos: A First Approach

"Young Architect, Where Are You Going?". The Architectural Journey of Isaac Saporta in Greece in the 1930s

Folkness as a Vehicle of Modernism? The Six Folk Paintings and the Cursed Serpent

Art and Local Government 1941-1950. Documentation from the Minutes of the Athens City Council